Little Ones Theatre

Purveyors of high camp.

[Star Observer @star_observer]

Vampire Lesbians of Sodom follows the antagonistic relationship between two immortal lesbian vampires, who first met in the eponymous Sodom.
https://t.co/X36CjnjLvO

[The Saturday Paper @SatPaper]

“There’s an intelligence to pop culture and pop music that a lot of people don’t credit. That was the first time I’d seen those genres and styles on a stage: the vaudeville, Marlene Dietrich, Carmen Miranda.”

@little_ones' Stephen Nicolazzo on Madonna. https://t.co/EivMNpayGr

[The Saturday Paper @SatPaper]

.@qianjinghua reviews the new stage adaptation of Christos Tsiolkas’ Loaded at @MalthouseMelb.
https://t.co/FY7YzTWW9k

[The Saturday Paper @SatPaper]

The @MalthouseMelb’s staging of Christos Tsiolkas’ Loaded embodies a second-generation identity crisis, writes @qianjinghua.

How can a transplant respect its roots while staying nimble in a new time and place?
https://t.co/zTuuaVH0Ke

[The Saturday Paper @SatPaper]

The long-awaited stage adaptation of Christos Tsiolkas’ Loaded at the Malthouse Theatre updates the story for a new audience while juicing generative tension out of anachronism, writes @qianjinghua.
https://t.co/ifOQiWGuXn

[The Saturday Paper @SatPaper]

Danny Ball’s magnetic solo performance is a joy to watch in its physicality, charisma and control, writes @qianjinghua.
https://t.co/qs6iCbZrYG

[The Saturday Paper @SatPaper]

Since Christos Tsiolkas’ Loaded was published in 1995, the way Australians see race and sexuality has changed.

Shifting the setting to the present day doesn’t weaken the narrative, but it does complicate it, writes @qianjinghua.
https://t.co/J1pKDjC5Hz

[Bridget McArthur (she/her) @bridgemac1]

Pls everyone see Loaded @MalthouseMelb. Took dad along, he doesn’t really like plays + thought we were seeing Judith Lucy for some reason? But came out raving. “It was interesting to learn about a lifestyle so foreign to me.” And that’s how I learnt my dad’s not a young gay man.

[Little Ones Theatre @little_ones]

@MelbourneArts @MalthouseMelb Can you please write that thesis?!! Thank you from the bottom
Of my heart for this piece. X

[Chris Boyd @MelbourneArts]

Loaded is a stunning work in its own right. It can’t match the reckless velocity & momentum of Head On, but it has a luscious sensuality & easy physical immediacy that neither the original prose nor Kokkinos’s movie can offer @MalthouseMelb My review [$] https://t.co/6AiCfFuKEn

[Malthouse Theatre @MalthouseMelb]

The journey of Christos Tsiolkas' Loaded continues on the theatre stage. In this stories of M piece, Loaded author and co-adaptor Christos Tsiolkas talks to Besen Family Artist, Kitan Petkovski about Ari, and speaking his truth.

https://t.co/ZCizqPZaEs

[Coast Box Office @CoastBoxOffice]

Loaded. Malthouse Theatre. Review by Koraly Dimitriadis. #News https://t.co/DJFqDSvGby

[Australian Book Review @AustBookReview]

'It may be easy to forget, but 1995 is as far away from us in time as 1967 was from Loaded’s publication.'

Ben Brooker reviews 'Loaded' | @MalthouseMelb @little_ones @BenMBrooker

https://t.co/wfTZD1M1ML

[ArtsHub @ArtsHub]

★★★★☆ 'A freewheeling, caustic monologue performed with feverish intensity by the spellbinding Danny Ball.'

Loaded will run at @MalthouseMelb until 3 June 2023:

#loaded #malthousetheatre #review #theatre #christotsiolkas
https://t.co/ISo71vb6xh

[Guardian Stage @guardianstage]

Loaded review – Danny Ball is magnificent in Christos Tsiolkas adaptation https://t.co/th5884CLHG

[Neos Kosmos @NeosKosmos]

Stephen Nicolazzo’s theatre adaptation of Christos Tsiolkas’ Loaded challenges identity politics by putting class back under the spotlight https://t.co/SJFuCYo08B