Lots of people discovering Cillian's great performance in Wes Craven's post-9/11 thriller Red Eye (2005) which has one of my favorite villain moments where he just starts clapping when the plane lands and Rachel McAdams makes a face like "This guy is fuckinggg crazy."
No residuals. This was a basically a shakedown of a creator who had little/very limited power to negotiate (because every writer wants their show made) and even in success to the highest degree, they give him no participation? That's not "business" that's theft.
@DopestEthiopian I’ve been having this argument with some friends, I think fellini’s is the best but they swear by Grant Central (very good to me, it’s just not Fellini’s)
Sleep in the heat, Guilt trip, and City are just a few of the PUP songs that have truly blown me away. Will forever aspire to create something with a guitar as beautiful as those.
As the lead guitarist, my biggest influence is 100% @sladkow from PUP. I hope it comes through a bit here. I’ve seen PUP ~10 times and experiencing him play has completely changed how I view this instrument. If you’re a fan of PUP or PUP guitar, I think you’ll like our new song.
I sorta get the appeal of modeling rigs, easy setup, exact same sound all the time, but I really love the physical act of using my amp and my pedals. It’s part of the performance and frankly part of the music experience.