🇵🇸🇸🇩🇨🇩❤️‍🔥

The House of Common Sense and The Home of Proper Propaganda ♓️ One bound upstream 📿 🇵🇸🇸🇩🇨🇩🇵🇬

[🇵🇸🇸🇩🇨🇩❤️‍🔥 @lowtech_42]

Can you help us spread the word⁉️

My friend Ahed is a Palestinian refugee living in Egypt after losing everything to the occupation!

With your generosity, we can get her modest goal to pay for her future funded!!

https://t.co/RZbHMiBDcf
#FreePalestine

[⋆ 𝖍𝖔𝖙 𝖌𝖎𝖗𝖑 𝖇𝖑𝖚𝖊 ⋆ @ohlowdy]

Megan reposting this is sendinggg me 😭😭 bye

[“alright now!” ηick @Creat1ve]

Parts of me want to say her dropping this & it being so short is kind of haha in the face of the industry giants at large that try to duplicate her sound but can’t quite do it like she does. It is indeed “Too Easy” for her.

[Clementine♡ @queerboyclem]

No it’s deep. she emphasises the expectations of a popstar. she falls, they fix and replicate her, she then gets in the camera then smiles all while making it look too easy. it’s a vicious cycle of being a popstar, the video is a loop for a reason!

[Imani Imani @manithoughtss]

Thank you so much for this beautiful review Monie. I’m soo touched by your words and how in tune you are with everything in there and around it too. You’re special 🤍

[chris🤖🌹 @Mechazawa]

Feeling Old Yet ? The Baby Baby Baby Baby Baby Baby Baby From Persona 3 Is Old Enough To Drink

[Mo Gaza 🍉🏹 @mogaza02]

The headlines fade.
Our hardship doesn’t.
Please help my family in Gaza get through another day. 🙏
https://t.co/Sa8JJ2vk9a

[philip lewis @Phil_Lewis_]

Under the Trump administration, efforts to address deep-rooted inequities for Black students are being cast as discriminatory against white students https://t.co/asZMltaQOX

[Greg Baldwin @GregBaldwinIroh]

Hard truth…

I can speak freely because I’m 65 years old and my pocketful of fucks is seriously depleted.

Working as a paralegal at various studios in LA for thirty years…I had the opportunity to observe studio executives closely.

They’re generally a slippery and clueless bunch who shouldn’t be allowed near anything remotely creative…but the new regime at Paramount is straight up evil.

I assure you.

These soulless bastards have nothing but contempt for a show about grace and redemption and the struggle against fascism.

ATLA is a mystery to them.

They. Do. Not. Value. The. Franchise.

[shantaria 𑣲 @moonchildshann]

my second article is finally up :)

🎀: https://t.co/DcELSgUFE2

[Tyla @Tyllaaaaaaa]

“Is it love” snippet

#APOP
https://t.co/9Ktu9WValQ

[StanademiksTV @stanademikstv]

Vince Staples speaks on not going on a press run “cuz ain’t nothing fuckin funny”

How the label attempted to suppress his creativity because DSPs would be mad “because you wouldn’t belong there”

Now that he’s independent he’s in full creative control. Cry Baby is the brilliant work that resulted.

Side note - this man really told the crowd to chill when they cheered at the mention of Big Fish Theory

[j0nathan @xj0nathan]

Petite précision qui montre à quel point Ubisoft voulait couler Patrice :

En 2013, ils n'ont pas racheté tout THQ mais seulement THQ Montréal pour avoir les droits sur South Park : Le Baton de la Vérité et...1666 Amsterdam

On rappelle qu'à l'époque THQ c'était Saints Row, Darksiders et Metro (pour ne citer qu'eux). Ubisoft a bizarrement fait l'impasse sur ces trois grosses licences pour se concentrer sur un pauvre jeu South Park et la nouvelle IP de Patrice, comme par hasard 🥹

[j0nathan @xj0nathan]

Faut absolument que vous sachiez comment Ubisoft a traité cet homme (créateur de Assassin's Creed) comme une merde :

- en 2010 il commençait à dire qu'il voulait réduire la cadence avec les AC et que le fait d'annualiser la licence allait nuire à la qualité des jeux
- quelques mois après il est poussé vers la sortie et démissionne (sûrement harcelé par Ubisoft vous connaissez les méthodes 🥹)
- en 2011 il rejoint THQ qui fondent spécialement pour lui un sous studio et commence a bosser sur 1666 Amsterdam
- en 2013 Ubisoft rachète THQ et vire spécifiquement Patrice, et conservent par la même occasion tous les droits sur sa création 1666 Amsterdam
- en 2016, après 3 ans de bataille juridique acharnée, ils récupèrent les droits sur son jeu
- en 2026, 10 ans après, il nous présente enfin 1666 Amsterdam

[Thee Stallion Base @StallionBase_]

Megan Thee Stallion in new Instagram post!

[Yves-Angeline @AdamantxYves]

Girl, this was actually scary AF. I finally get the Backrooms.

[Pop Base @PopBase]

Tinashe has released the music video for her new single 'Too Easy.'

[tone @tony_b_goode]

Black gay bars are closing while everybody profits off Black queer culture. Ballroom gets copied, our slang gets recycled, our aesthetics get monetized, & suddenly non-Black people are the face of “Black gay” events.
How do u consume the culture but erase the people who built it?

[👑 J³ABz👑 @Jabz_CFC]

'Deliver Us From Eva' has one of the prettiest casts in film history.

[Pop Detective @PopDetective]

“AI is not going anywhere” is a PR line from a gen AI company press release that’s trying to make their bad broken technology seem inevitable. It’s bullshit. Please stop repeating it.

[Stallion Stats @MegansStats]

Megan Thee Stallion has released a statement following her recent lawsuit:

— “My finance team conducted a comprehensive audit of Eric Archibald's wardrobe expenses and uncovered fraudulent invoices, unsupported charges, and styling shipments tied to addresses that could not be verified. Those findings raised serious concerns about the legitimacy of expenses that we repeatedly tried to resolve privately with Eric's team. Rather than address the issues from the audit, Eric and his team chose to file a lawsuit. The facts are on our side and I won't be coerced into paying charges that can't be substantiated.”