A group of white men attacked a black dock worker after he asked them to move their boat. In response, a group of black men intervened to defend the worker.
Paul Pierce goes on a long heated rant about streamers fueling “hoe inflation,” arguing that young women now expect more money and lavish lifestyles because of the streamers they associate with👀
“It’s too many squares and nerds getting money and that’s why these girls acting like that”
(EXPLICIT) Sukihana’s “Pussy Everywhere” is exactly what her reputation suggests: unapologetic, sexual, and bound to get a reaction. Released during the rise of her Love & Hip Hop: Miami fame, the track leans into the explicit humor and sexual confidence that became her trademark. The video features Sukihana front and center in revealing outfits, treating sexuality as part of her larger-than-life persona rather than something subtle. Whether critics loved it or hated it, the song helped cement her image as one of rap’s most provocative and unfiltered personalities.
J. Prince, who was recently spotted in Houston Tx, reveals it was his son’s idea for Z-Ro to finally shoot a music video for his classic song “Mo City Don Freestyle” more than 20 years after its release.
(🎥 OfficialJMacworldwide/IG)
[EXPLICIT] Sun-drenched, unapologetic, and dripping with confidence, Janelle Monáe's "Lipstick Lover" turns pleasure into an art form. The poolside visual became an instant conversation starter, blending sensual energy, freedom, and luxury into one unforgettable summer statement.
[EXPLICT] The-Dream’s “Pussy” off IV Play brought together Pusha T and Big Sean for one of the most unapologetically NSFW records of the early 2010s. Released in 2013 through Dream / IDJ, the track leaned fully into luxury-strip-club energy, explicit lyrics, and hazy late-night production that defined The-Dream’s erotic R&B era. No official narrative video ever really pushed mainstream rotation, which added to its underground cult status.
[EXPLICIT] Released in 2010 during Waka Flocka Flame’s breakout Flockaveli run, the uncensored version of “Don’t Be Mad At Me” pushed the rapper’s wild party aesthetic into full late-night territory. Filmed in Atlanta with a gritty strip-club atmosphere, the visual features heavy club choreography, revealing party scenes, and cameo appearances from members of Brick Squad, capturing the raw, chaotic energy that defined Waka’s early mixtape era.
[EXPLICIT] After Boosie Badazz returned home in 2014, “Shake It Till Ya Run Outta Breath” featuring Tone tapped straight into the South’s unrated club-video formula. Filmed with dark lounge lighting and packed dance-floor scenes, the visual leaned heavily on explicit twerking, revealing outfits, and raw strip-club energy — the kind of viral DVD-era aesthetic that kept Southern rap visuals alive well into the 2010s.
[EXCLUSIVE] Released in 2016 during Young Dolph's Rich Crack Baby era, "Want It All" doubled down on the flashy, hyper-sexual luxury aesthetic that helped define Dolph's Memphis hustle persona.
Directed by Howard Ross and filmed in lavish mansion-style settings, the visual mixes lingerie-clad models, poolside excess, and nonstop flex culture into a polished late-night rap fantasy.
[EXPLICIT] Released during Gucci Mane’s mid-2000s trap explosion, “Scarface” carried that raw Atlanta mixtape energy straight into the clubs. The video, filmed around Atlanta, Georgia in 2007, leaned heavy into late-night mansion visuals, flashing pools, luxury whips, and topless party scenes. Gucci Mane commands the screen while Brick Squad affiliates and local models slide through cameo-heavy shots drenched in Southern street glamour.