lucy hossack @lucy_hossack - Twitter Profile

11 months ago

Dinosaurs were invented during the 19th century, at the same time that Darwinism was being promoted, as the new account of life on earth. The coincidence was deliberate, because the creation of enormous reptiles, from imagined ages before mankind, gave dramatic form to the theory of evolution. Without dinosaurs, the public would have struggled to imagine millions of years filled with anything meaningful. With dinosaurs, deep time appeared crowded with monsters, which made evolution feel certain, while weakening the influence of religion. The word dinosaur was coined in 1842 by Sir Richard Owen, a British anatomist who was closely tied to the scientific establishment. He created the term Dinosauria from the Greek deinos, meaning terrible and sauros meaning lizard or reptile. The name itself was chosen to inspire fear and awe; and it worked perfectly as a cultural weapon. Yet the description is inaccurate, because not all dinosaurs were remotely reptilian. Many were drawn as bird-like, some were given feathers and others were lumbering herbivores, unlike lizards in any respect. The term was kept not because it was accurate, but because it was powerful and memorable. It shows that the invention was never about truth, but about presentation. Before 1842 no civilisation ever mentioned dinosaurs. Egyptians left records of their animals yet never spoke of them. Greeks wrote of giants and cyclopes, but no dinosaurs. Romans described beasts from across their empire, but never dinosaurs. Chinese scholars carefully catalogued dragons, but never dinosaurs. Norse people spoke of frost giants and the native peoples of the Americas remembered thunderbirds and colossal spirits, but none ever recorded dinosaurs. This silence is not a coincidence, it shows that the story began, only when modern science invented it, while the true beings remembered by ancient peoples were dragons, giants and monsters. The evidence for dinosaurs is far weaker than people realise, because no complete skeleton has ever been discovered, not even one. The celebrated Tyrannosaurus rex exists only in fragments, with the missing pieces filled in by plaster, wire and steel. Every impressive museum display is a sculpture of imagination, constructed to appear whole, while resting upon scattered remains. These models are presented as fact, yet they are largely plaster, supported by metal and shaped by artists. They are works of theatre, not faithful records of creatures once alive. Dinosaurs became a cultural tool that reshaped society. Schools taught children about them from the youngest age, publishers filled books with colourful illustrations and later, cinema transformed them into global icons. The Jurassic Park franchise alone generated billions, while toy companies sold endless replicas, puzzles and games, that filled every shop. By surrounding every generation with dinosaurs, the belief became instinctive and modern science replaced religion as the trusted authority on the past. The invention also brought immense financial gain; museums charged millions of visitors to view plaster reconstructions. Publishers sold vast numbers of school books and encyclopaedias, films produced fortunes and toys guaranteed a steady stream of profit. Dinosaurs enriched the institutions that promoted them, which explains why the myth has been protected so fiercely. Dinosaurs were not discovered, they were manufactured and the bones belonged to dragons, giants, cyclopes and other beings remembered by our ancestors. No complete skeleton has ever been unearthed, museum displays are mostly plaster and no civilisation, before the 1800s ever mentioned dinosaurs. The tale has survived for nearly 200 years because it serves Darwinism, undermines religion, strengthens authority and produces enormous profit for those who continue to sell it. Guy Anderson - Author Tesla & The Cabbage Patch Kids

BillyZigouras's tweet photo. Dinosaurs were invented during the 19th century, at the same time that Darwinism was being promoted, as the new account of life on earth.

The coincidence was deliberate, because the creation of enormous reptiles, from imagined ages before mankind, gave dramatic form to the theory of evolution. Without dinosaurs, the public would have struggled to imagine millions of years filled with anything meaningful. With dinosaurs, deep time appeared crowded with monsters, which made evolution feel certain, while weakening the influence of religion.

The word dinosaur was coined in 1842 by Sir Richard Owen, a British anatomist who was closely tied to the scientific establishment. He created the term Dinosauria from the Greek deinos, meaning terrible and sauros meaning lizard or reptile. The name itself was chosen to inspire fear and awe; and it worked perfectly as a cultural weapon. Yet the description is inaccurate, because not all dinosaurs were remotely reptilian. Many were drawn as bird-like, some were given feathers and others were lumbering herbivores, unlike lizards in any respect. The term was kept not because it was accurate, but because it was powerful and memorable. It shows that the invention was never about truth, but about presentation.

Before 1842 no civilisation ever mentioned dinosaurs. Egyptians left records of their animals yet never spoke of them. Greeks wrote of giants and cyclopes, but no dinosaurs. Romans described beasts from across their empire, but never dinosaurs. Chinese scholars carefully catalogued dragons, but never dinosaurs. Norse people spoke of frost giants and the native peoples of the Americas remembered thunderbirds and colossal spirits, but none ever recorded dinosaurs. This silence is not a coincidence, it shows that the story began, only when modern science invented it, while the true beings remembered by ancient peoples were dragons, giants and monsters.

The evidence for dinosaurs is far weaker than people realise, because no complete skeleton has ever been discovered, not even one. The celebrated Tyrannosaurus rex exists only in fragments, with the missing pieces filled in by plaster, wire and steel. Every impressive museum display is a sculpture of imagination, constructed to appear whole, while resting upon scattered remains. These models are presented as fact, yet they are largely plaster, supported by metal and shaped by artists. They are works of theatre, not faithful records of creatures once alive.

Dinosaurs became a cultural tool that reshaped society. Schools taught children about them from the youngest age, publishers filled books with colourful illustrations and later, cinema transformed them into global icons. The Jurassic Park franchise alone generated billions, while toy companies sold endless replicas, puzzles and games, that filled every shop. By surrounding every generation with dinosaurs, the belief became instinctive and modern science replaced religion as the trusted authority on the past.

The invention also brought immense financial gain; museums charged millions of visitors to view plaster reconstructions. Publishers sold vast numbers of school books and encyclopaedias, films produced fortunes and toys guaranteed a steady stream of profit. Dinosaurs enriched the institutions that promoted them, which explains why the myth has been protected so fiercely.

Dinosaurs were not discovered, they were manufactured and the bones belonged to dragons, giants, cyclopes and other beings remembered by our ancestors. No complete skeleton has ever been unearthed, museum displays are mostly plaster and no civilisation, before the 1800s ever mentioned dinosaurs. The tale has survived for nearly 200 years because it serves Darwinism, undermines religion, strengthens authority and produces enormous profit for those who continue to sell it.

Guy Anderson - Author
Tesla & The Cabbage Patch Kids

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🚨 NEW: Rishi Sunak says Labour are "taxing your business, taxing your home, they're taxing your savings" "I said it during the election campaign, 'you name it, they will tax it', and that's exactly what they have done." #Budget

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