A Luma Skill turns your best result into a repeatable workflow. Build it once, run it on any asset, reach the same quality every time. The craft stays consistent as it scales.
Try Luma Skills: https://t.co/pIzGpswNFd
It started with one question: Can you play an anime fight scene like a piano? Artist Jacob Russo answered this question by writing Encore and bringing this vision to life.
Every character and environment was designed with Uni-1.
Keyframes came from Uni-1 and GPT Image 2.
The motion was driven by iPhone footage, brought to life with Ray3.2.
Music and sound design are by ElevenLabs.
Voice by Tamara Bruketta.
A man reading, minding his own business. Then things start to get a little out of proportion. The Luma Skill behind it, by Eli Coleman. Made with Luma.
Three guests, one very strict dress code, and every one of them nails it. A necklace, a watch, and a car all walked out of the same black and white luxury Luma Skill wearing the exact same shade of expensive. By Zein El Din Tamer. Made with Luma.
Golden hour on a Hong Kong street, a cold bottle passed between friends. Thirty seconds that feel like the good part of a summer, and a look at the Skill underneath it. By Cyrus Leung. Made with Luma.
A Luma Skill turns your best result into a repeatable workflow. Build it once, run it on any asset, reach the same quality every time. The craft stays consistent as it scales.
Try Luma Skills: https://t.co/pIzGpswNFd
BIG NEWS 💥
@LumaLabsAI is now powered by VEED Fabric 1.0 API.
With VEED Fabric 1.0, their users can generate best-in-class talking videos at scale!
Excited for this partnership⚡️
This looks like a $100K shoot. It started with one image.
🌊 Consistent faces from reference images.
🎥 Realistic water motion from camera movement.
✨ Luma Ray3.2 Modify + Multi-Keyframe does the heavy lifting.
🎛️ Motion + Structure sliders give you the final say.
Full tutorial on YouTube.
@LumaLabsAI
Seedance 2.0 Mini is now available in Luma.
Generate video fast enough to keep up with how you actually work. Storyboard a concept, test a dozen directions, and land on the cut before the idea cools.
Powerful output. Lighter footprint. Ready for your workflow right now.
Open Luma and put it to work → https://t.co/UA4zpCyIWl.
This shot wasn't made in one pass. That's why it works.
Here's Jack Fishkin's workflow:
1. Capture real actor movements for your character by using Luma's modify tool.
2. Add a staccato look using Posterize Time in Adobe Premiere.
3. Run it back through Luma Modify to refine the lighting and environment.
4. Finish with post effects in Premiere.
Made with @LumaLabsAI Ray3.2.
A traffic light on a quiet corner, keeping time for a neighborhood that never stops moving. Through every season, it stays. TOMO, by Maximilian Kempe. Made with Luma.
Beyond Faster and Cheaper: What AI Actually Changes for Creators, Studios and Entertainment.
AI is making creative production faster, cheaper and more accessible — but that’s only the obvious part. The bigger question is what happens next: how original ideas stand out, how new filmmakers break through, and what the studio model becomes when worldbuilding, testing and production are radically easier.
Join Wonder’s @_Xaviercollins_ and @LumaLabsAI 's COO @caroingeborn for a conversation on the future of AI-native entertainment — from new creative economics to the next generation of filmmakers, brands and studios.
RSVP here: https://t.co/UrX5HrAfGY
⚙️New episode: Caroline Ingeborn of
@LumaLabsAI
In this episode of The Deep View Conversations, we sat down with Caroline Ingeborn, COO of Luma, an AI lab dedicated to omnimodal intelligence, to discuss where generalized physical AI could take us.
Rather than focusing only on video models, Luma takes an omnimodal, or multimodal, approach, creating models that understand text, video, images and audio. This, said Ingeborn, is because humans don't think in one modality.
These kinds of models have many potential use cases and could even help researchers achieve general intelligence. Luma's primary audience right now is the creative industries, such as entertainment, advertising and marketing. Ingeborn said she sees the technology as enhancing the creative experience rather than replacing creative professionals.
Topics covered include:
+Where AI fits into creative workflows
+The ethical lines of AI in creativity
+Luma's mission towards generalized physical intelligence
+Physical AI's potential impact on the labor market
+The different approaches to building world models
+The dangers of centralized power in physical AGI
If you're following the progress of world models, physical AI and robotics, and the use of AI in creative fields, then this episode offers a deeper look at how these technologies are being used today and the transformative impact they could have in the future.
📺 Watch on YouTube: https://t.co/OSe3zm99RP
🎧 Listen in your favorite podcast player: https://t.co/WlN6jsF2gv
Subscribe to Deep View Conversations for interviews with the leaders shaping the future of AI, business, and technology: https://t.co/mXx6eXgI9A
And don't forget to sign up for The Deep View daily newsletter. We don’t just cover AI, we decode it. In a world flooded with hype, we deliver sharp, no-nonsense insights to keep you ahead of the curve and help you put AI to work every day: https://t.co/EqClu8irhI
Hot take: skip the climb and direct your vision instead with @LumaLabsAI Ray3.2.
Original: @AngelaNikolau_ and @IvanBeerkus climbed to the top of the @EmpireStateBldg with a flag that said, “When the power of love beats the love of power the world knows peace."
It started with a strange idea: a planet that was alive.
Under constant threat, she forms a covenant with a mana-wielding civilization. They cloak the entire world from terrifying extraterrestrial forces—but magic has a price. Every century, the most powerful among them must give their own life to renew the spell that keeps everyone alive.
Somewhere along the way, it stopped being science fantasy.
It became a story about reciprocity.
Nature gives us everything. Maybe our responsibility is to give something back.
Every frame in this film was created with Ray3.2 Multi-Keyframe using the @LumaLabsAI from beginning to end.
The only thing made outside of Luma was the audio, crafted by Hahn. Full video make by Blake Johnson.
It’s one thing for generative AI to resemble you. It’s another thing for it to make you wonder whether you actually shot the footage yourself and forgot.
That was my experience today with Luma’s Ray3.2 Modify. A single-prompt, multi-keyframe, photorealistic result with a moving camera on a moving boat. @LumaLabsAI
Seedance 2.0 Mini is now available in Luma.
Bring it your boldest idea and watch it move. Generate fast, refine in the same canvas, and take your concept from spark to screen without leaving your flow.
Create now → https://t.co/pIzGpswNFd