Baseball charmer EEPHUS slides back into the Music Box for a 1-year Anniversary screening!
**Special Merch will be available to purchase before & after the screening at 20% off**
This Saturday at 11:30am
Get Tickets Now: https://t.co/fylVBouVHo
In one week, EEPHUS slides into our home theater for a special 1-year-anniversary screening! Come out to @musicboxtheatre for a matinee screening next Saturday.
Get your tickets now: https://t.co/St6d4PY0zk
RIP Frederick Wiseman. A true titan of observational cinema, who patiently and curiously captured the world as it unfolded in front of his camera. Here’s a quote from EEPHUS director Carson Lund about having Wiseman’s voice in the film: https://t.co/pza25wUiiW
Carson Lund, the filmmaker behind “Eephus,” warmly remembers collaborating with documentary legend Frederick Wiseman at the Spirit Awards. @lavazzausa#lavazzapartner
Eephus returns to @BrattleTheatre tomorrow as part of their (Some of) The Best of 2025 series. If you find my mom, she'll sell you one of our leftover screen-printed Barnstorming Tour posters. https://t.co/sk0FEXOaLU
Joined the Sports Movies That Don’t Suck podcast to discuss Masaki Kobayashi’s I Will Buy You (1956), a proto-Moneyball (and better film imo) set in a then-fledgling NPB. https://t.co/ixB6oYJKcL
Thanks to @nytimes for the selections: EEPHUS for Best Picture and Kathleen Chalfant in FAMILIAR TOUCH for Best Actress would be very exciting indeed 💭
Honored to present at the New York Film Critics Circle Awards. Huge congratulations to @lund_carson and the entire Eephus team — grateful to celebrate one of the year’s best films in a room that truly values craft and storytelling #NYFCC
I wouldn’t be remotely the filmmaker I am today without having my brain rewired by Werckmeister Harmonies (2000) 18 years ago. A monumentally great filmmaker gone too soon, even if he felt he had nothing left to give. Hope he’s grumbling “fucking shit” somewhere more peaceful.
Congratulations to team EEPHUS for defeating the final boss of American film criticism and getting a positive review from Armond (with the caveat that their film is not as good as THE RIDICULOUS SIX)
Tyler Taormina’s CHRISTMAS EVE IN MILLER’S POINT (2024) screens on a 35mm double bill with Charles Poekel’s CHRISTMAS, AGAIN (2014) this Tuesday & Wednesday, 12/9 & 12/8. Taormina will join us at the Tuesday screening to discuss! Poekel will intro his film at both screenings!