@JeanLMaynard Getting such an amazing looking game together with this amazing fortnite skin feels like a steal, congrats!! I was so looking forward Kernel Hearts already and now I can't wait to play it🙏🏻
‘X-MEN’ director Jake Schreier and Marvel Studios reportedly wanted Odessa A'zion for the role of Rogue.
But Cailee Spaeny really wanted the part. She went straight to Schreier to make her case. He was convinced, and eventually got Marvel on board too.
(via: @TheInSneider)
Are they fr? A whole MV made with AI 💀💀💀 I was hyped for the game but this is just shit, if they plan to use AI this way in the game then they won't see a cent anymore from me
"Wanna be in LOVE" feat. EVIE from Stellar Blade : BLOODRAIN🎶
EVIE’s new music video is now available in 4K on YouTube. We’d love for you to watch it and share your thoughts with us!
https://t.co/n1bhFiH1IJ
The Backrooms
A world where nostalgia and novelty attack you in the form of "art." I'm blown away. It reminds me of pseudo-3D games from the 2D era, back in the dawn of RPGs and the Family Computer (NES), before polygons and textures existed. Simulated 3D spaces built from looping, repetitive visuals: digital labyrinths unconstrained by the rules of architecture. I used to draw maps on graph paper just to keep track of where I was. That sense of confinement. That feeling of anxiety. Both are revived here in live action. The art direction is clever, incorporating elements of art, architecture, and psychology. This is a 21st-century liminal-space version of "CUBE," a work of surrealism and cubism in which video games of the 1980s and the modern world connect across dimensions.