月刊無一

好きな無一は入江無一。

[月刊無一 @m1m58]

@rantan008 色々やろうとすると動き悪くなる可能性もあるので、頭の片隅に入れとく程度で。
ただコンボ精度は常に勝率に直結する要素なので、ミスったらトレモで反復するのが良いかと思います。

[月刊無一 @m1m58]

@real_baki_kyo イングリッドの大アシストコンボはビーム後もボタン連打してると強化ポイント無い時は溜め、1つあると前ワープ、2つ(以上)あると下ワープ→中ライズまで繋がりますよ(SA3出る時はそっちが出ます)。

[月刊無一 @m1m58]

@real_baki_kyo セイスモハンマー、大アシコン2段目の地面を叩く技です。下段攻撃なので立ちガード不可となっております。
因みに英語だとseismic　hammerの表記で、地震の形容詞型みたいです。

[Boichi @Boichi_Bo1]

Now let's talk about perhaps the most difficult issue of all.

There are some arguments that say:
"Oh, we would like to buy manga too, but we simply don't have the money."

Does it sound like I'm poking a hornet's nest?
Does this sound interesting?
It may sound provocative, but this is not a hornet's nest.
This is a story about compassion.
What should we say when someone tells us:

"We want to support comics and manga creators too.
But unlike people in Japan, we, readers, don't have money.
How can we possibly spend money on manga?"
The truth is that Steve and I heard this argument many times in South Korea nearly thirty years ago.

And we spent a great deal of time thinking about it.
In this particular field, Steve and I are probably old dinosaurs.
Back then, the people who argued that "free access is a right because we're poor" were often much more aggressive than they are today.
Their attitude was often something like:
"Anyone who tells us we should pay for comics deserves to be attacked forever."
And to be honest, many of them acted exactly that way.
Still, when someone says:

"Some readers say that they would like to support manga, but feel they cannot afford it because their primary responsibility is to provide for their families."

There is a sad misunderstanding hidden beneath those words.
A story of people who do not fully understand each other's circumstances.

Let's begin with something that may sound painful to Japanese readers.
Most Japanese readers do not have much money either.
Most Japanese mangaka do not have much money.
Most aspiring manga artists do not have much money.
On the side that creates manga, and on the side that buys and enjoys manga, there are countless people surviving on instant cup-ramen noodles, cheap gyudon, and determination.
Many readers carefully save a small allowance to buy a single tankōbon volume.

They do it because they want to support creators.
They do it because they want manga to continue existing.
They do it because if nobody pays, manga cannot continue to be made.
The same is true in South Korea.
I hope people can understand that.
When someone says:

"Well, people in Japan and South Korea can pay because they're rich,"
it can be painful to hear.
But perhaps those of us in Japan and South Korea should also consider something.
For some people in the world, a life sustained by instant noodles is already a dream of prosperity.
For some people, simply having clean drinking water come from a faucet is a sign of wealth.
For many people around the world, a monthly take-home income of ¥160,000(USD 1,000) would be life-changing.

For others, earning the equivalent of ¥1,000(USD 6.25) per hour would be enough to support an entire family.
Japan is a wealthy country.
South Korea is a wealthy country.
So are countries such as the United States, France, and Luxembourg.
In some countries, even having clean drinking water from a tap can be considered a luxury.

Well... even some relatively wealthy countries do not provide drinkable tap water.
Water comes out of the faucet—but you cannot safely drink it.
And there are still many people in the world who do not even have a faucet.
When I was a child, eating instant ramen noodles at home was not an everyday meal.

It was an occasional luxury.
But it is still too early to conclude: "Oh, I’m sorry."
Please allow me to continue the story a little further.

When I was young, there were times when even cup ramen noodles felt like a luxury.
And yet, I still bought manga.
In fact, many Japanese readers did the same.
Manga did not become successful because Japan was rich.
Manga grew during the 1950s, when Japan was still a very poor country.
It grew because people chose to buy manga.
Because they valued it.

Because they believed it was worth supporting.
And this is the point I want to make.
If you live in a country where clean water comes from a faucet, then in many cases, you can afford to buy manga.
You can support your family and still occasionally purchase a volume of a series you love.

And we should think carefully about what it means to read manga through piracy and to have unlimited access to comics for free.
It usually means the following:
You have a smartphone, a computer or a laptop.
You are connected to the global internet.
You, or someone else, can afford the cost of that connection.
You have enough access to consume an unlimited amount of manga.
And when someone posts on social media saying,
"Unlike Japanese people, we're poor,"
that also means they have the time, opportunity, and technology needed to make that post.
In many cases, it may suggest that the issue is not absolute poverty.
Of course, there are exceptions.
There are always exceptions.

Some people genuinely face circumstances far more difficult than most of us can imagine.
I do not want to dismiss those realities.
But I believe that, for many readers, the issue is often more complicated than simply having no money at all.

I began my career as a poor mangaka in a country that was still poor.
I care deeply about people who struggle financially.
I am on their side.
In fact, comics and manga themselves have always been on the side of ordinary people.
What I am talking about is your potential.
I believe you are capable of buying manga that you love.
And I believe it is important to understand the enormous value that comes from supporting creators directly.

When I lived in a Korea where tap water was available but not something we wasted freely, and where cup noodles were an occasional luxury, Korea's GDP per capita was between $2,000 and $5,000.
Today, countries such as Brazil, Vietnam, and Bolivia have levels of income that are comparable to—or in some cases higher than—South Korea's during the period when its modern comics industry was rapidly growing.

A great many people in these countries can afford to buy manga.
And if they do, they can begin building great comics industries of their own.
The potential is enormous.

We should not compare ourselves to today's Japan or South Korea.
We should compare ourselves to Japan and South Korea when they were still developing countries.
When manga was being born.
When those countries were still relatively poor.
When Dragon Ball was selling tens of millions of copies, South Korea's GDP per capita was only around $5,000.
People were not wealthy.
But they still bought manga.
A favorite manga volume was often considered more valuable than fashionable shoes or many other small luxuries.
It was worth sacrificing a few comforts to own.
I suspect many Japanese readers in the 1950s felt the same way.

That is what buying manga means.
If you love manga, a collected manga volume is not something you buy after every other desire has been satisfied.
It is something you choose to buy instead of something else.
Because the people creating manga often live the same way.
Many creators sacrificed comforts in order to draw manga.

When I was a first-year university student, my lunch was often nothing more than inexpensive instant noodles.
Not cup ramen noodles—those were expensive.
I spent nearly all of my money on manga, drawing reference books, and screentones.
During that year, I produced nearly 200 pages of personal work and five one-shot stories prepared for submission.

And I eventually made my professional debut with a manga I drew during my first winter break.
Some of the screentones used in that work had been given to me as a birthday present.

If you have a smartphone and an internet connection that allow you to read unlimited manga online, then you can probably afford to buy a manga volume once in a while and keep it on your shelf.
And that small act can become part of the foundation upon which a national comics industry is built.

Because creating opportunities is often the best solution.

But in truth, the real problem is not whether people have money to buy manga.
The real problem is that many people have no practical way to buy it.
And officially licensed foreign editions are often far too expensive for readers around the world.
I believe that is a genuine problem.
And so, the story about money continues.

To be continued...

[Mihoko Oka @mei_gang30266]

私、いちおう歴史学者で、通史の漫画も監修してるんですけど、日本史上、最悪の政権の一つであるとはっきり言えますね。腐敗した悪政の上に、皇統問題に汚れた手を突っ込んでる。今上陛下がお気持ちを表明された以上、国民は臆すことなく、政権を批判すべし。彼らを養ってるのは我らの血税である。

[StudentX @StudentXt]

日本に侵略されたインドネシアの大統領に「大日本帝国海軍」の軍艦の模型を渡して
「プラボウォ大統領はやはり喜んでくださり」
とか書く”防衛”大臣、恥ずかしいにも程がある

この表情よく見ろ↓

[アームズ魂 @fukuchin6666]

今一度、高市総理の答弁を思い出してほしいんですが、答弁では驚くことに、木下秘書は動画作成者の松井健氏について面識の有無以前に、そもそも「全然私達が知らない人」だと言ってるんです。
自分が電話番号交換しLINEで連絡しZoom会議でやり取りした相手を「全然知らない人」だと。すごいですね。

[さてつ @press_cub_blue]

本業:マルチビジネスの広告塔
副業:参政党比例国会議員

参政党に投票すると
こういう何の国益にもならない
今、金、自分の神谷イエスマンの
政治家を量産するだけ。

集票と集金の見返りの
国会議員ポジション。

国会議員も地方議員も
マルチ関係者だらけになるよ？

参政党に投票してる人、大丈夫？

[月刊無一 @m1m58]

@geta0201 不破刃のは打ち上げる技として使ってたら後に踏む技が本当と判明するやつだ！

[月刊無一 @m1m58]

ワーヒー動画とか普段観てる訳でもないのに「はきょくどー！」のボイスが脳内再生されたので記憶の中に残ってるんだなあ…。
トゲショルダーこの視点で観るとすげー痛そう。

[横尾公敏/ロボット残党兵 @yokookimitosi]

【ワールドヒーローズ(WORLD HEROES)】

【毎日WH】46
#NEOGEO　#ワールドヒーローズ

[russianblue @russianblue2009]

日本には今、2型糖尿病で治療を受けている患者が約364万人います。
その多くが抱えるのが「インスリン抵抗性」という状態です。
インスリンは出ているのに、体の細胞がその信号をうまく受け取れない。
結果として、膵臓はより多くのインスリンを出し続け、やがて疲弊します。

この根本的な問題に対して、世界的な糖尿病専門誌「Diabetes」に掲載された京都府立大学の研究が、新しい回路を提示しました。

鍵となるのは「D-アルロース」という希少糖です。
自然界にごく微量に存在する単糖で、イチジクやドライレーズンにも含まれています。
砂糖の7割程度の甘さを持ちながら、体内でほぼ代謝されずカロリーはゼロに近い。

研究グループが発見したのは、このD-アルロースが腸と脳をつなぐ神経経路を通じて作動する仕組みです。

D-アルロースを投与すると、腸からGLP-1というホルモンが分泌されます。
このGLP-1は、食後に膵臓から出るインスリンと「同時に」血中で高まることで、腸と脳をつなぐ迷走感覚神経を活性化します。
その結果、全身の細胞がインスリンを受け取りやすい状態になり、少ないインスリン量でも血糖値が下がる。

注目すべき点が2つあります。

ひとつは、正常な血糖値の個体ではこの作用がほとんど現れなかったことです。
高血糖状態にあるときにのみ選択的に作動する性質は、過剰に血糖を下げる「低血糖リスク」という既存治療の大きな副作用を回避できる可能性を示します。

もうひとつは、重度の2型糖尿病モデルに対するD-アルロースの効果が、既存のGLP-1受容体作動薬の1回投与を上回っていたというデータです。
GLP-1受容体作動薬は現在、オゼンピック（セマグルチド）やマンジャロ（チルゼパチド）として年間数万円から十数万円の費用がかかる治療薬です。

ただし、正確を期すために付け加えます。
今回の実験はすべてマウスを対象としており、比較対象の薬も、現在主流の最新世代GLP-1受容体作動薬ではなく、古いタイプとの比較です。
ヒトで同様の効果が得られるかは、今後の臨床試験が必要です。

それでも、この研究が持つ意味は大きいと判断します。

これまでの糖尿病治療は「インスリンをどう出すか」「どう補うか」という膵臓中心の設計でした。
今回の発見が示すのは「腸が感じ、神経が伝え、全身がインスリンに応答しやすくなる」という別の回路です。
この「腸-神経-代謝」の連携メカニズムは、膵臓への負担を増やさずにインスリン抵抗性を改善するという、現行治療が届いていない場所に手が届く可能性を持ちます。

2型糖尿病は今や中高年男性の「上位疾患リスト」に入る国民病です。
その根本原因に対して、人類が長く口にしてきた食品由来の成分が作動するルートが存在した。
この発見の射程は、甘味料の話にとどまりません。

本研究は科学技術振興機構（JST）の公的競争的資金による成果であり、研究の独立性は担保されています。

[月刊無一 @m1m58]

@real_baki_kyo 下ワープ(上から振ってくる方)はガードされても2f有利なので投げと小技で二択かけれます。
展開速いので対人戦なら多用しても強いかと。

[月刊無一 @m1m58]

@score33333 そうですよね…。
何とかいい結果が出て休む余裕が出来るようお祈り致します。

[月刊無一 @m1m58]

@torimesi911 ヤスミンが8月頭なので11月頭くらいかと思います。

[柳美里 @yu_miri_0622]

2年かけて小説を書いたとします。（わたしは6年かけてしまっている……）
ページ数や造本によって単価は異なりますが、

* 定価2200円
* 初版8000部
* 著者印税10%

ならば、

著者に入る印税は、
220円 × 8000部 = 176万円
（源泉前）になります。

2年間の取材費や資料代は、もちろん著者が捻出します。

この本を重版していければなんとか生活できるかもしれませんが、重版できないまま絶版になる本も（海外版含めて）多数あります。

そして、この初版8000部というのは、今の出版業界では多い方です。

小説の初版部数のボリュームゾーンは2000〜4000部程度ではないでしょうか。

印税や稿料のみで生活していくのは不可能に近いので、別に仕事を持った方がいいです。既に仕事を持っていたら、文学賞受賞などを契機に退職を決断するのはオススメしません。

戦前の日本の文学界みたいに、実家が太くて（生活の心配をする必要が全くなく）、子どもの頃から本に囲まれて育ち、才能に恵まれたら、専業作家として生きていけるかもしれませんね。

[月刊無一 @m1m58]

@LHqK83CIm2Y8AGf 予後が厳しいのは存じております。
逆に相当進行するまで症状が少ない事の裏返しで、ステージ4は転移が僅かでもあれば診断され原発巣の状態は関係ない為、現時点では活動性には影響していない可能性もあるかと。

[月刊無一 @m1m58]

@yukariblanka エーアガイツという格ゲーにデビュー済みです。
そのゲームではドルフィンアッパーというほぼ昇竜拳の技があり、飛び道具も持っていました。