ma_donna

#Everychildismychild #ognibambinoeilmiobambino 🇮🇹🏴󠁧󠁢󠁳󠁣󠁴󠁿🇻🇦🇮🇲🇬🇪

[James Melville 🚜 @JamesMelville]

Sukhvinder “Suki” Singh Sunger is a police constable with the Vancouver Police Department. He has made history as the first-ever turbaned Sikh Drum Major to command and lead the march at the prestigious Royal Edinburgh Military Tattoo. He looks magnificently resplendent in his Royal Stewart tartan attire.

[ArchaeoHistories @histories_arch]

A man who could not read or write in any language sat down around 1809 and decided to invent one from scratch.

Sequoyah was a Cherokee silversmith who had watched American settlers communicate through written words and became convinced his people needed the same power.

He had no formal education, no knowledge of how writing systems were built, and no model to copy.

What he did have was twelve years.

He started with pictures, trying to draw a symbol for every word in Cherokee. That failed quickly — the language had too many words. So he shifted his approach entirely.

Instead of representing words, he would represent sounds. He worked out every syllable in the Cherokee language and assigned it a unique symbol. He borrowed shapes from English, Greek, and Hebrew letters he had seen — not because he knew what they meant, but because they were useful shapes.

When he finally finished in 1821, he had created 86 symbols that could represent every sound in the Cherokee language.

The Cherokee Nation adopted the syllabary that same year. Within roughly two years, thousands of Cherokee people had learned to read and write their own language.

A nation that had no written language soon had newspapers, books, and legal documents written in Cherokee.

What makes Sequoyah's achievement so remarkable is not just the invention itself — it's that he built it entirely from listening. He understood the structure of his own spoken language well enough to map it, without ever having done anything like it before.

No writing system in recorded history is known to have been created by a single person who was not themselves literate.

The great redwood trees of California were later named Sequoia in his honor — a fitting legacy for a man who gave his people something that would outlast any monument.

The syllabary Sequoyah created is technically different from an alphabet, and that distinction matters.

In an alphabet, each symbol represents an individual sound — a consonant or vowel. In Sequoyah's system, each symbol represents a full syllable. Cherokee is a language built on syllables, so this approach fit the language perfectly.

It also made the system unusually easy to learn. A person who already spoke Cherokee fluently only needed to memorize 86 symbols to be fully literate. Most people could learn the entire system in a matter of days.

That's part of why it spread so fast.

Sequoyah proved the system worked by first teaching it to his daughter, Ayoka. She became his demonstration. When skeptical Cherokee leaders challenged him, he and Ayoka showed them how two people in separate rooms could communicate in writing — something that had seemed impossible just months before.

The leaders were convinced immediately.

By 1828, the Cherokee Phoenix — the first Native American newspaper — was being printed in both English and Cherokee, using Sequoyah's symbols. The Cherokee had gone from no written language to a functioning press in about seven years.

Sequoyah spent the rest of his life traveling and advocating for Cherokee unity. He reportedly died around 1843 while searching for a group of Cherokee who had moved to Mexico, still working on behalf of his people until the end.

#archaeohistories

[J. L. Martín Nogales @jlmartinnogales]

La NASA ha publicado este vídeo de las corrientes marinas. Parece que ha copiado los cielos de Van Gogh de su cuadro "La noche estrellada"

[Benonwine @benonwine]

They told Édith Piaf she was finished. So she sang “I regret nothing.” and gave a performance that not only was iconic but would go on to live in history forever.

In December 1960 she was exhausted, gravely ill, and under doctors’ orders to stay off the stage.

The Olympia was facing bankruptcy. Most people thought her career was already over.

She walked out anyway.

A few weeks earlier Charles Dumont and Michel Vaucaire had brought her a new song: Non, je ne regrette rien.

She heard it once and claimed it as her own no sentiment, no softness, only a driving march and absolute moral force.

Her posture was famously minimal she stood standing motionless in her simple black dress, letting her hands and voice carry the entire drama. She did not perform the song. She inhabited it.

That night she saved a theatre and turned a personal reckoning with loss into one of the century’s great statements of endurance.

Frail in body, inexhaustible in spirit, she remains one of the most iconic singers the 20th century ever produced.

The Little Sparrow did not fly away.
She simply refused to land.

[Mykhailo Rohoza @MykhailoRohoza]

When Charles de Gaulle led France, he treated public money as something untouchable.
At the Élysée Palace, there was a strict rule for him: no personal expense could ever be paid for by the state.
His wife, Yvonne, kept a small notebook in which she meticulously recorded all family expenses — from food and electricity to clothing and even soap.
At the end of each month, she would send a check to the state treasury, reimbursing every last cent.
Once, an accountant remarked that this was not really necessary.
She calmly replied:
“Everything that is not public is personal.
And for personal matters, we pay ourselves.”
This principle applied without exception.
Their children and grandchildren were not allowed to use official cars for private matters.
De Gaulle himself refused any privileges of office: he paid his own bills at the palace — even for the smallest things, such as soap or family meals.
Moreover, he did not use his presidential salary, living only on his military pension.
After his death, there was no wealth or luxury left behind — only a modest house in Colombey-les-Deux-Églises, purchased before the war.
It is said that he would sometimes personally send money to the treasury if he suspected that any personal expense might have accidentally been covered by the state budget.
This was not a formality.
It was a principle.
✨ An example of true integrity, honor, and responsibility in public service.

[Laurence Fox @LozzaFox]

I love it.

[Massimo @Rainmaker1973]

A simple strip of wildflowers can dramatically reduce the need for chemical pesticides. So why aren’t they standard on every farm?

Farmers are increasingly planting colorful wildflower strips within and around their fields because these habitats attract beneficial insects that naturally control crop pests.

Ladybugs are the most familiar example. Both adult ladybugs and their larvae are voracious predators of aphids, small sap-sucking insects that damage crops. A single ladybug can eat dozens of aphids a day, while its larvae can consume hundreds before reaching adulthood.

Yet ladybugs are just the beginning. Wildflower strips also draw in hoverflies, lacewings, parasitic wasps, and predatory beetles, all highly effective natural enemies of common pests such as aphids, whiteflies, thrips, and caterpillars.

This approach is known as conservation biological control. Rather than releasing predators into fields, farmers create permanent habitats that support and boost populations of beneficial insects already present in the landscape.

The flowers supply essential nectar and pollen that many of these insects need as adults. Research shows that access to such resources significantly increases their lifespan, reproductive success, and pest-hunting efficiency.

Some parasitic wasps offer an especially impressive form of control: they lay eggs inside aphids or caterpillars, and their developing larvae consume the pest from the inside out.

Multiple studies confirm that fields with wildflower strips support far higher numbers of beneficial insects and achieve stronger natural pest suppression compared to conventional fields.

Beyond pest control, these strips provide additional benefits: they support pollinators, enhance biodiversity, reduce soil erosion, and create valuable wildlife habitat within agricultural areas.

Scientists are now fine-tuning which flower species work best for different crops and climates, aiming to design the most effective and practical wildflower strips possible.

[Mambo Italiano @mamboitaliano__]

When you go a bit over the top with your “big fat Italian wedding”…

Sorrento, Campania, Italy 🇮🇹😬

[Amazing Nature @AmazingNature00]

🖤 Crows are excellent at associating a specific action with a useful result. Once they discover that moving a handle produces water, they can remember the mechanism and repeat the behavior later. This crow even remembered the final step: turning it off when finished.

[Science girl @sciencegirl]

This guy built a squirrel city with over 1,000 homes, complete with cameras to capture what they get up to

including hugging and “kissing” their loved ones in the privacy of their own homes.

[Mambo Italiano @mamboitaliano__]

Dear tourists, when you are on the Amalfi Coast Italy 🇮🇹

Do not subject yourselves to risks

If there is stormy weather take other means of transport

If there are none change day

These staff’s habits are not very safe…

[Science girl @sciencegirl]

This is not stained glass

It’s the wings of a dragon fly

[Music over time🎻 @Peal8888]

One of the best dance scenes in cinema isn’t about technique — it’s about not having to try too hard

In the neon-lit Jack Rabbit Slim’s diner, surrounded by 1950s booths and wax figures, two people stand face to face on the circular dance floor. The woman has a sharp black bob, wears a white shirt and black pants, and is barefoot. The man is in a black suit, thin tie, hair slicked back. Neither says much. All it takes is a look, and the drums kick in.

This is the moment Vincent Vega (John Travolta) and Mia Wallace (Uma Thurman) enter the twist contest in Pulp Fiction.

They don’t dance like professional dancers. They dance like two people who are simply having fun. Travolta rolls his hips, points, leans in — moves familiar from his Saturday Night Fever days, but now carrying a mature, slightly lazy, and extremely cool confidence. Uma Thurman is different. She moves with a sharp, cool gaze, light arm waves, her body tilting to the beat, as if she’s challenging the entire room without needing to smile much. They look at each other, copy each other, then drift freely in their own space. Nothing feels forced. Everything flows so naturally that you almost forget you’re watching a movie scene.

I’ve watched this sequence many times, and the feeling is always the same: a strange kind of ease. In a film full of violence, blood, and razor-sharp dialogue, this dance feels like a gentle pause. It doesn’t try to impress anyone. It simply exists — joyful, self-assured, and deeply human.

What I love most isn’t the technique. It’s the attitude. Both characters carry complicated shadows, yet when the music starts, they set it all aside. They allow themselves to enjoy the moment. No fear of looking silly. No fear of judgment. Just the rhythm and the person across from them.

Perhaps that’s why this scene has stayed alive for more than 30 years. In an era when everything is carefully staged and polished to perfection, naturalness has become rare and precious. Travolta and Thurman aren’t dancing to “prove” anything. They’re dancing because, right then on that floor, there is no other reason than the simple desire to dance.

I think life works the same way. Sometimes we wear too many layers of armor — fear, image, responsibility — until we forget what it feels like to let go. This dance scene reminds me that there are still moments when we’re allowed to be carefree, even if only for a few minutes.

No need to be perfect.
No need for a grand reason.
Just music, someone who matches your rhythm, and enough courage to step onto the floor.

[Gabriele Corno @Gabriele_Corno]

The elderly lady on the bus is showing off a truly unusual handbag.

[Massimo @Rainmaker1973]

This fountain that shows date and time in Czech Republic.

[Batu @yetkisizherif]

bir görevli her gün serinlemek için oteli ziyaret eden yavru ördeklerin havuzdan kolayca çıkabilmeleri için havluyu ıslatıp basamak yapıyormuş

[Massimo @Rainmaker1973]

Head stabilisation of a kestrel.

[Science girl @sciencegirl]

China is replacing plastic with fast-growing bamboo, creating eco-friendly bags and tableware that can biodegrade in just 4–6 months

[Historic Vids @historyinmemes]

What Italy looked like in 1796.

In 1796, Italy didn’t exist as a unified country. The peninsula was divided among kingdoms, republics, duchies, the Papal States, and territories controlled by larger European powers. The Kingdom of Sardinia ruled Piedmont and Sardinia, Venice remained an independent republic, the Habsburgs controlled much of the north, and the Kingdom of Sicily dominated the south.

That political landscape was about to change dramatically. In 1796, 26-year-old Napoleon Bonaparte invaded northern Italy during his first major military campaign, overthrowing or reorganizing several centuries-old states. French rule and growing nationalism helped spread the idea of a unified Italy, which finally became a kingdom in 1861. Rome joined in 1870.

[Lord Sydes #NAFO #FBPE 🇬🇧🇩🇪🇸🇬🇫🇮🇪🇺 @SydesJokes]

DID YOU KNOW?

1. American milk is illegal in Europe. Too many chemicals.

2. US bread is considered cake in Europe. Too much sugar.

3. American eggs are illegal in UK. They wash off the natural protection.

4. US meat is banned in 160 countries. Because of hormones.

5. American apples are coated with wax that is also used for cars.

6. In the US, 60% of food contains stuff banned in other countries.