Juan Carlos Carrillo

Administrador del tiempo libre y experto en el arte de la procrastinación.

[Official wikiLeaks @OfficialwikiLea]

This video of 9-11 in 2001 is trending in 2026 because many are saying it's the first time they've seen the video. It shows the plane hitting the second tower.

[The Beatles @thebeatles]

All the essentials for coming and going

[Es tendencia en 𝕏 @EsTendenciaEnX]

“Torres Gemelas”:
Porque recrearon exactamente con IA el 9/11/01

[𝕏erias @xerias_x]

A true 9/11 survival story, as told by Brian Clark and Stanley Praimnath.

Two strangers, three floors apart in the South Tower.

Told as closely as I could to their own public accounts.

[Kelly Towerss 💫 @KellyAfterDarkk]

Si hubo un momento histórico en el mundo de la música, ese fue cuando Depeche Mode cantó en la azotea del Worl Trade Center. Un minuto de silencio por todas las victimas que muerieron en este lugar hace 25 años.. and enjoy the silence.

[Max Henriquez Daza @HenriquezMax]

Grabación del paso de un tornado como nunca antes se había logrado: terrorífico!

[Beach Roy 🤙☀️🏄🏼‍♂️ @Beach_Roy33]

Huh??? Deze video van het vliegtuig dat het tweede WTC gebouw in vliegt heb ik inderdaad ook nog nooit gezien. Damn.

[Juan Carlos Carrillo @machinegun_mx]

@dandresaldi @somoswim Casi las 48 horas.

[Juan Carlos Carrillo @machinegun_mx]

@somoswim Anoche de repente me llegó el SMS de Wim por la compra del paquete perdido y se restableció mi servicio. Nadie me pudo atender, únicamente se levantó un folio en el *611 de AT&T pero dudo que haya sido por eso, supongo que simplemente están arreglando su servicio.

[Juan Carlos Carrillo @machinegun_mx]

@somoswim Qué tal. necesito ayuda. No tengo señal porque mi forma de pago automático tuvo inconvenientes en la app. La app ya se actualizó y ya se realizó el cobró, pero no se ve reflejado mi paquete y sigo sin señal. Ya busqué varias formas de ayuda en servicio al cliente y no tengo resp.

[Music over time🎻 @Peal8888]

The Rehearsal Take of “Under Pressure”

There is a version of “Under Pressure” recorded in a half-lit room during rehearsals for the Freddie Mercury Tribute Concert in 1992. Annie Lennox in a houndstooth cap and leather vest. David Bowie in a bright blue jacket with a red ribbon. Brian May and John Deacon somewhere in the frame. George Michael visible in the background, singing along. No perfect lighting. No carefully planned camera angles. Just the song, the voices, and the unfiltered reactions of the people standing closest to it.

The official concert performance carries scale, history, and the weight of a global tribute. The rehearsal shows something else: the moment before everything is locked into place. In the rehearsal, Annie Lennox does not deliver a finished interpretation of the song. She goes at it. She leans her whole body into the microphone. The voice is sharp, urgent, almost confrontational. And the camera catches what matters — Bowie’s face, May’s face — as they register what is happening in real time. They are not nodding politely. They look briefly stunned, the way musicians look when someone next to them suddenly raises the temperature of the room.

In a completed concert, everyone already knows their role. The arrangement is set. The emotional peaks have been rehearsed into reliability. The audience sees the result. In the rehearsal, the viewer gets to watch the process. Annie is not offering a polished reading of a Queen and Bowie classic. She is testing how much force the song can take. Bowie, who co-wrote it and had already lived with it for a decade, has to meet her there. He does not pull back. He adjusts. The duet becomes a live negotiation rather than a recreation.

The space itself contributes to the feeling. The room still looks temporary. People stand around in ordinary clothes. Marshall stacks sit in the background like furniture. The stakes remain high — this is still a tribute to Freddie Mercury — but the performance has not yet been framed as history. It is simply musicians trying to get the song right in the same room.

“Under Pressure” was always about tension: the pressure of modern life, the need for compassion, the thin line between control and collapse. When Annie pushes her voice past the point of politeness, that tension becomes physical. You hear both the strain and the power at the same time. Bowie’s cooler, more angular delivery suddenly has something to push against. The contrast that made the original recording electric is recreated in the room, not as nostalgia, but as chemistry happening again.

There is also the quiet presence of George Michael in the background. He is not center stage. He is simply there, singing along, another extraordinary voice choosing not to compete for the moment. In the finished concert he would take on other songs. Here he remains part of the atmosphere. The rehearsal does not need to resolve every possible storyline. It only needs to capture the one that is actually unfolding.

The unfinished space removes the safety of spectacle. Without the full production, what remains is whether the voices and the song can hold the room. In this case, they do more than hold it. They raise the temperature until even the people who wrote and played the original material look briefly surprised.

The concert has scale and historical weight. The rehearsal has the moment when Annie Lennox made David Bowie and Brian May truly stop and listen. One is a finished performance. The other is the process still in motion.

[🎸 Rock History 🎸 @historyrock_]

Kenny Rogers & Dolly Parton singing "Island in the Stream" together for the last time...

They reunite in heaven 🥹🕊️

[José Ramón Fernández @joserra_espn]

LA FIFA NO PERDONÓ A ARGENTINA

La derrota ante España no terminó con el silbatazo final, ahora Argentina paga su comportamiento. Leandro Paredes: 10 partidos y US$90 mil de multa. Nahuel Molina: 7 partidos. Roberto Ayala: 3.

Además, la AFA deberá pagar US$321 mil y jugar sus próximos dos partidos de local con 50% de aforo por carteles de disputa de Islas Malvinas.

[adidas Football @adidasfootball]

we are so back ⚽🔥
new season, same love for the game ///

[Maxi @MaxiGonzalez_23]

El momento donde liam gallagher suelta el microfono para siempre y nace la iconica pose (Glasgow 1994)

📼 Gracias a OasisArchive

[Negaman 😎 @Buenrolloreturn]

Muy interesante ver como el sexo evolucionó en humanos...

[Cinefilia Cult @cinefiliacult]

No tengo pruebas, pero tampoco dudas en que la gente que ve La pantera rosa es más feliz🤣🤣🤣🤣

Es maravillosa🤣❤️❤️❤️

[Don Ricardo Salinas Pliego @RicardoBSalinas]

Wow. Wow. Wow.

¡Qué comercial más extraordinario!

Como empresario del comercio y de los medios, les puedo confirmar que hay muy pocos comerciales que llegan a la emoción como este.

¡ Bravo por Coca-Cola !

¡ Bravo por Luis Miguel ! @LMXLM

[Music over time🎻 @Peal8888]

When the live performance surpasses the original recording..magic