@saintsoftness I have never really developed a proper argument and not a materialist one but mining seems like an appropriate thread. I’ve seen them as gnarly, maybe harrowing emblems of the imagistic pursuit of knowledge or truth or whatever. A surface to get under the surface if you will
@saintsoftness I also think that Dürer’s style and personality basically does this to all his recurring motifs. He takes from Schongauer the rocks and plants in the foreground or the city in the rear and his attention amplifies them in so many dimensions
@saintsoftness Absolutely agree, way more than compositional convenience. A less common but tangent device I’m also fond of are the root systems, sometimes emerging from rocky crags.
For I am every dead thing,
In whom love wrought new alchemy.
For his art did express
A quintessence even from nothingness,
From dull privations and lean emptiness
He ruined me, and I am re-begot
Of absence, darkness, death; things which are not.
-John Donne
@_ryanruby_ Broch described Die Schlafwandler as a “poly-historical novel” and Kundera wrote about revising this to the “polyphonic novel”. Thankfully they were not plugged into the various subcultures of Brooklyn