MajorTom

You know who I am.

[MajorTom @majortom333]

@silvanaerubens Que sudes como gorda no quiere decir que trabajes más JAJAJAJAJAJA

[MajorTom @majortom333]

@andreintempura Mi hombre 😍

[MajorTom @majortom333]

@julioamx Wey que mala onda que haya salido Cynthia, ella es iconic erneste es lit un mueble jajajajjaja siempre que la cámara lo capta se está súper divagando

[MajorTom @majortom333]

@cuttfine13 Disculpeeeeen, creo que se me sacó la cadera 😛😛 JAJAJAJAJAJA

[MajorTom @majortom333]

@shadownightvelo Qué bonito cuerpo tienes

[Galactic Stoneworks @GalacticStones]

In the study...

[Galactic Stoneworks @GalacticStones]

Forest compound...

[Galactic Stoneworks @GalacticStones]

Locked in...

[Las Cloacas del Sistema @LCDS_2]

🚨En 1990, HBO emitió uno de los documentales más perturbadores de su historia: Child of Rage.

Las cámaras siguieron el tratamiento de Beth Thomas, una niña de apenas seis años cuyo comportamiento había llegado a un extremo aterrador.

Beth había sufrido abusos y una negligencia extrema durante sus primeros años de vida. Después de ser retirada de la custodia de su padre y dada en adopción, sus nuevos padres comenzaron a descubrir poco a poco la dimensión de su trauma.

Pesadillas recurrentes. Conductas sexuales inapropiadas. Violencia contra animales. Agresiones contra su hermano pequeño, Jonathan.

Y algo que desconcertaba a los adultos: Beth parecía mostrar una ausencia extrema de empatía y remordimiento.

En una de las grabaciones, hablaba con una frialdad inquietante sobre hacer daño a su propio hermano y a sus padres adoptivos.

Pero lo más perturbador no eran únicamente sus actos.

Era escuchar a una niña tan pequeña describirlos con una calma que parecía incompatible con su edad.

El documental recopiló parte de las sesiones terapéuticas realizadas por el psicólogo Ken Magid y mostró un caso extremo de las consecuencias que puede tener el abuso y la privación afectiva durante los primeros años de vida.

En abril de 1989, el comportamiento de Beth había llegado a tal punto que fue separada temporalmente de su familia adoptiva para recibir tratamiento intensivo.

Child of Rage: A Story of Abuse no es una película de terror.

Lo que muestra ocurrió en la vida real.

Y quizá por eso resulta mucho más difícil de olvidar.

[MajorTom @majortom333]

@raulgtzoficial Wey yo no conozco a NADIE que en su sano juicio me diga: vamos a ver a Carin Leon o a Pepe Aguilar jajajajajaja wey ya ni son famosos

[MajorTom @majortom333]

@programa_hoy Wey jajajajaja quien es ese pendejo y por qué no está lavando mi baño?

[Emotion & Music @Emotion78687]

Nobody bought a ticket to hear Miley Cyrus sing. They just happened to be standing in the right subway station.

In a New York City subway station in 2017, Miley Cyrus put on a dark wig, sunglasses and tried to disappear into the crowd. Jimmy Fallon joined her, pretending to be an ordinary street performer while banging a tambourine slightly off beat. There was no concert stage, no giant screen and no polished production waiting to announce who was behind the disguise. Just a microphone, a small speaker and a street musician making music with a bucket.

Then they started Jolene.

For the first few seconds, people didn't seem particularly interested. Nobody takes the subway expecting to run into Miley Cyrus. But the moment her voice came through, the atmosphere changed. People began turning around, phones came out and a small crowd started forming around the performers. The disguise could hide her face, but it couldn't hide that voice.

That is what makes the moment so satisfying. The surprise isn't created by somebody shouting, “Look who is here!” The voice reveals her first. Before the crowd knows exactly who they are looking at, they already know they are hearing someone special.

There is also something wonderfully imperfect about the performance. The sound comes through a small setup instead of a concert PA, Fallon is deliberately playing around with the rhythm, and there is none of the visual spectacle normally surrounding a Miley Cyrus performance. Yet when she sings, the song still holds together. Her voice doesn't need the production around it to make the moment work.

And Jolene makes the surprise even better. It is a song deeply associated with Dolly Parton, but Miley has performed it enough times for her own interpretation to become part of what people recognize. So when that unmistakable voice suddenly appears in the middle of a subway station, the disguise becomes almost irrelevant.

For the people standing there, the strange part was that they hadn't planned to attend anything. They were simply on their way somewhere else. Some were probably thinking about work, dinner or catching the next train. Then, for a few minutes, their ordinary commute turned into a concert they never bought a ticket for.

Maybe that is the part of the story worth carrying beyond the subway station. We often imagine memorable moments as things that require planning: a special trip, an important event, a perfect opportunity. But some of the moments we remember for years arrive in the middle of an ordinary Tuesday, when we are simply going somewhere and happen to look up.

The people who heard Miley that day didn't know they were about to experience something special. They only had to notice that something had changed around them and decide to stop for a moment.

Life can be like that too. Not every meaningful moment announces itself before it arrives. Sometimes it is hidden behind a disguise, buried inside an ordinary day, or almost missed because we are too focused on getting to the next place.

The subway doors will open, the train will leave, and the crowd will eventually disappear. But for a few minutes, an ordinary commute became a story worth telling for years.

Maybe the lesson isn't to wait for extraordinary days. It's to stay awake enough to recognize the extraordinary moments hiding inside ordinary ones.

[MajorTom @majortom333]

@telediario @c4jimenez Y luego los dos pendejos sin cascos

[MajorTom @majortom333]

@ElGandalfGrease @infobaenvivo Sabías y amables de donde?? Jajjaa lo único que tienen es belleza y apellidos italianos no son ni sabios ni mucho menos amabales.

[MajorTom @majortom333]

@mike_ochoasosa @nmasforo @JLANoticias Que pendejo eres

[☆ HØ$HI ☆ @hoshi__404]

When I get GTA 6 this is the energy Jason Duval will be giving TRUST

[MajorTom @majortom333]

@HumoryFarandula Ernesto no es mueble??? Jajjajajaa si literalmente el apodo se lo pusieron a él XD

[MajorTom @majortom333]

@AnaSs20s Heces Pérez 💩

[MajorTom @majortom333]

@chilis1703 Heces Pérez iuuuugh que ya se vaya alv también del internet

[MajorTom @majortom333]

@LeeSchever Saquen a Heces Pérez iuggggh