Maria M

🇲🇽

📺🎮🎵🎚️ No estoy pacheca, es de fábrica.

[Maria M @mamplifier]

Tienes que conocer a la gente en persona antes de juzgarla por palabras escritas con un límite pequeño de caracteres.

El tono de voz, su contexto de vida, personalidad y figuras retóricas no pueden leerse, y pueden cambiar tu perspectiva de una persona por completo.

[Maria M @mamplifier]

@Kazuarte @perfilrare Mi favorito

[Maria M @mamplifier]

Oye tonta @Claudiashein si vas a poner voto electrónico, usa blockchain, no un registro telefónico, cínica.

[Z @BrianZisook]

Virality is manufactured. Nothing is real.

[New York Magazine @NYMag]

Joe Lim estimates that 90 percent of what you see on the internet is advertising in disguise, and he should know. For three years, Lim ran a company called Floodify, which at its peak operated 65,000 dummy social-media accounts used to drum up attention on behalf of paying clients.

The point of this kind of marketing is that nobody is supposed to notice it. But lately, the machinery has started to show.

In April, Justin Bieber headlined two consecutive weekends at Coachella. Coachella is the biggest stage in pop music save only for the Super Bowl, the kind of event that in theory generates its own attention. And yet on both weekends, a Discord server writer Lane Brown had been monitoring hosted paid campaigns for Bieber’s Coachella performances, offering clippers — people who are hired to turn a song, trailer, interview, stump speech, or whatever into short, social-media-friendly fragments — as much as a dollar per thousand views.

“On social media, popular opinion is being formed, measured, and manipulated all at once, and every signal the platforms produce — a trending song, a backlash, a talking point, the feeling that ‘everybody’ is suddenly talking about the same thing — can now be fabricated by unseen actors with hidden agendas,” writes Brown.

“Everybody is doing this now,” Lim says. “And if you’re not, you’re behind.”

Brown reports on how the same techniques are now being used to fool people on every app they go to in order to find out what other people think, not just in music but across entertainment, politics, consumer products, and celebrity gossip: https://t.co/hlcdfSmzPc

[Maria M @mamplifier]

La serie de La Casa de Los Espíritus está bastante bien, Alfonso Herrera actúa muy bien. Qué bueno que no leí el libro porque me desesperan las historias donde la gente toma puras malas decisiones, como Parásitos y Uncut Gems.

[Maria M @mamplifier]

@buttes_r Pues hasta ahora no he leído nada de Soft Porn. Me lo recomendaron diciendo que no era nada como la película (que no me gustó jaja)

[Maria M @mamplifier]

Eso de que el libro de Cumbres Borrascosas iba a tornarse en una historia de terror que me hizo cerrar el libro en la noche, no la vi venir jaja

[RECC Finance @RECCFinance]

cRETF → RETF swap is now live.

What started in October 2025 alongside @collaterize helped position them among the top 10 launchpads in the space. Today, we close that cycle.

All cRETF holders can now swap their full position for RETF through the claim site.

The swap window will remain open for 7 days.
We’ll be reminding the community across all channels to ensure everyone has time to claim.

This is a key step in consolidating liquidity and moving forward with the RECC ecosystem.

[ぱやぱやくん @paya_paya_kun]

ADHD傾向がある人が「ずっと夜更かしをしている」のは、明日が来てほしくないからです。どんなに楽しい夜でも、眠ってしまえば朝が来ます。朝がやって来れば、また嫌なことが待っています。締め切り、約束、やり残した仕事やトラブル。自分が先送りにしてきたすべてのものが、朝になった瞬間にどっと押し寄せてきます。

だから眠れないし、眠りません。夜のうちは、まだ「今日」です。眠らない限り、明日は来ない。その感覚を最後の砦にして、ひたすら夜を引き伸ばし続けます。

社会に対する最大の抵抗が「夜更かし」です。

私です。

[Maria M @mamplifier]

@buttes_r @hom_fab

[ぱやぱやくん @paya_paya_kun]

ADHD傾向がある人は「言語能力は高い」「愛想がいい」「アイデアを出せる」「最初はモチベーションが高い」という特性を持っていることが多いので、新しい環境では期待されやすいです。

一方でだんだんと上手くいかなくなる理由は、その完璧な自分を続かせるだけの「持久力」があまりなく、 ミスがどんどん出てきてしまうからです。

「モチベーションに波がある」「締め切りギリギリまで動けない」「うっかりとした失言が多い」「同じミスを何度も繰り返す」「完璧主義で動けない」という特性も同時に持っているので、最初の高評価からどんどん減点されていきます。

「アイデアマンだし、言語化が上手いから賢そう」という評価が「ミスが多くて、先延ばしがち」で全てマイナスになっていきます。

仕事はあまりできないけど、「一見できる風」に見えてしまうというギャップが、本人にとっても周りにとっても不幸を生みます。

かわいそうですね。

私です。

[Camus @newstart_2024]

“ADHD is not a disorder of not knowing what to do. It’s a disorder of not doing what you already know.”

Dr. Russell Barkley just delivered one of the clearest explanations of ADHD I’ve ever heard.

He says the brain can be split in two: the back part acquires knowledge, the front part (the executive system) uses it. ADHD acts like a meat cleaver that severs the two.

You already have the skills and information other people your age have. You just can’t apply them when it counts.

That’s why life becomes an endless series of last-minute crises. You’re time-blind — you can only deal with what’s right in front of you. The further away a goal or deadline is, the less real it feels.

The solution isn’t teaching more skills. It’s changing the environment at the exact point where the problem occurs — the “point of performance.”

It’s a game-changing way to understand why traditional approaches often fail.

[RECC Finance @RECCFinance]

RETF continues to show steady growth, reaching a price of 1.03.

The asset allocation is now backed by 4 real estate properties, all actively generating interest. This means yield is no longer a projection, it is being produced by real underlying assets.

On top of that, we’re introducing a key step forward for the ecosystem:

This Monday, staking for both $RECC and $RETF goes live.

Designed to reward long-term commitment, staking will distribute incentives in both tokens and Bricks, aligning holders with the growth of the platform.

As RETF strengthens its yield base and RECC expands its utility, we’re building a system where real yield, aligned incentives, and long-term participation all come together.

[Abel Ixco fan account @taco_decaca_]

-“Los chistes de La Oficina son muy forzados y no representan a México”

-México:

[RECC Finance @RECCFinance]

Huge congrats to the @LinceFinance team for launching the Yield Tracker.

Having a clear view of Solana DeFi yields in one place is something the ecosystem really needed.

Also happy to see RETF already ranking #2 in RWA yields.

Solana DeFi keeps getting stronger.

[fernanda @aboutmonsters]

Estoy viendo la versión mexicana de La Oficina y tengo que admitir que sí me reí con "Ya lo dijo Octavio Paz en El Laberinto del Fauno".

[Maria M @mamplifier]

Auto recordatorio de que ya está en Amazon Prime

[HIDEO_KOJIMA @HIDEO_KOJIMA_EN]

My comment on “MARS EXPRESS,” opening in theaters across Japan on January 30, 2026 (Fri).

This is it!
The look, design, world-building, story, theme, authorial voice.
It evokes the hard Sci-Fi anime that I love – the ones released in the ‘80s and ‘90s during the OVA boom from the likes of Mamoru Oshii, Yoshiaki Kawajiri, and Satoshi Kon!
These pioneers enlightened the “otaku,” who were “minorities” in Japan, with their genius and scattered the seeds of “OTAKU” culture across the world.
It is a form of animation that emerged only in that special era – something neither “live-action” nor “cartoon” but our “Japanimation!”
This film is exactly that.
It is a rare anime that could never emerge from streaming services or even from modern Japan.
This French anime is something we ought to support and protect at all costs.

[Felipe Tapasco @Pipetapasco]

¿Saben quién no sale en los archivos de Epstein?

Exacto, El Maestro Happosai.

[AI Panda @AIPandaX]

He literally explained how to live with ADHD.