Thanks for the question, Joe.
I write AND I direct to elicit your engagement with the world my actors and crew are creating on screen. I hope to lock you in. Yes I want you to feel things but more so I want you to lean in and to ask questions. Sometimes it is not merely one emotion in a scene or sequence but several and they might be contradictory. I have learned this way of working from watching masters I admire. Some masters have been my teachers in person. Many more have been my teachers as I absorb their great work and dissect it.
In practice, I write describing what I hope to see and hear. I hit carriage returns when I think I will cut to a new shot and then I type what I think I will see and hear in the next shot. It sounds quite simple and it is.
I rarely use film terms like EXTREME CU or WIDE ON, etc. If it is a wide shot I see, I describe the trees and buildings (economically). The implication is clear.
If it is a close up I imagine, I describe the light in a character's eyes or the way they told their head.
When I direct, I don't expect all the things I wrote to be followed literally by my actors or even myself. Instead I expect myself to adapt my original intentions and plans on paper to take advantage of what is actually happening. That is not to say I abandon my intentions.
It is like when you are driving somewhere. You make a plan on how to get there but then you hit traffic or a storm, or see a side road you want to explore. I feel I wouldn't be alive if I just stayed on my original route. So I adapt to what is happening. But I do this without losing the goal of where I am driving.
If I am too hung up on getting things exactly as I imagined them alone at my desk, I risk missing magic that I could capture, magic that the light of the day might bring or my actor's instincts or they way they vibe with another character.
So, I see writing as writing.
But I see Directing as another pass of writing.
And editing and mixing as a last pass of writing.
If that makes any sense.
“There is no excuse for what Trump has done, and if he is not held accountable for it, even more faith in the United States as a ‘country of laws’ will be lost,” writes @CharlesMBlow. https://t.co/F3nKn9Z9ug
Join us live in ONE HOUR with @ARTJEDI1@davidcash888 and the whole exec. film team behind Gamer Down and the team behind the Spatial Web company Rypplzz!
1pm PST 🥳
https://t.co/aQnZgrXENA
Happy 75th Steven! A long-ass time ago I assisted one of the coolest cats in history. Here’s to a guy who’s not slowing down, who stays curious for us all, and from whom I’m still learning. Pic-SS & me in Normandy after the last shot on Saving Private Ryan #stevenspielberg#75yrs
Recount Stop the Count Proof Read & check it all twice,
it’s over DIKC STAIN .
Get the Boxes & Tape bring in the moving Trucks.
Disruptive Behavior on @iamrapaport is here:
https://t.co/Q8XeE6KyIf