Como alguien que ha seguido a 5sos desde su primer álbum y ha estado en todos los tours, el setlist de este tour se siente como un throwback enorme y estoy 100% segura que voy a llorar🥹
It’s here. It’s yours, it’s mine, it’s ours. It’s an album I wrote alone about the whims, fantasies, heartaches, dramas and tragedies I lived out as a young woman between 18 and 20. I remember making tracklist after tracklist, obsessing over the right way to tell the story. I had to be ruthless with my choices, and I left behind some songs I am still unfailingly proud of now. Therefore, you have 6 From The Vault tracks! I recorded this album when I was 32 (and still growing up, now) and the memories it brought back filled me with nostalgia and appreciation. For life, for you, for the fact that I get to reclaim my work. Thank you a million times, for the memories that break our fall. 💥🐉🏰 Speak Now (MY VERSION!) is out now.
https://t.co/m3KNl71qrY
📷: Beth Garrabrant
Men defining what a woman is, what women should and shouldn’t fear, what women should and shouldn’t say, what rights women should be fine with giving up and, of course, what constitutes ‘real’ misogyny: get a bloody mirror. That’s real misogyny, looking right back at you.
Thankful that Flowers is Number 1 around the world. This song is dedicated to my fans & the steadfast self love I wish for each of you.
Forever grateful, Miley
Esto nos trae de nuevo al debate del doble discurso.
Cuando Shakira, Taylor Swift, Miley Cyrus, Adele, etc escriben sobre sus relaciones fallidas: "AYYY, QUÉ RIDÍCULAS, SUPEREN"
Cuando Bruno Mars, Ed Sheeran o cualquier reggaetonero (incluso Bad Bunny) lo hace: "Temazo 🥺"
"Las mujeres ya no lloran las mujeres facturan". Ya lo dijo Taylor Swift, los hombres llevan monetizando sus rupturas desde hace mucho tiempo sin que se les critique. Bien por Shakira que facture por todos los daños y prejuicios que recibió.