Writing this song felt like a musical departure and coming home at the same time. Creating something for Jessie was a new challenge and also felt like second nature all at once. And being a @toystory kid from the age of 5 til now… is an adventure I plan to be on, to infinity and beyond.
Thank you to the brilliant Andrew Stanton for imagining me for this, all those years ago when you wrote this newest film. Thank you to the incomparable @RandyNewman or the gorgeous sonic tapestry of songs and scores you’ve meticulously woven over the years. You created the Toy Story musical world, and we are lucky to get to live in it.
By we, I mean myself and my pal @jackantonoff. We wrote this with so much adoration for these characters that made us laugh and helped us learn lessons and think outside the backyard all throughout our childhoods. “I Knew It, I Knew You” from Toy Story 5 is out everywhere now. 🤠🐴
https://t.co/2JaaQvxHjp
…and he couldn’t handle that storm, bec he was only in love with the idea of her.
he thought the kind of love he had to offer was the only right kind of love there is — never seeing what she could give; was already giving.
#TeamEllie#TheLovedOne
This SoKor vs. SEA beef is so funny to me cause all I see are SEAns being the wittiest people.
Cause why was I laughing at a tweet saying "mas masarap bihon namin kesa japchae niyo." 😂
📽️ parallels: the loved one (2026) | us and them 后来的我们 (2018)
really love both romance films’ similar use of the b&w memory sequences to portray love as an unfinished story, like a past lingering in the leads’ minds. mga nagli-linger na: “what could’ve been.”
#TheLovedOne
📽️ parallels: the loved one (2026) | us and them 后来的我们 (2018)
really love both romance films’ similar use of the b&w memory sequences to portray love as an unfinished story, like a past lingering in the leads’ minds. mga nagli-linger na: “what could’ve been.”
#TheLovedOne