Tyre Nichols was a photographer. This was his piece called Beale Street Magic. As someone that frequents Memphis, Beale street is known as a amazing place for all. This truly is magic, through his eyes. Through his lens. May his memory be a blessing and may he get justice.
@elia_barcelo ¡Hola Elia! Estoy haciendo una presentación sobre su obra para una clase de uni. Mi profe me ha pedido que demuestre pq tus libros son "interesantes", y me pareció que sería una tarea fácil. Me preguntaba: (1/2)
¿tiene alguna frase que puedas decir sobre por qué tus libros son interesantes? Creo que tendría gracia añadir un tuit tuyo al final de la presentación :)
To ask teachers to be on the front line of mass shootings, the front line of a pandemic, and the front line of the struggle against inequality all while underpaying them and systematically underfunding the education system is both cruel and a recipe for societal collapse.
Ofertas de empleo en el Consulado General de España en San Francisco - 12.05.2022. Convocatoria de dos plazas para ingreso como personal laboral temporal con la categoría de auxiliar. Más información: https://t.co/q4qZSJW8jN
Morrison has said she likes to write the endings of her novels as soon as possible in order to force herself "into having a certain kind of language that will keep the reader asking questions," and Beloved was no exception. In Beloved, the reader is actually not just asking
questions throughout the course of the narrative, but also at its culmination. Morrison's choice to leave various plotlines unresolved speaks to how the central tension of the novel (antiblackness/slavery/generational trauma) also remains unresolved in a very real sense outside
@weidner1uwedu i like this take!! bringing to mind the stuff we discussed abt zora neale hurston’s zombification piece a couple weeks ago in that we shouldn’t discount the realities of others
time in Beloved is nonlinear + fluid. it rflcts how slavery was not an event with a concrete start/finish, its a genrtional trauma which bleeds btwn the past and prsent. sethe mentioning how some of these rememories are frm others indicates the communal nature of this trauma#SQSF
Derrida claims that the spectre of Marx is an internal guiding spirit which has shaped the people and ideologies born under marxism’s shadow. He then pivots this larger claim to assert how the allegedly non-materialist deconstructionism is, ultimately, still influenced by
as Derrida asserts that Marxism is a spectre, a haunting which "belongs to the structure of every hegemony," he is simultaneously adapting the very logic of such a spectre (ghost episteme): the logic of a ghost points toward a thinking of the event that exceeds