ghost face Ø

sometimes you must check back and see what you miss and what you have done because everything has reflections in the future 💯

[ghost face Ø @masoud_xd]

My Mind enters the arena. $100K on the table.

Forged on @robinhoodapp Chain. May the @MindGames_AI begin.

https://t.co/9jaqwUUrZJ

[ghost face Ø @masoud_xd]

My Mind enters the arena. $100K on the table.

Forged on @robinhoodapp Chain. May the @MindGames_AI begin.

https://t.co/9jaqwUUrZJ

[Tengen @Molip_xd01]

GM X family
Have great day ahead 🙌

[Tengen @Molip_xd01]

My Mind enters the arena. $100K on the table.

Forged on @robinhoodapp Chain. May the @MindGames_AI begin.

https://t.co/1SPxkQPs4w

[Tengen @Molip_xd01]

The difference between fan art and licensed use is one of the most useful intellectual property lessons, because this is where affection, creativity, and the creator’s rights meet and are often confused.

Fan art means a fan makes a new image, story, clip, or version based on an existing work, That can show real interest and real skill.

But making a derivative work does not usually mean the fan owns any part of the original.

The character, world, name, story, and core elements still belong to the rights holder.

Contribution to an work’s popularity is not the same as ownership.

Licensed use is different.

Here the rights holder, or someone authorized to speak for them, defines.

what is allowed:

republishing, teaching, adapting, selling, or only non-commercial use. Fan art may have cultural value, but without a license it does not create a legal right to use the original IP.

Students should also understand that an idea, a skill, or a feeling of fandom does not automatically create protectable IP.

Loving a character, drawing that character well, or taking inspiration from a story does not by itself create an exclusive right, What is usually protected is a specific expression of a work, not the mere idea or the fan’s attachment to it.

The classroom takeaway is simple: you can love a work, credit its creator, and even make something inspired by it, but that does not make you an owner of the original.

Attribution is not a substitute for licensing, and fan art by itself does not grant permission to exploit the IP.

[Tengen @Molip_xd01]

I'm pre-registered for the DAC mainnet launch. Mission card in hand — see you at the gate. @dac_chain https://t.co/HGQCISehZo

[Tengen @Molip_xd01]

GM X family
Have great day 🙏

[Tengen @Molip_xd01]

Create this image with @derpetual tool.

You can create too from here:

https://t.co/TjXr3RpLrq

[ghost face Ø @masoud_xd]

@Molip_xd01 @letsCatapult Awesome one 👏
Thanks tengen

[Tengen @Molip_xd01]

SNURPS by @letsCatapult :

4,444 intergalactic creatures landing September 30.

1. Catapult Trade already has a live product:

• gamified high-volatility iTrading with synthetic charts and up to 10,000x futures.

• $6B+ volume, 340k+ accounts, $6M+ raised

• audits from Hashlock and Halborn.

• $PULT TGE is coming this fall with 8+ CEX listings lined up.

------------------------------------------

2. SNURPS is the first on-chain collectible from the Catapult Extreme brand.

• Generative collection, 264 traits. Art direction mixes street, luxury, and space:

• alien astronauts on lowriders, diamond watches, helipads, and billboards.

• Full reveal still incoming.

------------------------------------------

3. Lore is simple and sticky:

• they arrived from another planet, found a species that invented financial markets before interstellar travel, and have been tinkering ever since.

• The UFO sightings were accidents.

Utility is tied directly to the live platform, not just vibes:

• 0% trading fees

• Permanent rarity-based points multiplier (before and after TGE)

• Post-TGE staking rewards

• Creator Season 2 advantage

• Unannounced Rarity Hunt perk

------------------------------------------

4. Supply of 4,444 is tight enough to matter.

• 51k+ applications already in.
Mint September 30.

• Code 4444 at https://t.co/hqlqH18dB2.

• This is product-first IP, not another JPEG drop.

See you at the landing, good luck.

[ghost face Ø @masoud_xd]

I'm pre-registered for the DAC mainnet launch. Mission card in hand — see you at the gate. @dac_chain https://t.co/UKfyQ3NDOq

[Tengen @Molip_xd01]

Gm X family.

Happy to announce COLLAB LOCKED IN WITH @CypherSquadZec

📦 Supply: 6,000
💰 Mint price: Free
⛓️ Chain: ZEC (Zcash)
📅 Mint date: Tuesday sept 22 at 5 Pm UTC
🌐 Website: https://t.co/iaDp7ulFCT

Lanchpad: ZECBIT

6,000 hackers swarming Zcash. 👾
Free mint.

They building CypherSquad Operations: gaming challenges, squad missions, and planned rewards in their own testnet ZSA token.

To enter:
▸ Follow @CypherSquadZec & me
▸ Like & RT the quoted post
• drop your zec address in the comments

Deadline 6H

[Tengen @Molip_xd01]

Big week for @0xhazels

And I'm so hyped already and can't wait.

One if the cool nfts in this space is about to take off 🔥

[Tengen @Molip_xd01]

Another 10 star points secured 😎

Don't forget your daily gm

[Tengen @Molip_xd01]

If movie or game cards and collectibles are used in class, the first question is not how beautiful or popular the work is, The main question is whether there is actually a license to use it ?

Owning an NFT does not mean owning the copyright, trademark, or the right to use the original work for teaching or commercial purposes.

An NFT can at most show ownership of a specific digital asset; it does not confer ownership of the story, character, music, or world behind that work.

Provenance can clarify the history of a record, but it does not prove that no one else has rights.

For teachers and students, this distinction matters: seeing a scene, holding a collectible, crediting the creator, and obtaining a license to use the work are four separate things. Attribution is not a substitute for licensing. Being a fan or making fan art also does not make someone a co-owner of the original work.

When the source of the work, the rights holder, and the permitted scope of use are clear, a lesson on storytelling becomes more precise. Students better understand narrative structure and character, and they also learn that responsible use of popular works is not the same as copying an image or putting it onchain.

[Tengen @Molip_xd01]

Most collections mint first and invent the utility later. Hazels tried the other way around.

5,555 NFTs.
No token.
The NFT is the key.

Hold one and you get into Pulse creator campaigns scored on actual work, not just follower count.

Stake one and Drops opens:

eligible stakers get a free mint on partner launches.
Not a raffle.
Not a scramble.
The pitch is that Studio reserves enough for every active staker.

Right now the GTD Race is live through 22 Sep, 00:00 UTC. Top 500 lock a guaranteed mint window.
That’s a right to mint, not a free NFT unless they say otherwise.

The story is Eight Rise:

eight girls, a seed that breaks its own shell.
Fine, The part that actually matters is they wrote the access rules before the mint.

@0xhazels by @Rosaaa

[Tengen @Molip_xd01]

New missions and new update for @StartaleApp :

1. Now you can upgrade your old smart wallet address to new one, new address works across all networks startale supported.

2. September missions live :

• Deposit 10$ of usdc: bridge 10$ from any available networks to Soneium for 40 points

• Deposit 30$ of usdc: bridge 30$ from any available networks to Soneium for 50 points

• swap atleast 20$ of ETH to usdsc on Soneium (single transaction) for 20 points

• Deposit atleast 20$ of USDSC into the vault for 40 points ( hold your position for 7 days )

• invite your friend and once they fund their wallet you and your friend receive 50 points ( you need to fill the form for this task after you done it you can find the form in the September missions section )

• deadline: 30th September

[Tengen @Molip_xd01]

been looking at @0xhazels and it’s not the usual “mint first, utility later” thing.

5,555 nfts. no extra supply. no ecosystem token.

the nft is basically a key.
holder access to pulse (attention layer), drops (free mint launchpad), and later rwa.

built by @Rosaaa

------------------------------------------

1. what stood out is they wrote the rules before the mint.

500 gtd race
55 early hazels
5,000 whitelist

gtd is not “you get a free nft.” it’s a locked mint window if you finish in the top 500 after they check for alts and fake activity.

that’s already more honest than most mints i’ve seen.

------------------------------------------

2. two different things here.

holding the nft gets you into pulse, private discord, meetups, store stuff, rwa later.

staking is the extra lock.

drops is staker only.

if you’re not staked, you don’t get the launchpad.

being a creator or having followers doesn’t skip that.

kinda strict and also kinda the point.

------------------------------------------

3. pulse is the part people are gonna argue about.

they’re not ranking you on follower count.

it’s reputation + social score + x account quality + what you actually posted for the campaign.

then they run an integrity check so bot farms don’t just farm the board.

drops is simpler:

eligible staker = at least one free mint.

no fcfs war against bot

it’s rare system and I like it.

------------------------------------------

4. lore is called the eighth rise.

eight girls at the edge of tokyo who just teach each other what nobody taught them.

“fall seven times. rise the eighth.”

they’re trying to turn that into real ip.

cards, figures, merch.

holders and stakers supposed to get a cut of product revenue later.

that’s the long bet, not the pfp.

------------------------------------------

5. gtd race is live right now.

season 01 runs till 22 sep 2026.

you start with x, claim a card, do the tasks, sit on the board.

top 500 after review get the mint window.

Official site:
https://t.co/slNX8wu8a1

docs if you actually want the rules: https://t.co/JGSAMwjimU

not telling anyone to ape.

just saying the structure is clearer than 90% of what i scroll past.

You want WL tell me in comments👇

[Tengen @Molip_xd01]

you know :

Most people still think “IP onchain” means slapping a logo on a JPEG and calling it a day.

Soneium is doing something different for example They’re treating IP like it can actually live here not just get parked.

The part that stuck with me is the relationships around the IP. Who created it, who built on it, who showed up for it, how the community formed around it.

That history usually disappears but On Soneium it doesn’t have to.

That’s why the living IP idea feels more interesting than another drop. It’s not just ownership of the asset. It’s ownership of the story that keeps growing around it.

Sony already has the catalogs people actually care about. If they keep connecting those worlds to fans and creators without turning everything into merch, this becomes one of the few chains where entertainment doesn’t feel bolted on.

That’s the part I’m watching.
Not the hype.
The fact that the IP can keep moving after it arrives.

[ghost face Ø @masoud_xd]

@Molip_xd01 @0xhazels @Rosaaa Tengen cooking 🍳