@matthewstoller Most people are just jealous, it’s a very humanized emotion that few could escape. But if you removed the ego out of jealousy, you’re left with admiration.
@matthewstoller Exactly what I was thinking. Bro could’ve chosen to coast through life but instead he went to school to study extensively about movie, started a company, produced multiple classics, and kept broadening his horizons. Few rich kids could achieve that.
@elonmusk Can’t hold anything over anyone when people stop participating the game of “life”. It’s a form of freedom, although not the one you may prefer.
@SquawkCNBC@alexandracooper Andrew’s face tells it all… he’s trying to get her to talk about the business model and profitability, and she said ‘in a good way, time will tell’. I almost choked myself watching the full interview.
Marvel’s Spider-Man and the Culture of Instant Gratification
Marvel’s Spider-Man did not merely modernize Peter Parker; it capitalized on a society trained to demand speed, compression, and ambiguity.
Spider-Man should not embody quick success. His entire mythology is an argument against it. Power arrives suddenly; character does not.
A culture unwilling to watch Peter earn himself may eventually forget why his victories were supposed to matter at all.
The problem is not that modern Spider-Man is unwatchable. It is that he has been adapted to a culture with diminishing patience for becoming. We are offered the sensation of depth without always being asked to endure the time depth requires.
Even familiar compositions—the crane imagery, the impact shots involving trucks, the sense of Spider-Man’s body moving through real urban space—continue to be echoed. You do not repeatedly borrow from a language that supposedly had nothing worth preserving.
And if The Amazing Spider-Man were truly the artistic failure people claim, why does its visual language keep returning? The high-resolution, tactile aesthetic. The elongated swinging movements. The intimate city-scale perspective.
Marvel understood this perfectly. It created a Spider-Man optimized for velocity: charming, immediately integrated into a successful cinematic universe, supported by established heroes, and protected by the infrastructure of a franchise already too large to fail.