Maudito

[Maudito @mauditomaudito]

GRAND BLEU 🔵 OUT NOW

https://t.co/DJEAhXyhwJ

[Maudito @mauditomaudito]

@Miguell155x !!!!!!!

[Maudito @mauditomaudito]

Sobre isto
https://t.co/AvoOxTFEcU

[Maudito @mauditomaudito]

Montoya Por Favor

[Maudito @mauditomaudito]

@pikikaaa todas mas frágil 🗣️

[Maudito @mauditomaudito]

⛓️🔒
https://t.co/AvoOxTF6nm

[Maudito @mauditomaudito]

Caraca vin diesel, vou lançar som e vídeo na quarta 🗒️

[Maudito @mauditomaudito]

@Miguell155x low key, juro

[Maudito @mauditomaudito]

@Miguell155x jantar de despedida: vou para leça

[Maudito @mauditomaudito]

@Miguell155x Eu tou a procura da piscina

[Maudito @mauditomaudito]

Caso se tenham esquecido 🗒️

[Maudito @mauditomaudito]

@lilnoon_ Fico muito assim com este som

[Maudito @mauditomaudito]

E este som muito quente com o @lilnoon_

[Maudito @mauditomaudito]

E este remix da Como Tu 👿

https://t.co/DnSccXkEYs

[Maudito @mauditomaudito]

@Miguell155x ninguem na sauna fala assim, que fake

[Maudito @mauditomaudito]

@espargoo @tfdinizs Juro

[Maudito @mauditomaudito]

@espargoo Juro, precisava tanto 😩😩

[Maudito @mauditomaudito]

@Miguell155x Juro responder hahahaha sem ver mas na esperança que seja conteúdo fun

[Maudito @mauditomaudito]

Inês Apenas

[Worten Portugal @WortenPT]

Bom dia à Inês e apenas à Inês. 🫶

[Maudito @mauditomaudito]

Achava que eram pastilhas

[Archaeo - Histories @archeohistories]

Masks served several important purposes in 'Ancient Greek Theatre'; their exaggerated expressions helped define the characters the actors were playing; they allowed actors to play more than one role (or gender); they helped audience members in the distant seats see and, by projecting sound somewhat like a small megaphone, even hear the characters better. In a tragedy, masks were more life-like; in a comedy or satyr play, masks were ugly and grotesque. Masks were constructed out of lightweight materials such as wood, linen, cork, and sometimes real hair. Unfortunately, they lacked durability, and none has survived.

Greek Theatre Masks, were made of stiffened and painted linen so none have survived to the present day. We only know what they looked like because theatre was so popular in Greek and Roman times that models of actors and masks were made in other materials such as terracotta, stone and bronze and depicted on gems and in paintings and mosaics. With its exaggerated, grotesque features, this terracotta model shows the mask worn by the old man character in many comedies of the 300s BC, and later. He has a wide grin, furrowed brow and bald head and wears a wreath with ivy leaves and clusters of berries. Masks worn in tragedies were different, with idealised features set in calm, serious or sometimes pained expressions.

Masks had certain practical uses: their distinct features made characters recognisable at a distance; they made it easier for the three actors used in plays to play more than one part each; they enabled the all-male casts to play both men and women and some experts claim that the masks helped amplify the voice so that it could be heard at the back of the large open-air theatres. However, the most significant role of the mask was that of transformation: an ordinary man could go beyond his real identity and become a mythological hero or a lusty satyr, a foolish old man or a beautiful young woman, a god or a slave. In this disguise he could say and do things that could not be said and done in everyday life, and could present to the audience events, actions and ideas that were horrifying or ridiculous, inspiring or fantastic.

Throughout the Greek world, performances of plays were usually connected with worship of the god Dionysos. It is idea of transformation that lies at root of this association. Although Dionysos is often thought of simply as the god of wine, it is the transformational power of wine that most characterises him. Dionysos was fundamentally god of changeability: grapes become wine, sober becomes drunk, human becomes animal, order becomes chaos.

Almost all Greek plays were written and first performed in Athens and it was in Athens that Greek theatre as we know it was invented, developed and reached its height. In Athens there were three annual festivals of Dionysos at which plays were performed, the most important being the City Dionysia, which took place in March. The festival lasted 5-6 days. Three sets of three tragedies, each followed by a so-called satyr play, and five comedies were performed. The productions were paid for partly by the state and partly by rich individuals as a form of contribution to the well-being of the city. Many aspects of Greek culture were very competitive and the festivals took the form of competitions with great prestige to be gained by the winning playwrights and citizen-producers.

#archaeohistories