@AmericanGwyn I remember very well the feeling of reading THE GIRL WITH CURIOUS HAIR in 1992 and hearing my own (generational) voice in the text in a way that had not happened before. And it wasn't in an aspirational style or out of reach. DFW was reporting.
@shelfbyshelf I second Tartt, Towles, Chabon. Add Tom Wolfe in general, but especially “I am Charlotte Simmons.” Lethem’s “Brooklyn Crime Novel” did a bunch, too.
@winenshine I saw something described as “Swiftian” recently, and was trying to figure out how it was so for a good many minutes before it occured to me that the writer meant Taylor, not Jonathan.
@xintra One of the funniest to ever do it, with rhythm for days, and real startling holy-shit insights. Steady admiration since I was clutching a galley of Massive Swelling and pitching reviews of it.
@JeffSharlet Death standing just outside the door while the miser counts his money.
But in that case the humor is ours, the viewer’s, the reader’s. The resilient first person laugh in the face of torment is different, no? More like Bulgakov, or Donleavy. A win for the victim.
@JeffSharlet What I’ve read teaching undergrad nonfiction has changed me.
I consistently reflect upon how these kids also have some smug prof who has no idea.
I’m amazed by the transparency and humor I see every semester. Gallows humor, sure, but what else?