marie ann yemsi

[Palais de Tokyo @PalaisdeTokyo]

🌙 Performances, musique et discussions 🌙
#Rencontre exclusive avec l'artiste #JulienCreuzet sous le sceau de la lune.
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https://t.co/ZH7KHs1TYE

[Palais de Tokyo @PalaisdeTokyo]

How much time do you need to visit #JulienCreuzet exhibition?
The length of a music album composed especially for the show and played in the exhibition space.
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https://t.co/mciJSsljmN

[Goodman Gallery @Goodman_Gallery]

'I've been thinking about my work recently as 'exit strategies'...where the visitor can look differently/untangle themselves from structures of learning that create unequal relationships; & think about the future in a different way.' - #KapwaniKiwanga, @PrixSobeyAward winner

[marie ann yemsi @mayemsi]

'Give Africa its art back', Macron's report says: https://t.co/MpgYWX5EM7
The full report will be available in English and French from 23 November at: https://t.co/mC5orHGKvt

[Palais de Tokyo @PalaisdeTokyo]

“The spider work, Aerocene, and many of my other works, are about making visible and tangible what is latent whether it be a spider web of the jet streams in the stratosphere.” - #TomásSaraceno
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https://t.co/8nvaTw6Xj9

[Goodman Gallery @Goodman_Gallery]

'Kapwani Kiwanga creates a visual language to reconsider complexities and peripheries of history. She points to fissures in our human narrative...revealing the global effects of the colonial project...'

[marie ann yemsi @mayemsi]

Felwine Sarr : « Il faut rouvrir le champ des possibles et dessiner une utopie africaine » https://t.co/sXtIja2zCu

[marie ann yemsi @mayemsi]

How Photography Has Shaped Perceptions of African Women https://t.co/H7LmNd1bYK

[Goodman Gallery @Goodman_Gallery]

'..., as well as the far from vestigial traces sustained within contemporary South African life.'
- #OluremiCObanjo writes a double-page spread reviewing Goldblatt's distinguished legacy in #ThePhotoBookReview

Pick up a copy @ParisPhotoFair
#davidgoldblatt #goodmangallery

[marie ann yemsi @mayemsi]

#honored #happycurator #greatteamwork with #goodmangallery thank you #arturwalther #lemonde

[Goodman Gallery @Goodman_Gallery]

'To see #davidgoldblatt's photos @ParisPhotoFair is to find a completely new presentation of his work that goes beyond the typical way that he has been curated in the past' collector Artur Walther quoted in today's Le Monde, 'At Paris Photo, the Collector's Marathon' @lemondefr

[Goodman Gallery @Goodman_Gallery]

'David Goldblatt: Inhabiting the Silence', curated by @mayemsi, will be on view on Goodman Gallery's booth (B28) @ParisPhotoFair opening on Thursday
Several bodies of work and iconic images will be presented as well as rare vintage handprints

[eye.on.art @eyonart]

The 4th International Biennial of Casablanca 2018 announces full list of artists https://t.co/pmievxB5df

[Biennale de Lyon @BiennaleLyon]

Félicitations à #LaureProuvost dont vous aviez vu le travail @BiennaleLyon en 2013 et qui sera la troisième femme en plus de cent ans à représenter la France à @la_Biennale de Venise en 2019! Avant cela allez voir son expo @PalaisdeTokyo dès le 22 juin.

[Libé Culture @libeculture]

LIVRES. Edouard Glissant, singulier monsieur «tout-monde» https://t.co/IPTqVsgLX2 via @libe

[marie ann yemsi @mayemsi]

@Goodman_Gallery @PalaisdeTokyo Do Disturb at the Palais de Tokyo -> 6-8 April!
Gabrielle Goliath' s performance -> 10:45 pm on Friday 6 and 8:30 pm on Saturday 7.

[Palais de Tokyo @PalaisdeTokyo]

Cette année, Do Disturb met les voiles sur Le Cap 🇿🇦
Avec l'A4 Arts Foundation et une performance de l'artiste sud africaine Gabrielle Goliath.
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https://t.co/Cfs5jQqH0P

[marie ann yemsi @mayemsi]

if in London, don't miss School next Door, opening tonight at 50 Golborne, the first solo exhibition of Portuguese Performance and Visual artist Rita GT https://t.co/GTwHnj2c7O

[marie ann yemsi @mayemsi]

Is interest in African art on the rise in the Middle East?: https://t.co/0OlilguUqI

[Archives, Art and Lived Experience @archvival_ale]

When the white establishment ignored these black photographers, the Kamoinge collective was born
Based in 1960s Harlem, they challenged the way stories of black lives were told, and who got to tell them https://t.co/ci06LIwn3K

[marie ann yemsi @mayemsi]

https://t.co/9nxic7rG1Y