Corsets and bridal and gowns and cosplay and pretty much anything else we can dream up together. Historical? Of course! Fantasy? Absolutely. Weird? Yes, please. Payment plans always available.
Also frequently found at https://t.co/iA9h96ugyj
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How’s this for a statement back, a beautiful filigree chequerboard criss crossing the shoulders blades and collar bones in narrow cotton cord. The silk layers require no more adornment just black against skin. Elizabeth Hawes #1930s@cincyartmuseum#FashionHistory
Many of you have seen The Odyssey or are about to watch The Odyssey, and if you’re familiar with the tale, you know Penelope’s weaving - and her unweaving - of a burial shroud are key parts of the story. I’ve known this epic since I was a child, and I’ve always wondered...
I've pieced together this incredibly rare & precious Edwardian colour movie, filmed 118 years ago at Upton Manor Farm in Southwick, England. This is the Autumn Harvest of 1908, showing rural life in the UK just 7 years after the end of the Victoria Era, when our life and work was considerably less mechanised.
This is amongst the earliest British colour films, which was made via Kinemacolour, developed by George Albert Smith in 1906. It employed a spinning 2-colour filter system of red and green filters to replicate "full colour". The separate colour frames line up pretty well, except fo shots of lateral movement, such as the horse's legs where the individual coloured filters become much more apparent.
The music I've used is the Largo movement from Dvořák's Symphony No. 9, "From the New World", which is rather ironic considering the film shows us scenes of the Old World long gone.
Watch until the end, which leaves us a charming little love story. Though perhaps she waved her fellow off to War on the Western Front 6 years later...
(One of my hobbies is to collect old colour film footage, and if you enjoy this example I might share a few extra videos on my account)
This is described as a summer party ensemble & though it is a subtle shade, I love its mutedness & attention to detail. The matching jacket is a neat piece of tailoring & the skirt & neckline are essentially a great swathe of smocking. Ceil Chapman, mid 1950s @AugustaAuction
Ann Lowe often decorated her evening dresses with a riot of colourful silk flowers, the sorts of blooms she had learnt to make as a child. This early #1960s gown is no exception but the flowers are self coloured lending the garment a ghostly beauty, Missouri Historical Society
Piña, or pineapple cloth, is made from the fibers of the Spanish Red Pineapple. It was highly valued for its delicate, sheer, and lustrous appearance, as well as for its labor-intensive production process. Piña was often blended with other fabrics such as silk, cotton, and abaca.
There is not very much light pollution where we live and so the sky last night was a cloth of stars, reminding me of these two celestial garments. One is a #1950s dress by Sophie Gimbel and the other a #1920s velvet coat by Yvonne May @museumatFIT#fashionhistory
My brain is tired so simply feast your eyes on Schiaparelli’s 1941 velvet evening jacket reflecting the times in which she lived. As Frenchwomen were encouraged to grow vegetables during war, so she designed the stitches for a part of the story onto her trademark colour @V_and_A