I wrote about meeting Sophia the robot at Melbourne’s new National Communication Museum, as well as data surveillance and exhibitions in the age of the selfie (with a little help from Byung-Chul Han) @memoreview
https://t.co/FZsU3WTRaL
The good folks at @memoreview have made my summer conversation with David Velasco available online. Seems like as timely a moment as ever to think about boycotts, solidarity and "protocol." https://t.co/G3N3kp7vb1
TONIGHT
Celebrate the Naarm/Melbourne launch of Memo’s first glossy annual magazine.
Friday, 24 November, 6–8 PM
Fitzroy Town Hall
The Reading Room
201 Napier St, Fitzroy
Naarm Melbourne
Open Bar
🟢 0 DAYS
LAST DAY ON THE MEMO FUNDRAISER
We are holding a thank you drinks / Matildas screening tonight to celebrate (almost) meeting our goal of 20k
Help us over the line tonight: Wednesday, 16 August, 6–8pm at The Alderman in Brunswick East.
https://t.co/y9Nqh1Kyh3
SYD // JUNE MISKELL connects with ALI TAHAYORI's 'Impossible Desire' at Knulp 🤼♂️
The author approaches the artist in the gallery, sharing intimate information about the video work being screened out into the street.
https://t.co/s5vKKhwhUb
MELB // @gilesfielke wants to know who's running this shit? 🥂
Continuing the MeMO tradition of supporting artists while dragging the institution, GILES FIELKE looks at OLANA JANFA's 'What Is Your Gov'ment Name', and a photography showcase @Library_Vic
https://t.co/w9yGNSCEfT
MELB // SCOTT MCLATCHIE confirms the Incinerator Gallery as Naarm's premier site for goth art:
"The gallery is a graveyard."
READ their review 'In the Ruins I See the Future', curated by JAKE TREACY.
https://t.co/B6ZH6e3CZP
MELB// EMILY KOSTOS writes about the growing fascination with dance artist and "mythical Miranda figure", PHILIPPA CULLEN (1950-1975)
What made this short life so extraordinary?
https://t.co/c9maPmYZNN
Memo goes brrrr 🟢
Did you read @_DeclanFry's gorgeous review on 'Octopus 23: The Field'?
Memo Editor @tristenharwood commissions First Nations writers to review 10 exhibitions each year
Make a tax deductible donation to us to keep our critical reviews INDEPENDENT
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Memo goes brrrr 🟢
Where do you see reviews like Rex Butler and Paris Lettau's on Michael Zavros, 'Pistol grip (Ben Roberts-Smith VC)', 2014?
Only on Memo!
Make a tax deductible donation to us to keep our critical reviews INDEPENDENT.
https://t.co/IzR8d9HnLH