PhD: heavy metal studies |
Band: Absent Signifier S(Ⱥ) | ∞ | a.p.-1 |
negative universality | politics of enjoyment | aesthetics of the bad
Bsky: metalanalysis
Hegel - the truth is in the whole (totality)
Lacan - our truth is our hole (constitutive lack)
Baudrillard - the truth is in the hole (pataphysics)
Bataille - our truth is our hole (scatology)
@Lowenaffchen I'd really like to speak to you about cultural theory sometime, I find your work with FYM to be really useful and interesting. Could you send me a DM? Many thanks :)
Seeing bands I love doesn't change me enough / rolls over me like a new rug / neither side wholly recognised
the impasse takes action's place / I try to read the singer's face / inscrutable, nothin belied
But I know what you did / and what I've got coming / the band played on
What's Left of Metal authors confirmed, including:
@BenBurgis Melissa Vincent @danielukes@TIRShowOakland's Jason Myles @tcoleswords
And more - 13 papers in total (had to be).
Thank you everyone who submitted. We're aiming for a late '25/early '26 publication.
It is not quality that we enjoy in culture, but effort.
Low, high and middle culture all share this.
Unculture (e.g. AI slop) takes no necessary effort, so much of it is not enjoyable.
Sweat is how we see effort.
Metal musicians sweat a lot.
as if we don't enjoy picking sweetcorn out of faeces.
Twitter is a great site of Bad culture, and sifting through boring Bad or miserable Bad to find the mania-inducing Bad gems is its consumptive practice.
@SanktMaxTCI Ofc! This is fairly obvious given the historical longevity of neoliberalism - it took a while to gut the welfare state, but now it's bleeding out.
@JoaquinFChavez 1. in the sense of a split between the transgressive contents of metal and the normal lives of its participants (Kahn-Harris 2007)
2. in the sense that metal fans pretend their normal lives are more metal than they are
3. the Hegelian sense; a thing is never 'just' itself.
Had a first look over the abstracts for What's Left of Metal?
Plenty to be excited about - a host of different theoretical schools, a couple of useful practical pieces, and lots of dark thoughts.
Really grateful to everyone who submitted!
It remains fascinating to me that metal's overall themes and content are so easily identifiable with what is repressed, not merely in a social/political/cultural sense (taboo) but also regarding the unconscious as described by influential analysts: Freud, Jung, Lacan etc.
Metal is being normalised by Capital, turned into a sea of merchandise, AI slop and so on.
It is also being normalised by the state - see the Gojira Olympics, plus many other cases.
This process can't be reversed (reactionary) nor can we make a bargain with Capital (liberal)...
These entail embracing metal's messages sincerely, neither through macho posturing nor through irony.
But metal in capitalism is suffused with both affects, which serve to repress the culture's primary, terrifying content of death, struggle, internal conflict and the Real.
I insist it's insufficient for artists to ask to be left alone to their practices - this is a liberal approach.
Art must qua Situationism, Fluxus etc. fully enter the public (political) realm.
Take Nathan Explosion seriously: We will make everything metal. Blacker than black...
Culture has a Real kernel of Event (rupture). (Cf. Attali)
It is mediated by agency and productive forces.
Unculture occurs in the breakdown of this mediation e.g. Fyre Festival, the productive forces absconded the Event, leaving it as a rupture/failure of culture.