1. DRIVE MY CAR
2. THE SOUVENIR PART II
3. PROCESSION
Three great movies about making art in the shadow of indescribable loss — a problem that haunts many filmmakers these days, but seldom to such profound effect as Ryûsuke Hamaguchi, Joanna Hogg and Robert Greene achieve here.
"I started to think of the film as a kind of ethnography of fear and violence in and around schools in America..." Todd Chandler talks his compelling, formally precise doc "Bulletproof," opening today from @GhopperFilm at @MetrographNYC and elsewhere. https://t.co/23LrQCtRCU
#Bulletproof is out Friday courtesy of @GhopperFilm. @PatrickPreziosi is pro, replete with a Wiseman comp.
"The documentary glides from one subtopic to the next as if [Chandler's] own unnerving line of thought has manifested itself in reality."
More👇
https://t.co/6g2sf01mqU
Wonderful CineSavant review of the Say Amen, Somebody (1982) Blu-ray (out today!) that I produced for @MilestoneFilms and @KinoLorber: https://t.co/vyYdjg5yJL
"A haunting symbiosis..." Amy Taubin on Ed Lachman's newly restored Lou Reed & John Cale concert film, "Songs for Drella" -- and why this new version reveals so much about the interplay between and relationship of these two musicians. Now at @FilmForumNYC. https://t.co/nbjVysQwdb
"Sachs’s work has brought together thoughts, feelings, & materials collected thru her life where filmmaking is a seemingly daily practice. Her latest is no exception." Chris Shields @reverse_shot Film @aboutafatherwho - @criterionchannl .
They're always more than pals, right 😉
THE SCARY OF SIXTY-FIRST is a part of #NewFest2021 ‼️
Don't miss this @berlinale-🏆 at @nitehawkcinema Oct 21 + virtually throughout the US Oct 15-26 🔥
Tickets: https://t.co/akrA2n9CBE