MIGUEL BATALLA LISTE

eoa | son of Europe ► ►►

[MIGUEL BATALLA LISTE @mi_batalla]

Fuimos con arranos, volvimos con cadenas.

[MIGUEL BATALLA LISTE @mi_batalla]

@masciparis

[artinberlin @artinberlin]

Die Arbeit ruft sofort Aders romantischen, fast melancholischen Konzeptualismus wach: Das Spiel mit Gravitation, Vergänglichkeit und dem unkontrollierbaren Element Wasser.

[MIGUEL BATALLA LISTE @mi_batalla]

@Vigoalminuto https://t.co/o1LuvqRGZj

[MIGUEL BATALLA LISTE @mi_batalla]

WHAT HAS CRIPPLED MY LIFE?

[MIGUEL BATALLA LISTE @mi_batalla]

Aínda non sabía a terra
que teño longos camiños.
[...]
Os cen coitelos da lúa
chámanme polos eixidos.

Noite,
Serafín FER. FERRO
OZA.12AGO.1914 - CDMX.9AGO.1954

[MutualArt @MutualArt]

Before European #Surrealism took hold, American painters Louis Eilshemius, George Ault, and Glenn Coleman captured the eerie disquiet, uncanny light, and psychological isolation of 20th-century NYC.

Read more: https://t.co/pQJlGxWK1J

[MIGUEL BATALLA LISTE @mi_batalla]

Ser todo frágil, fácil, núbil,
pupila absorta y ojo azul.

Salvador NOVO, Deseo, 1930.

#sanIgnacio470

[Minor Compositions @minorcomps]

“surrealism is increasingly understood today as a set of tactics of resistance that activate collective symptoms of disgust and despair.” – Abigail Susik, from “Organizing Pessimism”
https://t.co/9cyGllK3ap

[MIGUEL BATALLA LISTE @mi_batalla]

Un comentario de la naíf derecha católica hace explotar, con su fanatismo habitual, al complejo industrial-colonial francés.

Bref, menos World Cup y más Dov Ber Borojov.

[Frankfurter Allgemeine gesamt @FAZ_NET]

Legendäre Fotoserien: Verboten gute Städtebilder (von Andreas Platthaus)
https://t.co/GTMeqWA6L7

[Daniel Asia @19danielasia53]

Yakov Agam, one of our great artists, died today. He said: “I grew up with an instinctive sense of creativity, and that’s the basis of Judaism, the sense of creativity, that nothing stands in one place, that change is based on the viewer’s position, and things look different every time. The reality is what shifts, and that’s to open your thoughts and creativity and understanding and expression of the reality in another way.”

[The Architect's Newspaper @archpaper]

A Lebbeus Woods exhibition is now on view at a83 in Lower Manhattan. The exhibition, titled Undercurrents, displays two projects by Woods: Turbulence (1991–92) and The Storm (2001–02).
https://t.co/0zDVDB2ATq

[MIGUEL BATALLA LISTE @mi_batalla]

'Es el Esclarecimiento mismo, dueño de sí y en proceso de convertirse en fuerza material, la instancia que podría romper los límites del Esclarecimiento'.

Max HORKHEIMER/Theodor ADORNO, Dialektik der Aufklārung, 1944.

Werner HERZOG, Herakles (1962).

https://t.co/uqXhOTOThW

[Gagosian @Gagosian]

Ed Ruscha's "A, B, C" (1987) is now on view in the Unlimited sector of Art Basel at Messe Basel. “A, B, C” is a trio of large semicircular canvases, each of which is painted with one of the titular letters, bringing written language—as form, symbol, and material—into the realm of painting: https://t.co/36BRpRMfj8 @ArtBasel

[MIGUEL BATALLA LISTE @mi_batalla]

Juan DURÁN, Intermedio n.2, El valle de la inquietud, 1990. (Piano: Diego Castro Rilo)
https://t.co/ePOh3KF4zi

[Architecture News @NewsArch]

Lenin Institute of Library Science. 1927. Ivan Leonidov's graduation project https://t.co/P0WRbeP4WP Институт библиотековедения им. Ленина. 1927. Иван Леонидов #architecture #graphicart #Institute #dzen ▄▀ via
@cihru

[Herzog & de Meuron @HerzogdeMeuron]

The Titlis antenna tower was built in the mid-1980s as telecommunications infrastructure. The tower is defined by its steel structure, which we extend and develop with the addition of two horizontal volumes and four vertical circulation towers. More at https://t.co/5HLY8BBYAX

[MIGUEL BATALLA LISTE @mi_batalla]

ALLES IST ENTWICKLUNG

[Pixel Symphony @Pixel0Symphony]

Dorothea Rockburne, Drawing : Structure and Curve. 1978.

Front and back cover, John Weber Gallery exhibition catalogue.