Don't miss this tribute to Ngũgĩ wa Thiong'o from publisher of @seagullbooks Naveen Kishore. A wonderful glimpse into their friendship and correspondence. "A friendship built on words can’t help but endure."
https://t.co/62pdBXWyUq
I could write a (probably not very good) book about Paul Celan's letters. Instead, I am grateful to have an essay in @airlight_mag that is dedicated to the memory of Pierre Joris, whose love for Paul Celan is an eternity in language. 🖤
https://t.co/Rjh54y6lXW
@michaelholtmann wrote “this administration is actively trying to silence those of us who believe the world is large and our shared humanity is more wild and beautiful than one narrow-minded agenda.” The funding crisis for the arts is making it harder. .. 1/2
Hey, it's my birthday!🪩🌍 I'd love it if you'd share a link to a particularly memorable conversation on the show &/or who you would most like to see in the future. The conversation with Nikky Finney is forever etched in my heart. & I dream of Anne Carson
https://t.co/JsQM7gVRqQ
A Booker dozen // a baker’s dozen — a literary feast for your senses. A long list that – we hope – leans into discovery, defies expectations, delights and challenges as it details the world we live in.
@TheBookerPrizes
ok maybe I’m most annoyed at ‘brodernism’ because it invents the idea that women are excluded from literary translation, while also implying that challenging avant garde literature is somehow beyond our reach as readers or writers
Hmm. “High literary” vs.—“commercial”? Maybe. But as someone who oversees a press that exclusively publishes lit in translation—w/ an emphasis on women & writers of color—I feel like there’s a different conversation to be had. Isn’t the most interesting work from the margins?
three tiny questions (1) has lit-in-translation become one the last strongholds of the high literary (which has, historically, often been strongly coded "male"), protected by the Nobel and other institutions?
@HamiltonCain Of course. A publisher must have an editorial sensibility. But a “body of work” can be challenging metric for a debut writer, even a writer making their debut in English (who has perhaps published several books in another language).
Not a single elected official in the state of Alabama has the courage of the high school student who, in trembling voice, recited her Dreamer/DACA poem at Poetry Out Loud yesterday. Not a single one.