This is still sat on my Office noticeboard l, in primary the best teachers are massively interested in the children they teach.
This list from Tim Brighouse still works for me.
@frankcottrell_b Like the video and agree with your conclusion, I remember Neil Kinnock doing a low tech version of this in an 80s party political broadcast, but in the parable it was the man with only 1 talent who didn't invest the money.
Lady with wavy hair, "I'm sat here and I'm baffled that you (Andrew Mitchell) can talk about serious youth violence as if your party is not directly responsible for services being stripped to their bones"
"Grassroots organisations are on their knees. They're supporting vulnerable young people"
"Until you acknowledge that we need proper intervention into early intervention services, police need a working definition of child criminal exploitation, young people need to be treated as the victims that they are; not further criminalised, further harmed and pushed to the edges of society"
"At best your party has been incompetent. At worst you have been negligent"
"You are directly responsible for the increase in youth violence, loss of life and liberty, that we are seeing in our communities"
Take some time today to read this really brilliant @gdnlongread by @AidaE
It's an unexpectedly gripping account of daily life inside west Reading's Battle library, and the heroic people who work there
https://t.co/ArWIR0ZhKn
Looking forward to seeing the stage version of Sitting in Limbo tonight
Stephen Thompson's brilliant film about the Windrush scandal has been adapted for the stage
#windrushday
https://t.co/YGdaxLgSJY
Yesterday commemorates 80 years since the first Hungarian Jews were deported to Auschwitz. Judith Steinberg was deported from Paks in June 1944:
"We were put in a big school hall, we were all sitting on the floor with a rucksack. They said we are going to go to work…"
1/14
@Simon_Gregg @MrsGormanEYFS @MrsGormanEYFS post is fun and asks a serious question about evidence collection in Early Years. Fridgeworthy.
Your comment on process reflects a proper understanding.
Richard Feynman makes a similar comment to your 'controlling fingers' observation which I will try to source.
Geoffrey Hill was one of the most important English poets of the second half of the 20th Century, although the complexity of his work meant that he was never as popular as the likes of Larkin and Heaney. His work often draws on folk memories, myths and landscapes of a discordant and sometimes brutal English past, and often has Christian resonances too. Here's 'Genesis', an early poem:
' I
Against the burly air I strode,
Where the tight ocean heaves its load,
Crying the miracles of God.
And first I brought the sea to bear
Upon the dead weight of the land;
And the waves flourished at my prayer,
The rivers spawned their sand.
And where the streams were salt and full,
The tough pig-headed salmon strove,
Curbing the ebb and the tide’s pull
To reach the steady hills above.
II
The second day I stood and saw
The osprey plunge with triggered claw,
Feathering blood along the shore,
To lay the living sinew bare.
III
And I renounced, on the fourth day,
This fierce and unregenerate clay,
Building as a huge myth for man
The watery Leviathan,
And made the glove-winged albatross
Scour the ashes of the sea
Where Capricorn and Zero cross,
A brooding immortality—
Such as the charméd phoenix has
In the unwithering tree.
IV
The phoenix burns as cold as frost;
And, like a legendary ghost
The phantom-bird goes wild and lost,
Upon pointless ocean tossed.
So, the fifth day, I turned again
To flesh and blood and the blood’s pain.
V
On the sixth day, as I rode
In haste about the works of God,
With spurs I plucked the horse’s blood.
By blood we live, the hot, the cold
To ravage and redeem the world:
There is no bloodless myth will hold.
And by Christ’s blood are men made free
Though in close shrouds their bodies lie
Under the rough pelt of the sea;
Though Earth has rolled beneath her weight
The bones that cannot bear the light.'
Early 16th Century glass depicting God creating the World, at Hengrave Hall Chapel, Suffolk.
More: https://t.co/0G46k2pcZl
Excited to introduce my new ebook, "On Creativity"! Packed with tips to reignite your creative spark, priced at just £6 to make it accessible to all.
Let's get back to our creative roots! Get it here https://t.co/j1xUQmoh9Z #oncreativity