Happy birthday to PURE FLAME, and to my mom, who would have turned 77 today. I’m so grateful for this considered, generous review: https://t.co/hcNrymdKpA
“Romvari emphasizes the fracturing effects of Jeremy’s chaos, the way trauma can isolate, replicating the estrangement from which it springs.” — @michelleorange on BLUE HERON, in this week’s @4_columns. https://t.co/jYtu8ClBjC
“Plenty of Leni Riefenstahl’s signature self-pity and prevarication is on display here, redolent now as ever of the many uses of doublespeak.”—@michelleorange writes about “Riefenstahl,” the new documentary directed by Andres Veiel https://t.co/45eIKH4iyq
"The context Riefenstahl insisted upon, across decades spent trying to puzzle together a viable edit of her own story, is also what condemns her." —@michelleorange on RIEFENSTAHL, in this week's @4_columns. https://t.co/CYLcwAnw82
"They have names like Hashtag Uppity, Flamin Paws, Mizzen the Point, and Corona Virus. . . At top speed, the greyhound inhabits its modern ensign: almost completely horizontal, a flying em dash." @michelleorange@oxfordamerican
https://t.co/EnfxwWl5mB
My new story about the last two active greyhound racetracks in the country, for @oxfordamerican, is also a sneak preview of DOG PEOPLE, forthcoming from @astrahousebooks. https://t.co/pZX1xUhaW4
“Why does a man gamble? What makes a greyhound run?” —#MichelleOrange explores the tangled past and unsettled future of greyhound racing in West Virginia in this new preview of our Summer 2025 Y’all Street Issue!
https://t.co/NaDNabMH0a
Art by Clare Menck
“Unlike the novel, Almodóvar paves a smooth and stylish path for Martha’s departure…focusing on a friendship that lacks the spark of life.” —@michelleorange on THE ROOM NEXT DOOR, in this week’s @4_columns. https://t.co/VCJIBrkUX3
After 21 years in the U.S., this immigrant and newly naturalized citizen has voted in her first federal election. If you haven't already and if you can: please, please vote today.
“In its willingness to linger, to foreground character as a function of existence in time, Annie Baker’s film is closely allied with the work of Chantal Akerman: scenes of gloom and stillness offset by streaks of life.”—@michelleorange on “Janet Planet” https://t.co/QIW6EyLnOE
@alanziegler@likaluca Seconding, I stumbled upon it and bought a print of the mosaic there to remember the amazement of that discovery. Walking the Appia Antica: also unforgettable.