What Is OneSig and Why It Matters @LayerZero_Core
๐งตOneSig: The Future of Smart Contract Execution
Security. Scale. Simplicity.
OneSig just dropped โ and itโs changing the way we think about multisig approvals across chains. Here's why it matters (and why it's a big deal):
๐
HELP MY MOTHER WALK AGAIN BY SHARING AND DONATING !!
My mom is about to lose both of her legs to amputation. She has till month end to get the surgery on both legs.
Please help save my mom and give her back the chance to walk. We need a miracle right now. Please Help
๐ง๐๐ ๐ฆ๐ง๐ข๐ฅ๐ฌ ๐ข๐ ๐๐๐ ๐ ๐๐๐ฆ๐๐ง๐๐๐ฌ๐๐ก & ๐ง๐๐ ๐๐๐๐๐ฆ
thereโs something beautiful about artists who keep creating long before the world pays attention.
not because theyโre building a brand.
not because thereโs money waiting.
not because they know itโll work out.
they do it because something inside them refuses to stay quiet.
that feels true about dima kashtalyan.
before the galleries and magazine covers and collectors, there was just a kid in minsk trying to save enough money to buy spray paint.
thatโs really where this story begins.
โข๐๐๐๐ข๐ฅ๐ ๐ง๐๐ ๐๐ข๐ง๐ฆ
dima found graffiti through hip-hop culture when he was young.
he saw lettering somewhere in a magazine and became obsessed with it almost instantly.
the problem was simple:
paint cost money.
and he didnโt have much of it.
so he saved little by little.
that detail says a lot about him, honestly.
some people wait for the perfect setup before they start creating.
dima never did.
he just found a way to keep going.
he started with letters like most graffiti artists do, but eventually he realized what interested him most wasnโt typography.
it was characters.
creatures.
expressions.
personalities.
emotion.
even then, he wasnโt trying to make things look cool.
he was trying to make things feel alive.
โข๐ง๐๐ ๐ ๐ข๐ ๐๐ก๐ง ๐๐ฉ๐๐ฅ๐ฌ๐ง๐๐๐ก๐ ๐๐๐๐ก๐๐๐
years later, after working in design and painting murals, he discovered artists making incredibly detailed work using tiny hand-placed dots.
most people would admire it and move on.
dima tried it once.
and never really stopped.
what began as an experiment slowly turned into the language he would spend the next decade speaking.
dot by dot.
line by line.
thousands of tiny marks building entire emotional worlds.
thereโs something almost meditative about his work now.
when you look closely, you can actually feel the patience inside it.
nothing feels rushed.
nothing feels accidental.
in a world obsessed with speed, his art moves slowly on purpose.
and maybe thatโs why it stays with people.
because you can sense the human effort immediately.
โข๐ง๐๐ ๐ช๐ข๐ฅ๐๐ ๐ฆ๐ง๐๐ฅ๐ง๐๐ ๐๐ข๐ข๐๐๐ก๐
over time, the work traveled far beyond minsk.
murals across europe.
gallery exhibitions in london, taipei, hong kong, rotterdam, warsaw.
then came the publications.
the new york times.
harperโs magazine.
MIT technology review.
big brands started commissioning him too, but somehow the work still felt personal.
thatโs rare.
a lot of artists become more polished as they grow.
dima became more honest.
the dots became sharper.
the symbolism became deeper.
the creatures started feeling less like illustrations and more like fragments of emotion.
his art began carrying this strange feeling that every image meant something personal, even if you couldnโt fully explain why.
โข๐ง๐๐ ๐๐ก๐ก๐๐ฅ ๐ง๐๐๐๐ง๐ฅ๐
dima once described his practice as an โinner theatre.โ
i love that phrase because it explains his work perfectly.
his creatures donโt feel random.
they feel psychological.
flowers, boots, hats, animals, every object carries emotion or symbolism.
nothing exists just to decorate the page.
his work feels like someone trying to understand themselves in public without fully explaining everything out loud.
and honestly, i think thatโs why people connect to it.
because most of us are trying to make sense of ourselves too.
โข๐ช๐๐ฌ ๐๐ ๐๐๐๐กโ๐ง ๐ฅ๐จ๐ฆ๐ ๐๐ก๐ง๐ข ๐ช๐๐๐ฏ
when nfts exploded in 2021, artists rushed into the space overnight.
dima didnโt.
he watched quietly from the outside for years.
not because he was against it.
he just didnโt want to force the timing.
that patience matters.
especially now.
because when he finally arrived in web3 in 2026, he didnโt come in trying to invent an identity around crypto.
he already had one.
twenty years of murals.
exhibitions.
editorial work.
physical paintings.
real artistic history.
the beaks wasnโt the beginning of his story.
it was the continuation of it.
โข๐ง๐๐ ๐๐๐๐๐ฆ
then came the beaks.
1,111 hand-rendered pieces released on ethereum.
and honestly, the collection feels less like a launch and more like a world that had been waiting patiently to exist.
the characters feel unmistakably his:
strange bird-like beings dressed with elegance, mystery, humor, and emotion.
they donโt look generated.
they look remembered.
like they existed somewhere in his imagination long before they became collectibles.
and the beak itself feels symbolic in the perfect way.
a beak is how birds express themselves.
how they survive.
how they protect.
how they communicate with the world.
that feels deeply connected to the way dima approaches art.
because underneath all the detail and surrealism, his work has always been about expression.
about turning inner feelings into something visible.
โข๐ช๐๐ฌ ๐ง๐๐๐ฆ ๐๐๐ ๐ ๐๐ง๐ง๐๐ฅ๐ฆ
there are easier ways to make images now.
faster ways too.
but dimaโs work reminds people that slowness still has value.
that patience can still be felt.
that real craft still carries weight.
the beaks stands out because it doesnโt feel manufactured for attention.
it feels earned.
like the result of someone quietly building the same universe for twenty years until the rest of the world finally caught up to it.
one dot at a time.
@thebeaksart@DKashtalyan
@Mystayor God bless you fam
I mean God has blessed you โค๏ธโค๏ธ
Haven't seen a giveaway this huge from a single individual
More wins champ, respect ๐ซก
Let me tell you a story, twenty years in the making. (tales by moonlight style).
๐๐ฐ๐ธ ๐ข ๐จ๐ณ๐ข๐ง๐ง๐ช๐ต๐ช ๐ธ๐ข๐ญ๐ญ ๐ช๐ฏ ๐๐ข๐ณ๐ด๐ข๐ธ ๐ฃ๐ฆ๐ค๐ข๐ฎ๐ฆ 1,111 ๐๐๐๐ด ๐ข๐ฏ๐ฅ ๐ธ๐ฉ๐บ ๐ต๐ฉ๐ช๐ด ๐ค๐ฐ๐ญ๐ญ๐ฆ๐ค๐ต๐ช๐ฐ๐ฏ ๐ฅ๐ฆ๐ด๐ฆ๐ณ๐ท๐ฆ๐ด ๐ข๐ญ๐ญ ๐ต๐ฉ๐ฆ ๐ฉ๐บ๐ฑ๐ฆ ๐ช๐ต ๐ช๐ด ๐จ๐ฆ๐ต๐ต๐ช๐ฏ๐จ ๐ค๐ถ๐ณ๐ณ๐ฆ๐ฏ๐ต๐ญ๐บ.
The Dot That Started Before the hype
๐ฅ๐ข๐ฌ๐ญ๐๐ง ๐๐ญ๐ญ๐๐ง๐ญ๐ข๐ฏ๐๐ฅ๐ฒ ๐ฆ๐ฒ ๐๐ก๐ข๐ฅ๐๐ซ๐๐ง
It did not start with a whitepaper. It did not start with a discord server, a mint date, or a twitter thread about community.
It started the way all real things start quietly, stubbornly, alone.
Somewhere in Warsaw, a young artist named @DKashtalyan pressed a pen to paper and began placing dots.
One by one. Not knowing that two decades later, those dots would form something the art world and the crypto world would both have to reckon with.
That was the opening chapter of @thebeaksart not a collection that was designed for the market, but a universe that existed long before the market had language for it.
๐ฅ๐๐ญ ๐ฆ๐ ๐ญ๐๐ฅ๐ฅ ๐ฒ๐จ๐ฎ ๐ฆ๐จ๐ซ๐ ๐๐๐จ๐ฎ๐ญ ๐ญ๐ก๐ ๐๐ซ๐ญ๐ข๐ฌ๐ญ ๐ฆ๐ฒ ๐๐ก๐ข๐ฅ๐๐ซ๐๐ง.
@DKashtalyan is not what NFT culture usually produces. He is what it deserves. Over twenty years, he built a multidisciplinary practice rooted in dotwork, stippling, and pointillism techniques that demand patience most artists never develop.
His journey began with classic graffiti on city walls, evolved through fine art exhibitions, and eventually landed in some of the world's most prestigious editorial rooms.
His work has appeared in The New York Times, Harper's Magazine, MIT Technology Review, Lavazza, Vista Jet, and Entertainment Weekly.
He has won Merit awards from 3ร3 and HIII Illustration. His solo exhibitions have filled galleries in Warsaw, Taipei, and London.
His murals have scaled his obsessive linework to the size of buildings in Romania, Australia, and beyond.
None of this was built for Web3. All of it now arrives with it.
๐ฅ๐๐ญ ๐ฎ๐ฌ ๐ญ๐๐ฅ๐ค ๐ฆ๐จ๐ซ๐ ๐๐๐จ๐ฎ๐ญ ๐ญ๐ก๐ ๐๐จ๐ฅ๐ฅ๐๐๐ญ๐ข๐จ๐ง ๐ง๐จ๐ฐ ๐ฆ๐ฒ ๐๐ก๐ข๐ฅ๐๐ซ๐๐ง
The Beaks is described on its own site with three words: "My own universe."
That restraint is intentional. When you have been building a world for twenty years, you do not need to oversell it.
1,111 genesis pieces.
Four characters, two already revealed, two still holding their secrets.
Each NFT carries the same visual DNA that earned Kashtalyan pages in global publications and walls in international cities.
The stipple technique that makes his editorial work instantly recognizable is the same system powering every piece in this collection.
This is not an artist who changed their style to fit a trend. This is an artist who brought twenty years of an unmistakable style to a medium finally capable of distributing it at scale.
๐ฌ๐จ ๐ฆ๐ฒ ๐๐ก๐ข๐ฅ๐๐ซ๐๐ง, ๐ข๐ง ๐ฌ๐ฎ๐ฆ๐ฆ๐๐ซ๐ฒ, ๐ก๐๐ซ๐ ๐ข๐ฌ ๐ฐ๐ก๐ฒ ๐ฒ๐จ๐ฎ ๐ฌ๐ก๐จ๐ฎ๐ฅ๐ ๐ง๐จ๐ญ ๐จ๐ฏ๐๐ซ๐ฅ๐จ๐จ๐ค ๐ญ๐ก๐ข๐ฌ ๐ฐ๐จ๐ซ๐ค ๐จ๐ ๐๐ซ๐ญ
The NFT space has a credentialism problem but it runs backwards.
It rewards novelty over craft, virality over vision, and being first over being real. Most collections ask you to believe in a roadmap. They are selling a future that may or may not arrive.
Kashtalyan reverses this entirely. He arrives not as someone who learned art for blockchain but as someone who built a full international career before blockchain gave him a reason to show up.
The exhibitions already happened. The editorial commissions already ran. The murals are already on the walls.
What @thebeaksart offers is something rare in this space, an artist whose body of work speaks before the floor price does.
final word >> ๐๐ฐ๐ฎ๐ฆ ๐ค๐ฐ๐ญ๐ญ๐ฆ๐ค๐ต๐ช๐ฐ๐ฏ๐ด ๐ข๐ด๐ฌ ๐บ๐ฐ๐ถ ๐ต๐ฐ ๐ฃ๐ฆ๐ญ๐ช๐ฆ๐ท๐ฆ ๐ช๐ฏ ๐ธ๐ฉ๐ข๐ต ๐ต๐ฉ๐ฆ๐บ ๐ค๐ฐ๐ถ๐ญ๐ฅ ๐ฃ๐ฆ๐ค๐ฐ๐ฎ๐ฆ.
๐๐ฉ๐ฆ ๐๐ฆ๐ข๐ฌ๐ด ๐ข๐ด๐ฌ๐ด ๐บ๐ฐ๐ถ ๐ต๐ฐ ๐ญ๐ฐ๐ฐ๐ฌ ๐ข๐ต ๐ต๐ธ๐ฆ๐ฏ๐ต๐บ ๐บ๐ฆ๐ข๐ณ๐ด ๐ฐ๐ง ๐ฑ๐ณ๐ฐ๐ฐ๐ง.
The AI agency window was 5 years.
We're 18 months in. Math says: 42 months left. Maybe.
Year 1โ2 (now): operators charge $1,500โ$15,000/month. Buyers have no alternatives.
Year 3: pricing compresses. Competition floods in.
Year 4โ5: SaaS platforms eat the bottom โ same way Wix ate web design.
Year 5+: only operators who built a track record in years 1โ2 still have retainer bases. Everyone else is gone.
Most reading this will think "interesting" and forget by tomorrow.
A few will move.
The few who move will own the niches the late ones can't break into.
I packaged the framework into a free 14-page playbook. The 5 agents that pay. The niche selection process. The 7-step build.
Reply "AGENT" โ I'll DM it.
Exciting News
@bulktrade has officially launched a massive trading competition, giving traders the chance to battle it out on the leaderboard for a share of $50,000 ๐ฐ
Honestly, this is one of the first testnet experiences Iโve seen where users can actively compete and potentially earn rewards at this scale while trading on testnet. Huge move from Bulktrade, and it definitely sets them apart from the rest.
Traders will be ranked based on Cashflow ROI from realized trades starting May 14 until 1:00PM UTC on May 28.
โข Leaderboard updates every 15 minutes
โข Rankings only update after trades are realized
โข A final snapshot of the leaderboard will be taken at 1:00PM UTC on May 28 to determine winners
โข Each sub-account will have its own leaderboard position
๐ WINNER BREAKDOWN:
๐ฅ 1st โ $15,000
๐ฅ 2nd โ $10,000
๐ฅ 3rd โ $5,000
4th โ $2,500
5th โ $2,000
6th โ $1,500
7th โ $1,200
8th โ $1,000
9th โ $900
10th โ $800
11thโ19th โ $500
20thโ29th โ $300
30thโ39th โ $150
40thโ50th โ $100
This competition is completely fair, free, and open to everyone
What a time to witness what @kdotcrypto, @hotlneblng_, @glowburger, and other amazing team leaders are building ๐จโ๐ณ๐ฅ
@X_Orthodox@rizzy_sol@Anekiaaa
What running an AI agency from Hurghada actually looks like at 9am:
โ Coffee on the rooftop. Red Sea visible from the balcony.
โ Check overnight messages from European clients (4 hours ahead of US, so my morning is calm)
โ Late morning: gym at Gold's
โ Afternoon: discovery calls with prospects
โ Evening: framework calls with existing clients
โ Walk to the marina, dinner
I work fewer hours than I did when I was broke in Holland.
The framework does the heavy lifting. The retainers compound.
Most people think this lifestyle requires a Silicon Valley salary.
It doesn't. It requires geo-arbitrage and a working framework.
Both are learnable.
The math nobody on this app runs:
โ Average crypto trader 2024โ2026: down 30โ60% from peak portfolio
โ Average AI agency operator who started in 2024: $5Kโ$30K/month MRR
I'm not picking on traders. I am one. 7 years in.
But the trades are slow. The conviction plays are dead. The on-chain alpha is mid.
Meanwhile a non-technical guy I know in Manchester started selling AI agents to dentists 9 months ago. He's at $14K/mo MRR. Doesn't even own crypto.
The skill is the same one we learned in crypto: spot the asymmetric setup before everyone, get in, execute.
The asymmetric setup right now isn't on-chain.
It's in the dentist's office. The real estate brokerage. The med spa.
The ones quietly paying $1,500/month to a one-man operator with mediocre tech skills.
That's the trade.