panmimi

♡シンヒョンビン🐰♡木村文乃🐰 育児の合間に見る映画ドラマとひたすら歩きながらきく音楽が好き。見たいものは色々あるけど気力が足りず。たまにつぶやいたり好きな音楽流したり気ままにのんびりです。 #賢い医師生活#私の解放日誌#愛していると言ってくれ#coda#愛の、がっこう。

[panmimi @mimipan93]

私の好きな綺麗な人🫶🌊

[𝐅𝐚𝐥𝐥 @_1NL0V3]

이 장면 개인적으로 넘넘 좋앗슨
킬빌 영화 한 장면 같기도 하고 쿠사나기가 걸어온 길이 다 피라는 걸 알려주는 것 같기두 해서 정말 ㄹㅈㄷ연출이심

[Yahoo!ニュース @YahooNewsTopics]

【山口一郎うつ病4年 進む新しい道】
https://t.co/Jq46HlOVW2

[サカナクション @sakanaction]

隔週日曜に放送中
NHK-FM「Night Fishing Radio」

前回は、アンジーヌ・ド・ポワトリーヌの「Vol. II」を特集しました。

聴き逃した方やもう一度聴きたい方は下記のURLより聴き逃し配信をお楽しみ下さい！

▼番組WEB
https://t.co/G2r8pDn8ta

▼聴き逃し配信
https://t.co/35EavoqvMW

[ＮＨＫオンデマンド @nhk_ondemand]

＃シュガー＆シュガー
＃サカナクション の音楽実験番組（１）
＃山口一郎
８月月間無料
https://t.co/FqcENQXc30

音楽をとりまくさまざまなカルチャーに目を向け
実験的アプローチにあふれた楽しい映像オムニバス
ゲストトークコーナーは ＃妻夫木聡 が登場
他では聞くことができないディープな対話

[みー🍙韓ドラオタク @kdrm__r]

あのエレベーターのシーン、本当に岡田将生がスタントなしでやっててすごい←
#殺し屋たちの店2

[かな @k__0624t]

#殺し屋たちの店2 ep3.4
ジアンウジン幸せな可愛い2人🥺
3.4話も面白くて一瞬だった！
衝撃の連続で岡田将生ぃぃぃぃ！ってなったし、ミンヘ登場カッコよすぎて惚れる
ジンマンの想いがジアンに届けばいいな
愛してるに決まってる😭
あと、パーシンまだですか

[うさぎꪔ̤ @kandrausagi]

韓国での岡田将生のかっこよさ無双しすぎ

#殺し屋たちの店2

[みー🍙韓ドラオタク @kdrm__r]

日本ポスターが公開された時も感嘆しましたが、今日の特別試写会も舞台挨拶だけでなく上映後のティーチインまであってとってもよかったし、フォトタイムもあるし、日本の職人さんがハンコをプレゼントするという企画も映画に因んでいる＆ご本人たちが喜んでいて、とっても素敵な特別試写会でした！何より監督と俳優の話を聞けるが本当にいい！せっかく日本まで来てくれてるのにゲスト出てきたりして何だか主役が置いてけぼりなイベントたくさんあったけど…今まで行った日本の映画イベントで1番満足度高かったです⭐️⭐️⭐️⭐️⭐️

[猫シール @akasa_tanashin]

フジロックの最終日、マッシブアタックの巨大スクリーンには、曲に合わせて次々と文字が映し出されました。

ガザの死者数。イラン攻撃。AIの鉱物採掘に使われる児童労働。

そのなかに、ある企業の名前がありました。

パランティア。アメリカのデータ解析企業です。

同社は、戦場で「どこを攻撃するか」をAIで分析する技術を提供しているとされ、ガザやイランをめぐって名前が挙がってきました。

「監視技術」の会社としても知られています。ドイツでは2023年、警察がこの会社のシステムでデータを分析することを、憲法裁判所が違憲と判断しました。

マッシブアタックは、この会社への警鐘からステージを始めたのです。

さて、ここからが、日本の話。

今年の3月5日、この会社の共同創業者で会長のピーター・ティール氏が、首相官邸を訪れています。高市首相と25分間、AIなど先端技術での日米協力について話したと、官邸のサイトに記録があります。

苗場のスクリーンに映った企業名と、官邸で握手した相手は、同じでした。

「音楽に政治を持ち込むな」と言われます。その気持ちは、わかる気がします。音楽くらいは、何も考えずに浴びていたい。

でも、わたしたちの生活のほうは、とっくに政治の中にあります。給料が上がらないことも、食べ物が高いことも、どこまで自由でいられるかも、税金がどこへ使われるかも。フェスに行く交通費でさえ、そうです。

音楽の場に、政治が持ち込まれたのではありません。

政治のほうが先に、そこにいたのではないでしょうか。

[유본컴퍼니 @yooborn_company]

🎧
나른한 주말, 현빈배우와 같이 책 읽어요 📚 | Scene현빈 𝐌𝐢𝐧𝐢 𝐏𝐥𝐚𝐲𝐥𝐢𝐬𝐭 ˖*♬

Scene현빈 vlog ⊹․ˑ𖦹🌱.ᐟ⊹₊⋆📗
Ｃｏｍｉｎｇ Ｓｏｏｎ!

🔗 https://t.co/kStxkJOLif

#신현빈 #shinhyunbeen
#씬현빈 #scenehyunbeen #playlist

[유본컴퍼니 @yooborn_company]

💙

[유본컴퍼니 @yooborn_company]

🤎

[유본컴퍼니 @yooborn_company]

🌿

[유본컴퍼니 @yooborn_company]

📷
신현빈 배우 [GQ] 8월호 𝐁𝐞𝐡𝐢𝐧𝐝 𝐒𝐡𝐨𝐨𝐭

무더운 여름을 맞이해 지큐에서 누가 돌아왔~게~
그래, 화보장인 현넨이 돌아왔지 𓂃 ᭝ ᨳଓ ՟ .゜

보고 또 보고 싶은 현빈배우의 GQ 8월호 비하인드를 확인해 보세요 💙

#신현빈 #shinhyunbeen
#지큐 #GQ #8월호

[僕は壁紙 oruka @Sakanavmn3]

タグがないなら強行突破！！
#好きな愛美ちゃん選手権

[r a n i ⁺⁺⁺ @just_ranee]

GQ: Are you perhaps tired of talking about art? I know you’ve already explained on various channels why you quit art. I wonder if that past holds no meaning for you anymore.

HB: No, not necessarily. It’s a story that those who know, know, and those who don’t. I think the simplest way to put it is, “I realized the limits of my talent and quit.”

GQ: Is it a story that can be summarized as the limits of talent?

HB: If I had to summarize it, I think so. I mean, the limits of talent and passion. Since passion is also a kind of talent. I believe that liking something can also be a talent.

GQ: Leaving aside being good at it, just liking it is also a talent.

HB: Because there is definitely a certain amount of time and density that such people create. Even if they lack talent, there are people who build it up with tremendous effort and affection, and there are definitely results that produce. People ask, “Did you suddenly get this good at drawing?” Because ultimately, it is something that accumulates. To draw perfectly in an instant with innate talent—I think that is actually a very fleeting thing.

GQ: It’s something you keep building up.

HB Absolutely. Even great masters like Picasso and Van Gogh painted so diligently. (Laughs) They were born talented, but they just worked hard on it. That’s why we can’t quite match them... I think liking a job and doing it faithfully is also a kind of talent.

GQ: You mentioned that your interest in art started because your father worked in design, right?

HB: That’s part of it, but it was also natural. I’ve been drawing since I was a baby, and I was good at it. Back then, I couldn't help but take it for granted. That’s why I went to college, but once I actually got into school, I gradually realized that wasn't the case. I think I received good inspiration from the friends who were good at it, but I was really shocked by the friends who weren't good but worked hard. They worked so hard, loved it so much, were so happy, and just kept doing it. I was in a situation where I wanted to produce decent results with minimal effort, but those friends weren't like that. You can't call it talent when you want to do a job half-heartedly.

GQ: Should I say you were quick to judge, or quick to decide? For someone who had taken drawing for granted since childhood to change their path in less than a year of majoring.

HB: I think I saw it quickly because I had viewed it that way.

GQ: Rather. The question of whether to continue or not.

HB: Yes. Actually, back then, that was such a shock and so hard for me. It was a series of days where I couldn't sleep, just crying and wailing. Because my world had collapsed.

GQ: So that was the case? You talked about it so casually that I assumed you were fine.

HB: It's been 20 years, and if I were still acting like that, that would be a problem, too. (Laughs) Back then, I was getting completely destroyed every single day. Every single day. Amidst all that destruction, there was this one thing that happened: I had a class called 'Art and Humanities,' where we had to read a text and then discuss it for three hours. People reveal a lot during discussions. No matter how much you base your talk on the text, it shows that they hold certain values ​​and that they consider certain things important. But after taking that class for a year, the teacher wrote me a card. She said it was okay not to try so hard, and that she wanted to see me happy doing what I love. When I read that, I sobbed, sobbed again. All those moments accumulated over time.

GQ: Did you sob because it was exposed that you didn't love it that much?

HB: Someone knows, you know. That I am trying so hard. Who saw that I am someone who struggles with everything I am doing right now, even though I don't like it?

[r a n i ⁺⁺⁺ @just_ranee]

GQ: If you were to hang just one painting in your room for the rest of your life, which piece would you choose?

HB: We've actually had a similar conversation before. Back then, I thought, "It’s one thing to like it, but should I go for something expensive? Is that room really mine right now? Will I be the one buying it, or will someone else?" Since I'm an 'N', I have to go into very detailed imagination. (Laughs) When asked to decide something, I tend to think too deeply. But I think I mentioned Cy Twombly back then. I felt that if I had a painting of his in a suitable size, I would want to look at it for the rest of my life. I think I still feel the same way now. I suppose I would end up choosing from among the artists I like, right? Oh, right now, there is an artist whose work I enjoyed seeing in the U.S., and recently heard the news that they are exhibiting at the Busan Museum of Contemporary Art, so I wanted to go see them again. Hilma af Klint.

GQ: Cy Twombly, Hilma af Klint. If I had to link them, the commonality is that they are abstract artists. And they use color very actively.

HB: (Mark) I like Rothko, too. Well, I think I like a wide variety of things. However, paintings that you keep looking at inevitably have a significant impact on you. That is why, even though I like them, I used to think I shouldn't hang up Rothko's paintings.

GQ: There is a bit of melancholy in them.

HB: They are melancholic, and because they are paintings that keep dragging you in that direction. It can't be helped. But since I would want to hang a painting that isn't like that—one that still gives me some good energy—Hilma af Klint comes to mind.

GQ: I get to know this through this opportunity. Her paintings are very cheerful.

HB: They are truly beautiful in person. I don't think she was always such a cheerful person. She lived a very long time ago, in the 1800s. She received recognition a bit late.

[r a n i ⁺⁺⁺ @just_ranee]

GQ: Do you happen to grow plants?

HB: I don't grow them myself; my mom grows a lot of them. But I think I do like plants. I like forests and parks, and I enjoy going there for walks.

GQ: There’s no need to compare an actor's daily life with their work, but since your new project currently in preparation is (working title) Gardeners, I just wanted to bring it up.

HB: Yes. (Laughs) But strangely enough, plants grow really well at our house. I wonder if my mom puts that much care into them. There are many plants that have been growing for years. Even orchids bloom again after a year has passed.

GQ: That’s fascinating, especially for someone who kills even cactus. I guess plants need affection to grow well, too.

HB: There is a book called The Plant Grim Reaper; you should give it a read.

GQ: Is there such a book?

HB: I read it because the title was interesting, but it is an essay, and the author is someone who sells plants. It was about how to make plants grow well, why they die, and things like how giving them sunlight isn't necessarily good, or that giving them too much water isn't good either— I think that was the gist of it. GQ I know, right. They say some plants shouldn't be watered too much.

HB Then there are some that need to be watered every day. Everyone has what works best for them; in a way, it's obvious, but we don't really tend to think about that.

[r a n i ⁺⁺⁺ @just_ranee]

It is the middle of the rainy season, and I long to hear the voice of Shin Hyunbeen quietly reading the words of Émil Cioran for a long time. "Everything is possible, and everything is impossible. Everything is permitted, and everything is not permitted. To realize something and to do nothing, to believe and not to believe—all of these are one. Is there anything to gain or lose in this world? To gain is to lose, and to lose is to gain." This is the passage "It Doesn't Matter" from the book The Darkest Hour Is Before Dawn, which gave her strength during a difficult time in the past and which she reads periodically ever since. "In a way, it sounds very cynical, but there is a kind of comfort this book offers. Once I realized that nothing can be definitively judged, I was actually able to accept the situation presented to me right now with greater clarity. In the end, I realized there is nothing left but to ride the flow and work hard on what I can do."

Shin Hyunbeen’s current journey flows from Jang Gyeoul in Hospital Playlist, who resembled winter; to Miran in Beasts Clawing at Straws, whose sudden flash of murderous intent was like thunder; to Jung Younghee in The Ugly, whose expressions were visible even without seeing her face; and recently, to Gong Seolhee in Colony and Kang Miae in her upcoming project (working title) Gardeners. Since it doesn't matter we have captured Shin Hyunbeen’s present who can do anything, in the August issue of GQ and at https://t.co/gEGZMXSqaS.