The Magical Rainbow Sponge was an art set created by Dee Gruenig in the '90s.
The greatest part about the set was her excitement in the instructional videos.
guy at the bar saw me drawing and we got to talking and i asked him if he drew or painted and he said his art is playing baseball and i unironically love that. fuck yea dude. there is art in everything we do. go paint with your bat.
Slavery was so long ago and we’re supposed to be over it until you want to have an image of the resistance of enslaved people, then it’s too political. They will never forgive Haiti for winning their freedom. They made Haiti pay France reparations for 150 years and still salty.
You need to be slowmaxxing. You need to be reading long, fat books. You need to be making 48-hour chocolate chip cookies. You need to spend hours watching wildlife, you need to spend 15+ min making your coffee. You need to breathe in and breathe out. You need to be slowwwwwwwwww.
poc couldn’t even live comfortably in america if it weren’t for black americans. but y’all keep sucking yt dick and believing that model minority myth if you want to. knees gone be scraped up for nothing.
I’ve worked on #LoveIsland UK since Series 5, producing Series 5-10, before moving on to Love Island USA and Love Island Australia. I’m incredibly proud to have been part of a show that has become embedded in British culture. The twists, drama, and unforgettable cast members have created some of the best reality television of the last decade.
But if we’re being honest, one issue has persisted for years: casting.
Time and time again, Love Island UK has failed to truly reflect the diversity of modern Britain. Representation matters, and no group has been more consistently let down than Black women. Ironically, Black women have been some of the show’s most loyal supporters, driving conversations online, creating viral moments, and helping keep the show culturally relevant.
Yet year after year, we continue to cast Black women alongside men who openly or implicitly don’t date Black women. The result is a cycle that viewers have watched repeatedly: rejection, exclusion, and disappointment. For young Black girls watching at home, that’s a damaging message. For audiences generally, it’s become predictable and exhausting.
When I left after Series 10, things were improving. Contestants like Tyrique, Ella, Catherine, Whitney & previous series with Dami, Indiyah, Kai, Sanam, Kaz, Samira, Yewande and others helped create some of the show’s most memorable storylines.
However, working on Love Island USA showed me how powerful genuine representation can be. Seeing contestants from different racial, cultural and ethnic backgrounds authentically connect created richer stories, stronger characters, and ultimately a bigger audience.
My role on Love Island was in edit producing, not casting despite my vast experience in casting on other shows I raised concerns about casting throughout my time on the show.
If Love Island UK wants to reverse its ratings decline, it needs to listen to viewers. Audiences are asking for fresher casting, more authentic representation, and a creative reset. If those changes don’t happen, I genuinely worry about the long-term future of a show that so many of us care deeply about.
For the culture.