@LaReddelR01 ntp we, estas en tu derecho de tener el ritmo que tu desees con respecto a tu canal, total, es tu canal, donde tu expresas lo que gustes, cuidate
@SenorDXDsides Se me hace raro, yo q lei muchas reseñas serias, ninguna dice "we es que no hay muchos niveles", dicen mayormente que kane como guionista en personajes es bastante malo, que fuera de los muy buenas persecucciones, ambiente y lugar, realmente a la pelicula le falta mucha sustancia
Chonny’s inferno came up on shuffle and I forgot how genuinely fun it is. HUUUUUGE fan of the percussion especially (very fond of the woody sounds, jam block iirc??)
Anyway some people are miserable and like to shit on peoples work for no good reason ok music rocks
This is like a lot of the music I like, in that it’s not actually that good if you look at it from a lame objective musical standpoint, but I like it because you can tell the artist had FUN making it. yeah FUN. You guys in the qrts know that word? FUN?
its so depressing to see how rude everyone's become nowadays. like, there is literally ZERO reason to get so upset over somebodys cover of a song.
you don't have to like it!!! but you shouldn't be such an ass about it either.
i just wish people would just be kinder to eachother.
you'll say "let people like things" and people will be like "no, let people hate things" and when you're like "i hate hate" they're like "noooooooo i like hate, let people like things" like brother what are we doin here
Backrooms prueba que no todo corto o creepypasta debe ser largometraje. Kane Parsons estira la idea con una metáfora simplista sobre el estancamiento profesional y personal. Diálogos repetitivos y casi nada del horror analógico original que la hizo viral.
Decepcionante.
Kane Parsons’ #Backrooms is a horror movie about an unknowable, liminal space called “The Backrooms.” There’s nothing wrong with that title, but the rest of the film has serious problems.
"I’d pay good money to get lost in these sets for a day, just so long as I don’t have to hang out with the protagonists or think about the mythology anymore," film critic William Bibbiani writes.
Read the full review: https://t.co/6fuy1nVeFz
Photo: A24