Michele Borghi

Giornali, tv, cinema e molti eccetera. Preferivo “Dynasty” a “Dallas”. #Cinepop ogni martedì su Libertà

[Michele Borghi @mixborghi]

Stagione irripetibile

[🖤 Buy Physical Media 🖤 @VHSDVDBLURAY4K]

Coming to 4K UHD in August

The Name of the Rose (1986)

[Hollywood Horror Museum @horrormuseum]

A brief history of SCARY MOVIE

Scary Movie was the original title for the Kevin Williamson's SCREAM. Harvey Weinstein changed the name to SCREAM, and used SCARY MOVIE for the Wayans film.

Harvey owned the rights, and the Wayans quit in 2001 when they didn't get a raise.

25 years later, Wayans worked out a deal with the new Miramax, having nothing to do with the Weinsteins, and we have a new movie.

[belli, sporchi e cattivi @ehibiondolosai]

🌌🛸😶‍🌫️💀 Sto scrivendo un articolo su "Terrore nello spazio" (1965), che meraviglia ri-ri-ri, ehm, ri-ri-rivederlo! Nel frattempo, uno scatto dello zio Mario attaccando bottone con un extra sul set.

[Humanoid History @HumanoidHistory]

Italian poster for "Close Encounters of the Third Kind."

[Gabriele de Valmont @gabrielevalmont]

Amici twitteri cinemaniaci, questo è PAZZESCO!

[🖤 Buy Physical Media 🖤 @VHSDVDBLURAY4K]

Coming to 4K UHD in August

Sátántangó (1994)

[Gabriele de Valmont @gabrielevalmont]

🎼 Io son sicuro che in questa grande immensità qualcuno pensa un poco a me
non mi scorderàààà. 🎼

[cinesthetic. @TheCinesthetic]

Shelley Duvall as Olive Oyl in POPEYE (1980) is one of those castings that borders on the surreal. The voice, the mannerisms, the look. It’s less like watching an actor play a character and more like watching a cartoon somehow wander into live-action.

[belli, sporchi e cattivi @ehibiondolosai]

#8giugno | Gian Maria Volontè e Santo Polimeno in "Un ragazzo di Calabria" (#LuigiComencini, 1987).

- A cosa pensi quando corri?
- A niente: sogno.
- È proprio così che si vincono le gare.

[belli, sporchi e cattivi @ehibiondolosai]

#8giugno | #GastoneMoschin in "Sette volte sette" (Michele Lupo, 1968). ✂️

- Senti, capellone, devi passare dal barbiere e farti tagliare la criniera.
- Spuntatina, shampoo e messa in piega. Mi raccomando: niente lacca.

[cinesthetic. @TheCinesthetic]

PLANET OF THE APES (1968) turned 58 this year.

Its legendary ending wasn’t in the original novel. The filmmakers created it for the movie, delivering one of the most iconic twists in cinema history. 🗽🎬

[Gabriele de Valmont @gabrielevalmont]

Mi ricordo ancora i prezzi di certi giocattoli, nei negozi o nelle pubblicità su “Topolino”., 50/60 anni fa. Mi ricordo anche quelli che non sono riuscito a farmi comprare. Questa credo sia l’unica riflessione che sono in grado di elaborare oggi.

[Jacob Calta @stagescreen60]

TORSO (1973, S. Martino)

[Spanish Movie @Tania9ist]

Detrás de cámaras de Érase una vez en América » (1983)

Sergio Leone

[Iveser Venezia @IveserVenezia]

7 giugno 1965
La Sony Corporation inaugura il mercato dell'home-video con il primo videoregistratore a nastro per l'utente casalingo

[DepressedBergman @DannyDrinksWine]

Terrence Malick's "Days of Heaven" (1978) wasn't a commercial success: its box office gross of $3,446,749 was only slightly more than $3 million, the amount it cost to make the film. Charles Bluhdorn, who ran Gulf + Western, the parent company of Paramount, was so impressed with the movie that he offered $1 million for Malick's next project, no matter what the movie was.

Malick accepted—even though he was worn out. However, since Malick was exhausted and bruised after filming "Days of Heaven", he retreated to Paris with his girlfriend, Michie Gleason. It took 20 years for him to make his next film, "The Thin Red Line" (1998).

("Thirty-Three Years of Principal Filming", Bilge Ebiri, NY Mag, 2011 & "The Runaway Genius: Behind Terrence Malick’s The Thin Red Line", Peter Biskind, Vanity Fair, 2010)

[Corriere della Sera @Corriere]

Spielberg: «Il mio film è realistico, non siamo nella fantasia. Il mondo è pronto per sapere la verità sugli Ufo» https://t.co/N6lNnJg310

[Composure Film @ComposureFilm]

STRANGE-CINEMATIC-SIBLINGS:

Candid portrait of Louis Garrel and Eva Green.

#Dreamers

[Film at Lincoln Center @FilmLinc]

🇮🇹 SENSO (1954), Luchino Visconti’s lavish, operatic Risorgimento-set melodrama, screens in a 2K restoration today, June 5 at 6pm, Saturday, June 6 at 6:45pm, and Sunday, June 7 at 9pm as part of our series History, Italian Style!

🎟️: https://t.co/fz9Oo0k6uj

Set in the final years of the Risorgimento, Visconti’s classic is a key link between the neorealist grit of his early work and the increasingly grand-scale historical spectacles to come.

[belli, sporchi e cattivi @ehibiondolosai]

Dopo mesi di attesa, oggi (proprio oggi #VenerdìVentura) è arrivata questa meraviglia e non ci posso credere che Tony non sia qui. ❤️‍🩹