"Written as his newborn daughter was still shitting in his lap, Marshall makes a mature transition..."
— @mjcyrs on King Krule’s 'Man Alive'
One of my favorite observations found within @BeatsPerMinute's Top 50 #AOTY2020 list 😂
LIST:
Proud to be part of the wordiest 2020 AOTY list so far this year via @BeatsPerMinute. Yrs truly wrote blurbs 50, 26, 25, and 7, but every word here is worth reading: https://t.co/Ieob1CQxCO
Did I find a job today? Naw, but I did get to write about my favorite 2020 LPs for @BeatsPerMinute. No ordered list from me this year, but damn there were some fine records. Look for blurbs on @KeeleyForsyth, King Krule, Jerskin Fendrix, and THE RIVERBED @owenpallett#listmas
https://t.co/2c8FZecjzo
A spooky af all vinyl Halloween set. Prepare for dancing, guitars, heavy synths, and October energy. Happy to finally be able to share this with everyone. @kfaiFMradio
"Keeley Forsyth effectively withholds melodies; all the pieces are there for her songs to spread out and expand, but this tantric method works incredibly well to the opposite effect"
- @mjcyrs reviews @KeeleyForsyth's Photograph EP: https://t.co/kOGUYOsuH9
Out on @TheLeafLabel
"Adding a heavy dose of righteous anger to the narratives, Self Worth's cuts are the lean and mean adrenaline shots we’ve come to expect, or rather, need, from Mourn"
- @mjcyrs reviews @OHMOURN's new album: https://t.co/FgUQSyE1Tx
It's out now on @capturedtracks
Here near it's 10 year anniversary, @bpmNY breaks down why Women's Public Strain is one of my favorite LPs ever, and I'm grinning knowing that people care about it as much as I do. @pre_occupations@chadvangaalen@Flemisheye@jagjaguwar
https://t.co/GZFAoKKflZ