The facial expressions alone in this video have told me that some people are not telling the full truth ππ Everybody should just face front and confess. #AMMoreDrama#AMBetterHalf
I can't believe we're actually getting a full YBNL reunion! π€― #FutureFest26 really brought every single artist ever signed to the label together under one roof. This is history in the making! Secure your spot now: https://t.co/U3Keh9jXon π
Wizkid has ridden the wave of almost every big New Gen artist, from Tems to Ayra Starr, Asake and now Rema, for his own benefit. This is why I'll always respect Burna Boy. He built his own lane and doesn't depend on the New Gen wave or anyone else's hype to stay relevant.
Carter Efe kneel and pray for Wizkid, Davido, Burna Boy, and Asake after listening to Kokopee's song. He then said na God say make them born Asake oo.. he really cooked Kokopee oo π
Hollywood loves a comeback story. What it doesnβt tell you is how ugly life can get before anyone gives you a second chance.
Misty Green (2026) is a comedy-drama written and directed by Chris Rock, starring Rosalind Eleazar, Adam Driver, Daniel Kaluuya, Anna Kendrick and Chris Rock.
The story follows Misty Green, a once-promising actress whose career has fallen apart. Years after her breakthrough, sheβs struggling with personal problems and trying to find her way back into an industry that seems to have moved on without her.
Rosalind Eleazar is the centre of this film, and her performance gives Misty a complicated personality. Sheβs talented, vulnerable, self-destructive and sometimes difficult to sympathise with. Thatβs what makes her interesting: she isnβt presented as a perfect victim of Hollywood.
The film also takes a closer look at fame, addiction, broken relationships and the uncomfortable reality of being forgotten in an industry that constantly searches for its next big star.
It reminds me of The Wrestler (2008), because both films explore performers trying to reclaim a place in a world that may no longer have room for them. But while The Wrestler approaches that struggle through physical decline and a fading career in professional wrestling, Misty Green examines the insecurity, ego and personal chaos behind Hollywood glamour.
My biggest takeaway is that talent alone doesnβt guarantee a second chance. Sometimes, the hardest person you have to fight to rebuild your life is yourself.
Rating: 7.5/10.
Would you give someone a second chance after watching them repeatedly sabotage their own opportunities? And is Hollywood genuinely interested in talent, or only in whoever is useful at the moment?
Imagine going to work every day, knowing something is terribly wrong, but having no choice but to keep showing up. π
Dead End Job takes workplace nightmares to another level. π¬