Mœ V

🇦🇷🇨🇴
...

[sunnie @cute_stayc]

they were so happy to kill AI

[Miyayeah @miyaohyeah]

777777777777777777777

[Mœ V @moevcv]

Me encanta decirle parley al prode ksksjsj

[ᴅᴏᴏᴍᴇɴɪᴄ @dinosaur_info]

Like are you kidding

[candiess / STAYC 2:L0VE JUNE 16 @candiess_0123]

You know it's an amazing album when you see people commenting on each track being title track worthy. That's literally how good STAYC's 2:L0VE album is. Go listen to it if you don't want to miss out on peak kpop greatness.

[anthony 😶‍🌫️ @bartholinite]

Personne ne peignait les scènes de douche comme lui.
David Hockney est mort 🥺

[Jules 𖣂 2:LOVE @beabagyubee_]

2:LOVE OUT JUNE 16TH

[ValleyWitch ☽ @NINETIESWITCH]

Art by Hans Erni

[Pop Crave @PopCrave]

Slayyyter performs an acoustic version of “CRANK” at Grammy House New York.

[björk @bjork]

i wanted to tell you how we made the visuals for nerve-bloom
i did it with Natalia Kleszczewska and Natalie Liu .

Natalia Kleszczewska is a painter , she painted the creatures and the backgrounds .
Natalie Liu is a computer graphics director , she shaped the digital dimension of the work .
my role in it was a creative director , bringing in the singer-songwriter tradition , where emotionally precise things happen inside the structure of a song . i guided colour pallettes , textures and the environments the music happens in .
to make this possible , during the process , natalia often had to paint many shapes and sizes , different textures and layers of colours . natalie then developed the visuals, designing and overseeing CGI elements , and finding ways for the digital to sit organically alongside Natalia’s world . and include my dramaturgy and creative direction.
we spent 7 months talking and working together , dedicated to relish in the craft of blending hand-made visuals with digital experimentation , 3D design and commit it to physical display technology . a lot of time was spent on researching different tools and techniques to find what worked best at each stage in the song .
like i’ve done before , i wanted to merge old things with tech , giving it soul & a meaning .
to paint a painting is an analog craft but computer programming is craftmanship too !! and both can co-exist ,
.....encouraging each other to bloom even further towards a mutual world .

there is a tradition in pop music for the mucisian to choose a video director . in the art world , this is called “curation” , but where we came from , it was natural that the musician would have strong opinions on what your song needed , which mood , colours , textures & storyline . today this is called “creative director” and it is something we didn’t credit ourselves with in the 90s , but i am starting to understand this better now .

i don´t think of me as a visual artist . because my heart is music . everything i do comes from a sonic point of view .
this is something i have called “sonic symbolism” , sound made visual , a reverse synesthesia .

when you listen to a song for the first time , it is like swallowing a whale , you need to feel the whole musical sculpture in one go .
the structure of a song has always been extremely important to me : what shape it is .
this is part of the craft of being a singer-songwriter

........... we are tune sculpturors .......

since i am talking about the visuals for nerve bloom it is impossible to not mention the avatars in my music videos .
they have replaced the storyteller with anattempt to connect to the more universal element of music , through animation, avatars , puppetry both digital and analog .
for me they are marionettes in a puppet-theatre , hopefully in a similar realm as the jungian archetypes
( which we all can act out the characteristics of ...)

.... i feel nerve-bloom is a natural continuation ....

an animated avatar archetype

singing you a song

–––––
Avatars, animation and archetypes: Nerve Bloom (remix) – on display at Listasafn Íslands / National Gallery of Iceland until September 20th 2026.

The production of this film was made possible with the generous support of #bottegaveneta.

[Mœ V @moevcv]

Backrooms pero en muebles Jamar

[STAYC(스테이씨) @STAYC_official]

𝙎𝙏𝘼𝙔𝘾 𝙜𝙞𝙧𝙡𝙨 𝙞𝙩’𝙨 𝙜𝙤𝙞𝙣𝙜 𝙙𝙤𝙬𝙣

STAYC The 6th Single Album 【2:LOVE】
➫ 2026.06.16 TUE 6PM (KST)

#STAYC #스테이씨
#2LOVE #2L0VE

[mvurø ☆ @notmvuro]

en los últimos diez meses aespa y nmixx me dieron un full album y un EP cada uno...

HIGHUP LA CONCHA DE TU MADRE

[Mœ V @moevcv]

Cuando digo que quiero un pantalón de cuero me refiero a esto(difícil de encontrar en este hemisferio sociogeográfico y cultural, aunque salga 1 riñón).
No soy militante del denim on denim , pero de esto sí!!!

[Film Updates @FilmUpdates]

Josh O’Connor for ‘DISCLOSURE DAY’ press

📸: Jason Bolden

[FKA Twigs Brasil @twigsbr]

O diretor do clipe de Cellophane compartilhou no instagram os bastidores da produção que foi indicada ao Grammy de Melhor Videoclipe

[shrek is love, mugler is life❤️‍🔥 @itsbleekerxox]

Madonna at the 2026 Met Gala wearing custom Saint Laurent Temptation of St. Anthony. Fragment II by Leonora Carrington and a headpiece by Son Chapeau