Morphofem 3D

Gender and Social Organization in Eurasian Paleolithic Populations: A New Perspective through the Application of 3D Morphometrics to Female sculptures.

[Morphofem 3D @morphofem3D]

Did you know that Paleolithic female sculptures are still subject to censorship on social media?

https://t.co/nkzkvoVroD

#venus #censored #censorship

[Morphofem 3D @morphofem3D]

This past week we enjoyed the 30th Congress Prehistoric de France in Clermon Ferrand.

There we could show everyone the first results of the project 💜🔬.

[Remy06 @Re_my_06]

Gravettian Venus | Upper Palaeolithic, Europe,(Gravettian Culture, c. 34,000–21,000 BC)

[🅰ntiquity Journal @AntiquityJ]

Thought to be a Palaeolithic oil lamp, some of our most-read research from last year concluded this stone artefact was likely in fact a 13,000-year-old paint pallet, as it contains Europe's oldest instance of blue mineral pigment! #ThrowbackThursday

🆓 https://t.co/Nwi4r3aZTB

[Histoire & Odyssée @HistoireOdyssee]

Reconstitution de la statue chryséléphantine d’Athéna Parthénos.

Haute de 11 mètres, elle se dressait dans le Parthénon au Ve siècle avant J.-C.

[Art Encyclopedia @artenpedia]

Venus statues found all over Europe

[demônia anti-ocidental 𒀭 @weouthereflyin]

👈🏾👇🏾

[Morphofem 3D @morphofem3D]

This conception rests on two basic ideas: the division of labor according to sex and the belief that the tasks performed by women were of lesser importance.

[Morphofem 3D @morphofem3D]

Men became the protagonists in the narratives of European prehistory, fulfilling what were considered the “primary functions” of human subsistence—chiefly toolmaking and hunting.

[Morphofem 3D @morphofem3D]

By contrast, the role assigned to women was linked to gathering, reproduction, and child-rearing, along with other activities regarded as “secondary. (Photo by Tom Björklund).

[Morphofem 3D @morphofem3D]

Click here if you want to see the construction system of a gravettian hut:

https://t.co/vHrv7ErGhG

[Morphofem 3D @morphofem3D]

Trying to do some work for the Congrès Préhistorique de France but it seems we are having soMEW technical problems....

[God’s Whisper @GodsWhisper777]

Antonio Gómez Cros, The Birth of Venus (c. 1860) Museo Nacional del Prado, Madrid — detail

[Morphofem 3D @morphofem3D]

Comparative geometry of Venus figurines following the precepts of L. Gourhan (1965)

(AI)

[romain pigeaud @Rpigeaud]

@morphofem3D Reconstitution depuis abandonnée. Randall White a démontré que la tête de la Vénus avait été sculptée pour elle-même, sans corps

[Morphofem 3D @morphofem3D]

Reconstruction of Brassempouy Venus by Champion

[Archaeology & Art @archaeologyart]

40,000 Years of Venus Figurines

[LenguasClásicas IEDA @clasicasIEDA]

Venus, Amor, Baco y Ceres, 1612-13
Peter Paul Rubens

[Chris Stringer @ChrisStringer65]

Four ivory figurines ~15 cm high from the open air Avdeevo site in Russia, dating ~20 000 years BP
Photo and drawings: Jeppe Boel Jepsen

[Museo de Altamira @museodealtamira]

En el Paleolítico usaban conchas o pelvis de ciervo como recipientes de pintura🎨
Al analizar los restos de colorantes de estas piezas hemos descubierto que mezclaban los pigmentos con arcillas o cuarzos molidos, e incluso podían calentarlos para variar su color.
#PintarAltamira

[Morphofem 3D @morphofem3D]

Subsequently, the incised elements—such as the four holes, the eyes, and the navel—were created by pressing tools onto the partially dried ceramic.

[Morphofem 3D @morphofem3D]

The use of CT technology is crucial for the analysis of many prehistoric artefacts, especially pieces of art. Considering their uniqueness and the high level of protection they are subjected to, any use of destructive techniques such as thin sections is impossible.

[Morphofem 3D @morphofem3D]

On the other hand, the analysis provided interesting results regarding the modeling technique of the statuette, suggesting that the most likely procedure was a non-additive technique.