GM.
We told everyone on the farm we we will be playing Fortnite with all our friends and they should start practicing, I think these two misunderstood.
Kudos to them for getting a head start ��
@Doodrillas
Register for the tournament using the link below.
https://t.co/58nYC42IZ7
🔥🐔 MOTHER CLUCKERS SOLO FORTNITE TOURNAMENT IS OFFICIALLY ON! 🐔🔥
Drop in Sunday, October 11th for a Zero Build Solo Tournament hosted by Mother Cluckers!
🕚 Pre-Game: 11:00 AM EST
🎮 First Match: 12:00 PM EST
📝 Registration: NOW OPEN
⏰ Registration closes: Friday, October 9th
No building. No squads. Just you, your aim, and your game.
📊 Scoring & bracket details will be announced next week, so stay locked in for the full tournament breakdown.
DROP IN. SURVIVE. WIN. 🐔👑
🚨🚨Register below🚨🚨
https://t.co/58nYC42IZ7
MOTHER CLUCKERS IS DROPPING INTO FORTNITE! Get ready to squad up, drop in, and compete in our very first Mother Cluckers Fortnite Solo Tournament! We’re putting the final details together now, but one thing is certain this is going to be one hell of a cluckin’ battle.
We started in 2022 with Soulless Citadel on @zilliqa.
One collection. One story. No studio behind it.
Four years later, that same world is a screenplay, a manga, and a Steam demo.
That’s the whole idea...
Build an IP that still exists after the cycle ends.
Demo’s coming. Come stand behind it 🙏 🤙
Dr. Jones, a Journey.
Over four years ago I started hand drawing character art on my iPad. Alone, bedridden with a back injury. It started with one character concept, a cursed, soulless character.
I’d been in art NFTs since 2019. I watched the OG collections rise and saw the communities that formed around them. I thought, what if a collection followed a whole storyline?
So I wrote The Legend of the Soulless Citadel. Just five pages about the legendary Light Walker warriors and how they got cursed. I had no idea where it would go.
But the community showed up. They saw anime in the work. That pushed us into the first trailer, then the first mint.
I know NFTs got a bad reputation. A lot of that was on us. Founders who extracted. Rugs. Soft rugs. People treating it like a get-rich machine.
I didn’t see it that way. I saw a way for creators to build directly with the people who actually care. A way to grow an IP without handing it to a studio, a publisher, or a VC. Keep 💯 control over your IP, keep building with the community, and challenge the system, as Bitcoin challenged the banking system.
This journey went from concept art on a bed to a whole universe.
Four years of lore, characters, and locations.
An anime screenplay.
A manga.
Three NFT collections.
An origin episode.
Trailers. Original music.
And now an open-world souls-like RPG.
I never expected to be here.
I never took a cent of the NFT money for myself. I put it all back in, plus a lot more of my own, because I believed in the world we were making. When the hype left and a lot of projects shut down, I kept running.
I’m not saying I’m better than anyone. Everybody’s situation is different. There are a lot of incredible people in this space who never stopped either. I’m just proud we’re still here.
This video is the last four years in one run. Dr. Jones leaving the Soulless Citadel and moving through the universe and characters we built.
Thank you to the people who stayed.
Still here.
Still building. 🤙
@M_other_Clucker@mimuonape@mintotaurs Listen to this song three times and it’s stuck in your head for the rest of the day! 😂
Maybe I'll have to publish it on Spotify... 😎