[#유아유] 오늘 음중도 잘 마무리이! 하였습니다.. 모쪼록.. 응원 와주신 팬분들 한 분 한 분 잊지 않고 영원히 기억에 간직하며...! 멀리서 응원해 주신 팬분들도! 감사드리고 내일도 마무리! 잘할 수 있도록 오늘 푹 자도록 해볼게요
#UAU#Dreamcatcher_UAU#음악중심
Como olvidar que sin importar absolutamente nada, ROSÉ lo dio todo promocionando 'GO'
Tan linda ROSÉ, Ella hizo lo mejor para animar al fandom, Lastima que muchos blinks dejaron morir tremenda joyita 🤧
"GENE" ranked #17 on the Circle Weekly Download Chart in its second week, becoming the first DREAMCATCHER song to remain in the Top 20 during its second week!
Second-week rankings of DREAMCATCHER/UAU title tracks on the Circle Weekly Download Chart:
#17 GENE 🆕
#27 OOTD
#28 MAISON
#41 BEcause
#62 REASON
#66 Odd Eye
#72 JUSTICE
#79 BONVOYAGE
#119 VISION
You know what is truly heartbreaking? They can never be alone, even if they wish to be.
There are seven members in this frame, but there are eight people in the room. The eighth person isn't the focus, it is that mirror in the centre. They don't interact with BTS. They're just...there.
It made me wonder if that's what Normal is trying to say. After thirteen years, maybe there is always someone in the room. A manager. A staff member. Security. A camera. Someone waiting for the next schedule. Not because they're doing anything wrong, but because that's what life at this level of fame looks like.
The most heartbreaking part is that their presence isn't unusual anymore—it's become normal. Maybe that's the irony of the title. When your entire life has been lived under observation, being completely alone stops being your normal
прошло ещё слишком мало времени, чтобы привыкнуть и испытать сильнейшие эмоции к видеоряду этой эры. последний клип вышел буквально менее 10-ти часов назад.
но пока моя душа распределила клипы так:
1. Merry Go Round, NORMAL
2. SWIM, 2.0
3. Hooligain
я расплакалась от этого клипа. я увидела столько отсылок на предыдущие эры. в некоторые из них я уже была в фандоме... в общем меня это так растрогало. плюс я очень люблю как уже в третьем или даже в четвертом клипе съемка эстетичная и кинематографичная. и все это в одном ариранг
The imagery of wealth, old-money nobility, and bizarre pet photoshoots in the NORMAL music video acts as a layered satirical critique of ultra-celebrity culture, highlights how public perception strips away an individual's humanity, replacing it with an untouchable, historical caricature.
There is performance of Excess here: Eating in this setting is not for survival or nourishment; it is an elaborate, highly visible performance. by staging a wildly excessive banquet overflowing with wine glasses and gourmet food, BTS is commenting on the perceived privilege of superstardom.
There is Aftermath too: In the narrative arc of the MV, these grand, chaotic celebrations quickly cut to the quiet, messy morning-after. This contrast emphasizes that behind the untouchable royal facade lies a group of ordinary people dealing with isolation once the cameras shut of.
The dog photoshoots are a direct nod to European aristocracy and early photography trends, where the ultra-wealthy commissioned formal portraits of their hounds to signal immense status. Just like the monarchs of 'the days back in the day', modern global idols are effectively trapped within their own golden cages. They are forced to perform elite, curated versions of domesticity for an audience
The bathroom is the equalizer: all individuals are human at the end of the day and have to do this mundane humanly task.
Royalty represents the ultimate historical paradox: absolute power combined with zero personal freedom. The MV was shot at Quinta da Francelha estate.