RAGINGBRACH 🇺🇦

18 (he,him) MONSTER Hunter, Xenoblade, Fire Emblem and other games

[RAGINGBRACH 🇺🇦 @munsterhunter16]

So I ended up playing through FF7R twice once on normal and once on hard then I played the DLC twice too and I 100% the game and I did this back to back
Combat is amazing, story is great I cannot wait for Rebirth these 103 days are going to be horrible to wait for this game

[Katsuhiro Harada @Harada_TEKKEN]

From my perspective, Miyazaki is a rather unique, yet extremely serious game developer.

His career did not begin in the game industry. In fact, he didn’t become a game developer until he was almost thirty years old.

Even among developers of my generation (those of us born in the 1970s), I think it’s remarkable that someone who wasn’t even a game developer during the dawn of the polygon era eventually became one of Japan’s most representative game creators. (In other words, compared to the rest of us from the same generation—including myself—his career path is exceptionally unusual. Most notably, unlike many of us, he was not working at one of the major development studios that held a significant technological advantage during the early polygon era. That, more than anything else, is what makes his path so unique.)

Next, regarding my impression of Dark Souls.

People often focus on its difficulty as a game, but I believe Miyazaki’s true creativity shines through in the world he created. (By the way, I personally think Dark Souls has fairly simple action mechanics, and I don’t actually consider it to be an especially difficult game.)

If you look into my own career, you’ll see that I was personally involved with the Dark Souls series and Elden Ring as the General Manager overseeing both production and marketing (Just to clarify, I wasn't part of the development team itself. My involvement was simply as the General Manager of the publisher-side department overseeing production and marketing). From that perspective, I can say that Dark Souls didn’t suddenly become a massive success overnight. It was the result of everything Miyazaki and his team had built up through their previous titles.

Today, he receives offers from all over the world, but when I think back to the days when he and his team were struggling the most, many of those offers seem like they’re coming from people who only know who they are today. Some of them almost feel like complete reversals in attitude. Well, that’s just my personal perspective.

Personally, I had grown tired of people who would simply compare games by saying things like, “That title cost X billion yen to make and sold Y million copies,” and then use nothing but those numbers to judge them against other games. There were so many people who couldn’t appreciate the journey or the growth of the developers themselves. Anyone can look at the current numbers—they’re available to everyone. Whenever I heard those kinds of opinions, I always thought, “That’s exactly what you’d expect from someone who’s never actually developed games.”
What surprised me even more was that, even if people couldn’t properly evaluate that journey, almost nobody even seemed interested in trying to understand the process of how those developers gradually reached where they are today.
(I'm NOT talking about the fan community).

Now, going back to Miyazaki, there are two things about him that have always stayed with me.

The first was back when I was developing Summer Lesson for VR, around the time it was generating a lot of buzz.

One day, he came to try an early build of Summer Lesson along with people from several other game companies.

While everyone else was laughing, chatting, and having fun with it, Miyazaki alone played it with incredible seriousness. Then, after everyone had finished and started discussing their impressions, he remained completely silent, staring intently at the preview monitor, deep in thought.

Everyone became curious and finally asked him, “Miyazaki, what are you thinking about?”

He suddenly smiled and said,

“Oh… I got completely absorbed in thinking about what I would do if I were making this, and what kind of game I’d create.”

What he talked about after that was, in the best possible sense, completely insane.

It was one of those rare moments when I caught a glimpse of what I’d call his “mad scientist” side—his deeply serious, obsessive approach to creativity.

The other thing that left a strong impression on me was that he generally dislikes video interviews (including live streaming).

I once asked him about it by email, and he replied with quite a long explanation. After reading it, I completely understood where he was coming from.

Simply put, he doesn’t like watching himself moving around on video. (Psychologically speaking, it’s actually a bit more complicated than that.)

But there was another reason.

According to him, there are naturally many people in this industry who know games far better than he does. Whenever he listens to those people speak, he realizes that his own understanding is still shallow, and it makes him feel that he’s not yet in a position to be the one talking about games.

I mean… it’s common for well-known developers to say, “I still have a long way to go.”

But whenever someone like him says that, my reaction is always,

“Come on… if you say you’re still not there yet, then the rest of us won’t feel qualified to talk about games at all.” (laugh)

Anyway, that’s one of the reasons why video interviews with Miyazaki are extremely rare. And conversations with him on camera—especially long-form discussions with another developer—are even rarer. They almost don’t exist at all.

By the way, the other game developer in that photo is Masahiro Sakurai.

If you ask me, he’s basically:

“A Saiyan who genuinely believes he’s just another ordinary human.”

Every now and then, when the rest of us are struggling with some problem, he’ll say something that sounds exactly like Goku saying,

“Well… why don’t you just fly?”

And I’ll reply,

“Because we humans can’t use Flight Technique.”

Then he just stares at me with a completely puzzled look.

To put it in terms of Demon Slayer, I’d describe him as:

"Like Muzan Kibutsuji casually showing up at a drinking party where all the Hashira have gathered, genuinely believing he's just another ordinary guest".

That’s the kind of person he is.

[Flare 🎨 Comms OPEN! | FF7R3 HYPE + TIFA IN SF6??? @FlareVortex_]

Sorry @maximilian_ , your legacy has been forever cemented in history😔🙏 LOL 😂

[Maximilian Dood @maximilian_]

My dude. Tifa is in Street Fighter.

Holy shit

[Christian-Angel (EVO A176) @Apollyon_abyss]

after about 5 weeks, i finally finished my Expedition 33 painting. It was interesting trying to do a piece about a game that's about art, But i really enjoyed this game so much

[FINAL FANTASY VII @finalfantasyvii]

Peak.

[strawderryst @StrawderryST]

There are legends that he still screams

[Jorge Constantini @itotweets_]

he just makes shit come true lmao @maximilian_

[Maximilian Dood @maximilian_]

Can't believe this is happening. @nhamaguc , the director of @finalfantasyvii Revelation is coming over to chat about the game. I'll field some questions from ya'll if you can get them to me in the next hour before they show up.
https://t.co/u6tSKyp4jP

[RAGINGBRACH 🇺🇦 @munsterhunter16]

@maximilian_ @nhamaguc @finalfantasyvii More deep ground stuff ?

[Wolfey @WolfeyGlick]

I placed second at Indianapolis Regionals using Mega Steelix! My Pokemon journey began with Onix, so it felt fitting to begin Pokemon Champions with its evolution. The full team report and 50 minutes of battles with the team are available now on Patreon. Thanks for the support!

[Hydro 🏴󠁧󠁢󠁳󠁣󠁴󠁿 (FREELANCE VIDEO EDITOR) @Hydro_236]

Street Fighter 6 X Chainsaw Man – The Movie: Reze Arc

- INGRID OUT - (An IRIS OUT edit)

Retweets are appreciated!

[Maximilian Dood @maximilian_]

If you don't incessantly defend or argue for any little thing constantly on social media, then you're a larper. That's the definition. It needs to be your whole personality. Somehow, lowest quality Twitter posting became the barometer of 'real' fandom to the permanently online.

[RAGINGBRACH 🇺🇦 @munsterhunter16]

@HiFightTH @maximilian_ u forgot this in your rate the super vol. 2

[HiFight(ハイファイト) @HiFightTH]

How to Dark Ingrid
- Back+Taunt to summon Monoid
- Stay in neutral until Ingrid comes back
- Press back+taunt multiple times when they high-five

22+PPP for big laser
214214+K for one hit burnout attack
412369+KK for Sun Octopus

[Street Fighter 6 @StreetFighter]

Look dapper in a suit, elegant in a dress, energetic in workout gear, and charming in a maid outfit.

Outfit 3 for Sagat, C. Viper, Alex, and Ingrid are on their way on May 28!

[Katsuhiro Harada @Harada_TEKKEN]

I finally made it to WAFFLE HOUSE.

The staff are always friendly, and when I asked if they would sell me a menu, they sold me one for $5.
Next time, I’ll be back at 3 a.m. for fight time.
#WAFFLEHOUSE

[Quasimodox @Quasimodox]

What happened to street fighting, Street Fighter?

[THE KAINONAUT🩻👺 @KAINONAUT]

DEVIL MAY CRY!