Mu

💕1 Corinthians 13:4-5 the best is always yet to come (All views expressed are my own)

[toni childs black @Clitsalt]

Let this be the last year yall let yall boyfriends watch my show. #loveislandusa

[D. @sodeonte]

“on the first day nobody picked me”

#LoveIslandUSA

[yas @adoomies3]

I think Aniya need to count her blessings that she did nothing sexual with KC and I’m so serious

[myo 🧸 @cinnomng1rl]

his “nobody picked me” gave disney channel, i can tell he rehearsed this before 😭

[B 🦌 @akgaecentral]

This was after Trinity cussed him tf out too LMAOO like he’s Brinity down he can’t even pretend to hate

[Jes @jeseeker1]

In simple terms “I didn’t like Aniya but I kept leading her own because I was scared of being single and probably sent him”

[SGCB💞 @ms_angiegie]

The casa girls have no reason to have an attitude coming into the villa. The girls had smoke for the men and men only. Every question was directed to the boys and they decided to back them and put their 2 cents in. They came ready to fight based on what they’ve seen and heard.

[Caribbean *AND* AroAce on Main @MarchDark37]

I'm going to make this simple. When a man makes a comment about "what we should've been getting all along" in reference to sexual acts from women that is an immediate and giant red flag demonstrating a complete lack of respect for the bodily autonomy of women.

[FIFA World Cup @FIFAWorldCup]

Him.

#FIFAWorldCup

[Big Mama, your ARM! @AshleyShyMiller]

The movie, Blink Twice…

[ck.. @pastocrack]

Mais comment c’est possible

[Nadiani🇨🇮 @ToureNadiani]

Forgot to put it here!

Hii x, long time no see.🫶🏽

[BM @BadestMelanin]

🤍 🇨🇮

[Ty Ngachira @anto_ty]

When Tyla said she is not Black but Coloured, she was not speaking into the American conversation about race at all. She was speaking in the language of her own country, shaped by its own history. Yet her words detonated in America as though they had been aimed there. This is what happens when a nation has spent a century convincing the world that its definitions are the only ones that matter.

America’s greatest export has never been war. It has never been democracy. It has never been freedom. America’s greatest export is the dream of itself.

It is not that the films are inherently better. It is not that the music contains some mystical note absent elsewhere. What America has, and what it has always had, is money, reach, and a machinery built to make its image the centre of the world.

This was not accidental. It was policy. It was the soft arm of empire. To project yourself outward until your face is the first one people recognise in the mirror.

And so the American way of life became the default. Other cultures were filed into two neat drawers: savage if they challenged the story, exotic if they could be sold back to you.

If you are Black, your first cinematic self was likely African American, the rapper, the sitcom character, the hero of a Spike Lee joint. If you are white in Europe or Australia, it was the white faces of American sitcoms and stadium tours. Whoever you were, your first image of yourself came with an American accent.

Over time, Americans began to believe the story they had written. When you grow up in the country that built itself into the cultural Mecca, it is easy to think you are the best simply because you are on top. You forget, or never know, that the game was fixed long before you played it.

But the monopoly is breaking. Nigeria’s Nollywood now speaks across oceans. South Korean dramas leap borders. India’s Bollywood never needed permission to fill theatres. Spanish thrillers keep strangers awake at night. Slumdog Millionaire, Squid Game, Money Heist, Shōgun — all aimed partly at the American market because that is where the money is, but no longer about America.

And here is the thing. Black Americans, who fought to be seen in their own country, became the global face of Blackness. That is a remarkable achievement. It was also made possible by the same system that excluded everyone else. Now Africans, Caribbeans, and Afro-Latins tell their own stories without making room for American centrality, and the absence is noticed.

We grew up watching you. You did not grow up watching us. And now the internet has levelled the ground just enough for others to speak without hesitation. Tyla’s words land differently because the world no longer accepts America as the only arbiter of meaning.

America’s greatest export was never its art. It was the power to decide which art, and which identities, the world would see. That power is no longer yours alone. There is both justice and loss in that.

[Brett 🇸🇮 @vaporwxve]

Personne :

Le pain quand je le mets à la poêle après l'avoir trempé dans un mélange d'œufs, sucre et lait :

[dylan @santakawa @DylanLeSaint]

(PROPOSITION) COLLECTION TON SUR TON pour @crtzrtw
«  OBSIDIAN SANDS » © 2025 santakawa

+++ de détails en bas ⬇️⬇️⬇️

[Elie Ya 🧏🏿‍♂️ @elie_yaa]

Je m’attache à cette prophétie 🫵🏿

[L’excès @stephanesacre]

C’est ta maman on ne verra plus !

[John Pololo Jr @johnPololo33]

À cette époque tous les pays d’Afrique francophone étaient du côté de la France contre la Côte d’Ivoire. On s’est démmerdés tous seuls, on s’en est sortis tous seuls