Why is #GrantWood's work relevant today? Curator Barbara Haskell talks about American Gothic in the context of contemporary America. Wood's retrospective opens at the Whitney today! https://t.co/W1P4TAntx3
State officials say archaeologists located a 7,000-year-old Native American ancestral burial site submerged in the Gulf of Mexico off the coast of Florida.https://t.co/JjIcY89ghX
The Gallery is closed today, Friday, March 2 due to the weather. All programs are canceled. Stay safe and warm! [Félix Vallotton, “The Wind,” 1910] #windmageddon
See “Sally Mann: A Thousand Crossings” beginning this Sunday, March 4: https://t.co/RYZBVd8oQf #SallyMann [“Deep South, Untitled (Scarred Tree),” 1998]
What unites this broad body of work is that it is all bred of a place, the American South. A native of Lexington, VA, Mann has often written about what it means to be identified as a southerner. #SallyMann [“Deep South, Untitled (Valentine Windsor),” 1998, via @vmfa]