Ladies and gentlemen, it’s here:
I’m proud to announce that 'Nexus' will be my upcoming hybrid feature film.
Here is a 5-minute teaser, made by 3 people in 2 weeks.
Made with Dreamina AI using Octo & Dreamina Seedance 2.0, full workflow coming soon
New poster for Michael Saronski’s ‘THE DEATH OF ROBIN HOOD’ starring Hugh Jackman, Jodie Comer, Bill Skarsgård and Murray Bartlett.
In theaters on June 19.
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Why do Hollywood videos look different?
The tools.
Now you have them too:
Higgsfield Cinema Studio:
→ ARRI Alexa 35 for that clean cinema look
→ Panavision lenses for organic texture
→ 4K master frames
→ Preserved visual DNA
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While some niche cameras may have larger sensors, the ARRI ALEXA 65 has the largest sensor area among all the widely used digital cinema cameras.
Sensor: 54.12mm × 25.58mm
Resolution: 6560×3100 (~2.11:1)
But because 2.11:1 isn’t a theatrical standard, filmmakers must crop to 2.39:1, 1.90:1, or 1.85:1 ratio.
So which keeps the most image?
Area loss after crop:
• 2.39:1 → 6560×2749 → 11.33% loss
• 1.90:1 → 5878×3100 → 10.40% loss
• 1.85:1 → 5735×3100 → 12.58% loss
Therefore, on Alexa 65, 1.90:1 preserves the most sensor data.
Of course, if a filmmaker doesn’t mind using non-standard ratios, you can preserve all or much more sensor area, like:
• 2.11:1 → 6560×3100 → 0.00% loss
• 2.20:1 → 6560×2982 → 3.81% loss
• 2.00:1 → 6200×3100 → 5.49% loss
• 2.35:1 → 6560×2791 → 9.97% loss
• 1.78:1 → 5518×3100 → 15.88% loss
• 2.55:1 → 6560×2573 → 16.99% loss
• 1.66:1 → 5146×3100 → 21.55% loss
• 2.76:1 → 6560×2377 → 23.32% loss
• 1.50:1 → 4650×3100 → 29.12% loss
• 1.43:1 → 4433×3100 → 32.35% loss
• 1.33:1 → 4123×3100 → 37.21% loss
• 1.19:1 → 3689×3100 → 43.79% loss