the discourse around Lanterns shows why comic book projects don’t usually dare to take on some of the deeper societal issues in their shows because you guys can’t handle nuance and truly see everything as black and white.
you are uncomfortable acknowledging racism, and also uncomfortable acknowledging how John’s parents are using racism which is a real issue and weaponizing it against their own son for John Sr’s failure at becoming the Lantern because the ring CHOSE HIM FIRST.
you are uncomfortable acknowledging that Hal will never have to have some of the obstacles John has due to race, but not seeing how the show is screaming at you that Bernadette’s worldview is flawed and she isn’t acknowledging Hal’s own fearless built from watching his father blow up as a child which TRAUMATIZED him and gave him a large portion of his fearlessness, something John has never had to experience.
you see the abusive cycle John is put through in the show and the way Bernadette justifies it and think the show is trying to tell you this is just because Hal is white. No
Episode 3 of Lanterns wants you to UNDERSTAND John, not tell you Hal shouldn’t have the ring because he’s white 🤦♀️
O problema de #Lanterns é abordar diferentes perspectivas, ter muitas camadas, tentar mostrar que nd é preto no branco, mas apresentar esse roteiro pra um público iletrado.
Um público que se ver uma maçã em cena, vai interpretar que os criadores odeiam banana.
@TheChrisLambert So not only did Hal steal all that momentum and build up from John, he stole it from the audience too bc you wanted to see the celebration
@CaiioTS@Dc_da_depressao Meu Deus😱😱 não acredito que fizeram pessoas negras terem medo por serem excluídas nas DÉCADAS de 80/90😱😱 realmente não acredito que usaram o mundo real e sentimentos reais para retratar seres humanos😱😱😱😱😱
The Odyssey: look how we put 50 guys in a literal trojan horse half filled with water = billion dollars
Project Hail Mary: check it out, the alien is a literal puppet = 700 million dollars
Sinners: here is a 10 minute breakdown on how kodak film works = 400 million dollars
Warner Bros:
La cara de Frank me hace pedazos, el tipo pensó que había matado a unas de las pocas personas realmente buenas que ha conocido en su vida, un reflejo de lo que pudo haber sido sus hijos, un joven que solo quería hacer el bien y alguien que no estaba condenado como él.
Punisher ve a Matt como un hipocrita porque muchas veces el se contiene para no acabar con sus enemigos, pero no me refiero en fuerza, me refiero en moral.
Punisher cree que el y Matt no son tan diferentes al final del día, pero no le gusta que Matt se haga el superior moral cada que puede cuando el mismo se tentó en matar a Fisk.
Con Spiderman es otra historia, ya que ve a un niño que no tiene ira contenida, no tiene deseos violentos, ya que antes de golpear, spidey decide detener, decide salvar, decide ser bueno de verdad, no irse de una a los golpes o a romper huesos.
Por eso que Punisher se siente más amigable con Spiderman, porque reconoce a un verdadero héroe que salva a la gente, que es bondadoso y que quiere hacer un cambio más allá de mandar a un criminal a prisión.
Cuando ve que la bala le cayó a él, entiende que tal vez acaba de matar a la única persona que en lugar de buscar deshacerse de sus enemigos, prefiere dar su vida por alguien a quien él considera que aún tiene esperanza.
SEÑORAS Y SEÑORES, TREMENDA PELÍCULA ❤️
Love how all comments and quotes are calling her hot now that they’ve found a clip to sexualize her in. A month ago y’all were calling her woke and ugly. #typical
Tom Holland you are an utter god for stopping this fuck fest from happening.
Tom Holland being the main reason the Sonyverse didn’t get to ruin Spider-Man in the MCU is just so poetic. Thank you Tom.