Putting together a symposium this Sunday, 8/27, in Tokyo about Politics, SF, and Cold War Culture in Japan.
Looking forward to welcoming anyone who can join us!
Style becomes a lot more interesting when you stop thinking of clothes as a way to look younger, hotter, or richer. Or as a way to gain status and advance your career.
Let me show you. 🧵
as a moderate centrist I believe in a grand compromise wherein the state security forces doing ethnic cleansing agree to reforms whereby they perpetrate 50% fewer broad daylight murders of whomever angers or distresses them and I'm willing to fund those forces lavishly to do it
Hayao Miyazaki on Seven Samurai (1954) and his contrasting historical vision of Japan in Princess Mononoke (1997):
"I love director Akira Kurosawa's Seven Samurai. Even though I love it, the Japan that he depicts in that film is not the real Japan. My perception of Japanese history is different. That is why I felt I needed to make my own period drama with historical Japan as the setting, and why I worked hard at it. The samurai who appear in Seven Samurai are modeled on the Russian intelligentsia and also on the many laborers who were in dire straits after Japan lost the Pacific War. In historical Japan there were no such samurai and peasants. In fact, peasants were samurai in many cases. They all carried weapons. To Japanese who had lost the war, Seven Samurai had an intense reality. But now, as the twentieth century is about to draw to a close, I thought it would be a mistake to use the same model in making a film set in historical Japan. Director Akira Kurosawa’s film is so powerful it cast a spell that everyone has fallen under, giving us a strong impression that it is true to Japanese history. It took me a long time to break that spell."
— "Forty-four Questions on Princess Mononoke for Director Hayao Miyazaki from International Journalists at the Berlin International Film Festival", published in Turning Point: 1997-2008 by Hayao Miyazaki, (English edition, 2014; translated by Beth Cary and Frederik L. Schodt)
A 1920 film about the life of a young girl living in Tokyo's Fukagawa area in 1920: she has to sell natto in the morning before going to school, walks by canals created in the Edo Period, and has to do housework after school.
https://t.co/slsrFuRhzj
while mourning the first amendment we need to give some credit to Joe Biden and the Democrat party for helping crack down on student protestors and pro gaza speech in order to cover for what most of them now have to admit is indeed a genocide. joe walked so trump could run
The US' largest private prison operator, Geo Group, runs one of its largest immigrant surveillance programs. Now, ICE is using the privately run system to track and deport growing numbers of people. 200k are currently in the system. Geo expects it to grow. https://t.co/FGQuxD8rjj
The least surprising thing ever is watching Democrats defend the CIA front known as USAID, deceitfully depicting it as just some nice organization that wants to help:
It's true that theory in the humanities has been trapped playing out the same standard moves for decades. But in what intellectual, artistic, or creative field is that not the case?