name

[영화사 찬란 @challanfilm]

🏆 전 세계 102관왕 & 160회 노미네이트
🏆 [나르코스] 바그너 모라 주연

영화계를 강타한 혜성같은 걸작, 마침내 국내 상륙!

유일무이 프리미엄 스릴러👤
<시크릿 에이전트> 티저 포스터 공개

𝟮 𝟬 𝟮 𝟲 . 𝟬 𝟳 𝗖 𝗢 𝗠 𝗜 𝗡 𝗚 𝗦 𝗢 𝗢 𝗡

[영화사 오드(AUD) @audcine]

7월 1일 = 티모시 샬라메의 가장 경이로운 연기를 볼 시간

<마티 슈프림> 티저 포스터 공개🏓🔥

#마티슈프림 #7월1일대개봉
#티모시샬라메 #조쉬사프디 감독

[Kyle Buchanan @kylebuchanan]

More intel: Cannes prizes will also go to…
THE BLACK BALL
THE DREAMED ADVENTURE
FJORD
A MAN OF HIS TIME
FATHERLAND

[Screen International @Screendaily]

Pawel Pawlikowski’s ‘Fatherland’ triumphs on Screen’s 2026 Cannes jury grid; ‘The Birthday Party’ lands bottom

Check out the final grid here: https://t.co/BmvMAKFnlv

[Screen International @Screendaily]

Javier Ambrossi and Javier Calvo’s La Bola Negra landed middle of Screen’s Cannes jury grid despite its buzzy reception, while Lukas Dhont’s Coward also collected average scores from our critics.

Read more here: https://t.co/S4L1ak0Aun

[Screen International @Screendaily]

Emmanuel Marre’s A Man Of His Time and Ira Sachs’s The Man I Love have landed middle of the pack on Screen’s Cannes jury grid.

Read more here: https://t.co/lq8j1IRqfD

[IntlCinephileSociety @ICSfilm]

Day 9 of the ICS CANNES 2026 CRITICS & INDUSTRY PANEL. Everybody needs sleep, but we need grades! #Cannes2026 https://t.co/lywiM7VsvF

[The Film Stage 📽 @TheFilmStage]

Leos Carax has found his next star: Jenna Ortega.

Read more on 'Lily May B,' which rolls cameras next spring: https://t.co/DcgHFqBFUY

[name @nameisnameis]

RT @greennaraemovie: 2026 칸영화제 비평가주간 초청

마린 아틀랑 감독의
<그라디바> 𝐿𝑎 𝐺𝑟𝑎𝑑𝑖𝑣𝑎

그린나래미디어와 함께합니다.

[그린나래미디어 @greennaraemovie]

‘러브리스’ 이후, 9년 만에 돌아온
안드레이 즈비아긴체프 감독의 신작

<미노타우로스> 𝕸𝖎𝖓𝖔𝖙𝖆𝖚𝖗

그린나래미디어와 함께합니다.

[Screen International @Screendaily]

Arthur Harari’s ‘The Unknown’, Cristian Mungiu’s ‘Fjord’ divide critics on Screen’s Cannes jury grid

More: https://t.co/Vvss0d761x

[IntlCinephileSociety @ICSfilm]

In the nick of time we bring you the latest update to our ICS CANNES 2026 CRITICS & INDUSTRY PANEL #Cannes2026 https://t.co/lywiM7VsvF

[Screen International @Screendaily]

Na Hong-jin’s ‘Hope’ impresses on Screen’s Cannes jury grid while ‘Moulin’ and ‘Another Day’ also land.

Read more here: https://t.co/8axpBLX8Rc

[IntlCinephileSociety @ICSfilm]

Bleary-eyed, we stumble into the second week of the ICS CANNES 2026 CRITICS & INDUSTRY PANEL. Today we go immersive! #Cannes2026 https://t.co/lywiM7VsvF

[IndieWire @IndieWire]

‘Hope’ Review: Na Hong-jin’s Blockbuster Creature Feature Is Undone by a Terrible Script and Some of the Worst CGI Since ‘The Mummy Returns’ https://t.co/EjXagL6wbQ

[IntlCinephileSociety @ICSfilm]

We're almost at the halfway mark of #Cannes2026, and James Gray has taken over the reign on the ICS CANNES 2026 CRITICS & INDUSTRY PANEL https://t.co/lywiM7VsvF

[Screen International @Screendaily]

Ryusuke Hamaguchi’s 'All Of A Sudden' has landed second on Screen’s Cannes 2026 jury grid, while Marie Kreutzer’s 'Gentle Monster' divided critics.

Read more here: https://t.co/5GWEQPZcdB

[The Film Stage 📽 @TheFilmStage]

Our exclusive trailer and poster debut for Lisandro Alonso’s Cannes premiere #DoubleFreedom marks a powerful reunion.

Watch ahead of tomorrow's world premiere: https://t.co/bdezZf8tki

[Screen International @Screendaily]

Pawel Pawlikowski’s ‘Fatherland’ takes early lead on Screen’s Cannes jury grid while Asghar Farhadi’s ‘Parallel Tales’ divides critics.

Read more here: https://t.co/AlEOGtVTy1

[Screen International @Screendaily]

Screen’s 2026 Cannes jury grid kicks off with mixed scores for ’Nagi Notes’ and ‘A Woman’s Life’.

Find out more here: https://t.co/XWnlYp89AK