Nesha

she/her | talking about books, films, and tv shows a lot

[patrick @s4bzzzz]

“Then why do you draw, Fujino?”

[Nesha @neshasurya]

@cheesecakecoc @bibliobase entrok masih ada kak?

[malu! ☆ @pinkpcntheress]

‘ルックバック’ look back

[thaly @thalyonfilm]

THE POSTERS

[sheeta🪞 @ravenmione]

poor indonesian, mau baca buku aja harus berduit.

[d @filmphorias]

i actually love it

[foog @ppppppuri]

Basement Land

#backrooms

[Gustavo🫀*Comms open @gusfreireart]

It’s a real mess, but also beautiful in a way, no?
#backrooms

[Sylvian (#1 Skinamarink Fan) @TheAlexSylvian]

great bit in Backrooms is the part where they visually show you how the place is formed by scrolling down the copies of the copies of the copies of renate's childhood home. she's in her house but she doesn't even know!

[⋆˙⟡ 𖤓 B⋮LA ☽ ⟡˙⋆ @bilya4_ever]

tolong ya phoebe bridgers jangan sebut-sebut satu dollar itu topik yg sensitif utk kami

[soph @vintageminii]

my girlfriend made me the loveliest gift

[Variety @Variety]

Phoebe Bridgers Turns Madison Square Garden Into Her Living Room With Intimate, Phone-Free Show Featuring Eight New Songs: Concert Review https://t.co/WjfGFJcOA4

[phoebe daily @sourcebridgers]

TONIGHT.

[Feat Pictures @FeatPictures]

Sudah gak sabar nunggu sampai 10 Juni? Tenang, BACKROOMS sneak preview di beberapa lokasi weekend ini kok. Cek website/app Cinépolis, CGV dan XXI malam ini untuk info jadwal dan jam tayang.

[アルダちゃん @aldapstsr]

Peminat baca buku di public space semakin meningkat karna berbondong2 nyari jodoh seperti dua lipa dan callum turner

[liz 💥 @lizaboth]

Mamdani is running NYC like a small town mayor in a romance novel and it’s so beautiful to see

[Nesha @neshasurya]

@nosgnuo Absen ikut ☝🏻

[bianca @biancalovesfilm]

this topic is very important to me and yet this list is so small

[s @swbryna]

escrever pra alguém é top 1 demonstrações de carinho pra mim. tem algo de muito íntimo em sentar, organizar os sentimentos e transformá-los em palavras pensando numa pessoa específica.

[Ahmad Arif @aik_arif]

Narasumber bukan entitas yang statis. Mereka bisa berubah. Bisa menarik pernyataan. Bisa menyangkal juga. Dan perubahan itu tidak selalu berarti bahwa mereka sejak awal berbohong.

Ada banyak kemungkinan, bisa jadi
mengalami tekanan, mendapat ancaman hukum, mengalami intimidasi fisik atau digital, atau mungkin ada tawaran lain.

Karena itu, dalam jurnalisme atau dalam hal ini film dokumenter, perubahan sikap narasumber tidak otomatis dibaca sebagai bukti bahwa laporan sebelumnya salah, dan Papua baik-baik saja. Tetapi juga tidak boleh diabaikan begitu saja. Justru di situlah pentingnya verifikasi berlapis dan prinsip informed consent.

Narasumber adalah manusia yang berada dalam relasi kuasa. Semoga Mama Yasinta sehat selalu.